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Saturday, October 8, 2022
Evie Eve
Friday, October 7, 2022
Casey Maunder
ªI’ve poured my heart and soul into this album and both musically and lyrically I feel it is a reflection not only of my eclectic influences but also my views on the world around me. The tracks embody my energy, confidence and unwavering positivity in the face of a world gone mad. This a raw, melodic and fresh guitar album that is unique and stands out from the crowdª.
SWND Records is proud to release the debut album from Swansea rocker Casey Maunder, whose first single for SWDN, Click Me, Swipe Me, Follow Me, Like Me, has caused quite a stir on indie airwaves.
Casey Maunder was born and raised in Swansea and as the son of a local musician was immersed in music from an early age. By twelve years old he was performing with his father’s band and at 14 was writing and performing with local rock bands. At 19 Casey joined The Cherry Thieves and inspired by the Los Angeles glam rock scene they toured the UK extensively and featured regularly in music publications such as Kerrang and Melody Maker.
After the demise of The Cherry Thieves Casey linked up with a childhood friend and formed Four Stories High. The band kept the energy of Casey’s earlier rock projects but fused it with a more imaginative and creative approach to song writing. The band gigged extensively across the UK and their single “Another Day” gained radio play, Welsh TV slots and was released on a compilation of thebest emerging UK talent.
2021 saw Casey decide to go it alone and take sole control of his song writing and releases. His sound is defined by overdriven guitars and a dedication to melody that means every track has a huge chorus that will not quit! His first three solo singles have had extensive radio play, including the track “Rolling at The Rathouse” being played on esteemed station Planet Rock.
The upcoming album “Until Your Heart Stops Beating” showcases Casey’s vocal, lyrical and song writing range and delivers an eclectic collection of songs that range from hard edged rock to harmony laden power pop.
https://www.instagram.com/caseymaundermusic/
https://www.facebook.com/people/Casey-Maunder/100082859078696/
Thursday, October 6, 2022
Studebaker John Grimaldi
Studebaker John Grimaldi was born in an Italian-American section of Chicago and started playing harmonica at age 7. Under the spell of music he heard on Maxwell Street, Chicago’s famed blues melting pot, Grimaldi began performing as Studebaker John and the Hawks in the ‘70s. The band name referenced the Studebaker Hawk, a car Grimaldi still owns today, and was also intended as a tribute to his friend, J.B. Hutto and the Hawks. John began playing guitar after a life-changing experience of seeing Hound Dog Taylor and the Houserockers perform. “…Hound Dog started playing, hitting notes that sent chills up and down my spine. He was versatile and powerful and would play rhythm as well as leads. I left there knowing what I wanted to do. I had to play slide guitar.”
Wednesday, October 5, 2022
Black Joe Lewis & the Honeybears
Austin, Texas-based Black Joe Lewis is a contemporary singer and guitarist with a bent toward vintage blues, soul, and R&B. Backed by his band the Honeybears, Lewis draws inspiration from such legendary "shouters" as Howlin' Wolf, Wilson Pickett, and James Brown, as well as smoother crooners like Sam Cooke. Black Joe Lewis released his debut album on Weary in 2007.
Around the same time, his appearance at Austin's South by Southwest festival garnered increased fan and press support. In 2009, Black Joe Lewis & the Honeybears released Tell 'Em What Your Name Is! on Lost Highway, produced by Spoon drummer Jim Eno. The band toured relentlessly over the next year before reconvening at Austin's Public Hi-Fi studio with Eno to record the even grittier follow-up, Scandalous. The set contained an appearance by gospel group the Relatives on "You Been Lyin'." Scandalous was released on Lost Highway in March of 2011. In 2013, Vagrant Records released Electric Slave, which was simply credited to Black Joe Lewis. While Lewis was still working with his band, he'd grown tired of the Honeybears tag.
But Lewis soon discovered that both fans and promoters imagined that its absence meant he was working as a solo act. After taking some downtime, Lewis brought back the Honeybears billing for 2017's Backlash (his first album for INgrooves Music Group), which also found him exploring harder grooves and a stronger rock & roll influence.
Tuesday, October 4, 2022
Todd Barrow
A chance encounter at Cook Children’s Medical Center is all it took to set Todd Barrow on his mission to revamp classic country with his signature modern twist. One day, an American Idol contestant was slated to perform for the patients at Todd's place of employment, but the audio tech was nowhere to be found. When he heard the call, “Can anybody here run sound?” Todd answered. In walked Texas Music Hall of Fame Honoree Sonny Burgess just as Todd was setting up the live rig, and the two musicians struck up a conversation. Sonny told Todd about his work with Charlie Pride and Randy Travis, and asked Todd if he might lend his technical skills to help build the recording studio sponsored by Garth Brooks and Troy Aikman he that had in the works. This serendipitous encounter yielded a coffee meeting to review the blueprints for the project, and before long, Sonny was meeting Todd for coffee weekly to discuss music. Eventually, he became Todd’s mentor, forever changing the course of Todd’s career.
Now, Todd Barrow is making a name for himself as a country artist to watch. The Texas singer-songwriter has racked up more than a few accolades, from a PRSA Award of Excellence, to an Akademia Award for Best Country Album, and an artist spotlight in Alternative Roots Magazine, American Pride Magazine and AVA Radio. Recently,featured in Red Silk Carpet magazine as chart topping country artist. Performed along side Allison Balson the TV star from Little House On The Prairie! He has appeared on television shows including Good Morning Texas with Jerry Matheny and Texas Music Café on PBS. He’s even shared the stage and studio with some of country music’s heaviest hitters, from CMA musicians in Miranda Lambert’s band to Fort Worth Producer of the Year Bart Rose. But it’s more than just Todd’s success to date that makes him such a compelling country artist. What’s most readily apparent in Todd Barrow’s music is his heart.
Todd’s music is no country for old men. While he undoubtedly draws his sonic influence from titans like Hank Williams and Johnny Cash, his melodies skew modern. He plays almost every instrument, from piano to guitar, mandolin, harmonica, and drums, and the multi-instrumentalist doubles as a songwriter for himself as well as for other artists. “"If I can put a smile on someone’s face through song, well that just means the world to me,” he says. “I try to get to the real heart and soul of a song. To me, it's not just words but a story, and I do my best to portray that with every line. That’s my main draw to country music; the stories, the people, and the sincerity that comes from the heart."
It’s precisely that heart that has won over audiences around the world. Todd Barrow’s recent single, “The House That Love Built”, co-written with Sonny Burgess, was featured on RightNow TV and was honored by PRSA Fort Worth for its fundraising efforts on behalf of the Ronald McDonald house. He is a big giver to charities and a elite actor with Backstage Casting. Todd was featured in the lineup for Bo’s Extravaganza festival at John Schneider’s Studio, alongside such artists as Kid Rock and Tom Wopat from Dukes of Hazzard. He has received radio airplay from Italy Radio 6.75 for his single “Hot Southern Night”.
Todd Barrow just released his latest single, “Girl Like You,” he is hard at work on new music in the studio. Todd is a proud member of the Harry Fox Agency, the Country Music Association, the International Singer-Songwriters Association, the Texas Music Office, BMI, the Fort Worth Songwriters Association, American Music Podcasting, the NSAIDFW Songwriters Association, the Dallas Songwriters Association, the British Country Music Association and the Bayou Country Music Association.
Monday, October 3, 2022
Lance Wing
Hello, I'm Lance Wing, a songwriter, singer, and entertainer based in
the Nashville area. I've been performing music for over 30 years
(whoops, I'm telling my age) and writing songs nearly as long. For about
12 of those years I played 5 nights a week in clubs with many one
nighters, corporate, and jazz gigs thrown in also. I worked with many of
the best players along the coast in Northwest Florida. In Nashville,
now I get to work with some of the best players in the world.
I've had songs on five grammy winning albums by Jimmy Sturr and His
Orchestra, the "King of Polka". On two of those I had the title cut,
'Let's Polka 'Round' and 'Polka In Paradise'. My songs have been sang by
many independent artists as well as Bobby Vinton, T. Graham Brown,
Whispering Bill Anderson.
As a recording artist I've put out a number of my songs in the soulful
Carolina Beach Music scene, some of which have charted there, including
'Heat', 'To A T', 'Be My Lady', 'Shag Time', 'Haul Off And Love
Someone', 'All Done With Me'.
I moved to Nashville in 1992 to further pursue songwriting which I'm
still very busy with and I also have a corporate/casino style show that I
perform. I grew up listening to the great songs of the 50's, 60's and
70's. Rock, Pop, Country, Rhythm and Blues, Jazzy, Vegas, Easy
Listening, whatever. I just love great songs of all styles, so that's
what I do. My variety show has songs of all those styles or I have a
show called - 'It Happened In Vegas - The Songs, The Singers, The Era,
The Place' - featuring songs from back in the heyday of Las Vegas
entertainment by many of the great singers like Dean Martin, Sinatra,
Bobby Darin, Tom Jones and Elvis.
Sunday, October 2, 2022
Black Merda
Black Merda were a funky rock combo with a significant debt to Jimi Hendrix, mixing fuzz-toned, psychedelic blues-rock with folky acoustic passages and contemporary late-'60s soul. Featuring guitarists Anthony and Charles Hawkins, bassist VC Veasey (aka Veesee L. Veasey), and drummer Tyrone Hite, the group got its start in the late '60s after Veasey, Hite, and Anthony Hawkins had spent time in a band called the Soul Agents, backing Edwin Starr and Gene Chandler. Inspired by Jimi Hendrix's Are You Experienced?, they added Anthony's younger brother Charles on second guitar and christened themselves Black Merda. Despite some interest around their Detroit base -- including Norman Whitfield and Eddie Kendricks -- Black Merda signed to Chess, thanks in part to the psychedelic soul eccentric Fugi (aka Ellington Jordan), who they also backed on his Mary, Don't Take Me on No Bad Trip LP for Chess.
Black Merda's self-titled album sounded revolutionary enough, although the bandmembers were disappointed that it didn't reflect their heavy live shows. They then moved to the West Coast to continue playing with Fugi, but returned to Chicago to record a second album. Shortening their name to Mer-Da, the group returned in 1971 with Long Burn the Fire, a funkier outing that bore a likeness to early Funkadelic. The band quickly fizzled out, but over the next three decades, continued record-collector interest in the group eventually resulted in a reunion with Veasey, both Hawkins brothers, and Fugi, although Hite had died in 2004.
Saturday, October 1, 2022
MECHANICAL ROOSTER
Founded in 2016 by Mustafa Kaçar and Onur Çağlar in Izmir, Turkey; MECHANICAL ROOSTER is proud to present their debut album; “Episode One”. Supervised by Turkish blues veteran / producer Sarp Keskiner, the album suggests an innovative formula by blending urban blues with old school hip hop while preaching their idiosyncratic view on global issues in a cut-up tradition, reminding pioneers of the Beat Generation.
- Mustafa Kaçar: vocals, lyrics, harmonicas, synthesizer
- Onur Çağlar: vocals, lyrics, sampling, turntable, fx
- Guest) Sarp Keskiner: guitars, bass, percussion, slide ukulele
The EP is released digital and available on all the download and streaming platforms.
The band suggests an innovative formula by blending urban blues and
electronic with old school hip hop while preaching their idiosyncratic
view on daily issues in a cut-up tradition, reminding pioneers of the
Beat Generation.
Friday, September 30, 2022
News from JAM 66 RADIO: New releases
From today, RAMA SECA, SONNY MORGAN, CHRIS ANTONIK and others on JAM 66 Radio. ONLY THE NEWEST.
Many new groups and artists every day on the radio. Every day, the newest in rock, country, folk, blues and jazz music.
The Blog of JAM 66 Radio, is the blog of the radio that plays rock, country, blues, blues rock, music of route 66 and the newest.
Every day new stories on radio, new posts, new bands, blues, blues-rock , country, folk and rock music are posted on this blog. Also, updated news on the blog in real time.
Tune in and hear on this blog or through the links on the right column. https://jam-radio.blogspot.com/
Dani Wilde
Over the past 10 years Blues
and Country singer-songwriter Dani Wilde has performed at thousands of
venues and festivals across Europe, America, Canada and Africa; from the
main stage at London’s Royal Albert Hall, to the slum communities of
Kenya, to Times Square – New York City.
Wilde has secured three number one’s in the Official I-tunes Blues Music Charts (Two self penned songs and a cover of The Rolling Stones “Bitch’ as part of the girl group “Girls With Guitars”). She has also crossed over to the I-Tunes Country Charts Top 40 placing her alongside Tim McGraw and Taylor Swift in Luxembourg and Switzerland. In September 2017, Wilde was the only British artist in the Roots Music Report's Blues Top 50 - She peaked at Number 28, just beneath the Tedeschi Trucks Band. On October 11th 2017, following BBC Radio 2 airplay and the support of many independent radio stations, Wilde hit the Number 5 spot in the UK I-Tunes Blues Charts, placing her alongside her contemporaries Van Morrison, Beth Hart, Joe Bonamassa and Jonny Lang.
In September 2015, Wilde was awarded 'Best Female Vocalist" at the British Blues Awards.
In July 2016, Dani Wilde's self-penned pop song 'R U Sweet On Me' was featured in NBC's Award Winning Drama Series 'Aquarius'. The hit 'sex, drugs and rock' n'roll' TV series stars David Duchovny as a fictional LAPD detective investigating the case of a missing teenage girl who is found to be with serial killer Charles Manson and his family. The series is known for it's superb 60's soundtrack including The Who's "I Can See For Miles" and "The Seeker", Nina Simone's "Don't Let Me Be Misunderstood" as well as Brighton Blues Belle Dani Wilde's cross-over pop/soul track "R U Sweet On Me".
Dani's International Radio
Play has included live special feature sessions for The Paul Jones Show
on BBC Radio 2 and Bill Wax’s XFM Bluesville show in the USA. On her
travels, Wilde has performed as the opening act for Jools Holland (with
the Chris Holland Band), Nazareth, Johnny Winter, Journey, Foreigner,
Maddie Prior (Steeleye Span) and Robben Ford, to name but a few.
Wilde has performed on The
Legendary Rhythm and Blues Cruise alongside her hero’s Bobby Blue Bland,
Bobby Womack and Taj Mahal. Live collaborations have included sharing
the stage with Pee Wee Ellis at Womad Festival, Christopher Holland,
Samantha Fish (Girls With Guitars) and Sue Foley as well as recording
with top producers Mike Zito and the legendary Mike Vernon
(Clapton/Fleetwood Mac)
Wilde has released three solo studio albums plus a ‘Girls With Guitars’ album for Ruf Records (Luther Alison/Jimmy Vaughan/Louisiana Red). She also manages her own independent record label “Bri-Tone Records”.
In 2017 Wilde signed to
VizzTone Label Group in the USA. Her new album “Live at Brighton Road”
will be released in June 2017. Dani recalled:
“I’ve
always wanted to be a VizzTone Artist. I was brought up on Muddy Waters
and I’m a huge Susan Tedeschi and Sean Costello fan. I saw Susan play
when I was a teenager and it’s what made me want to be a blues artist.
So when Richard Rosenblatt sold ToneCool and set up VizzTone with Steady
Rollin’ Bob Margolin, I longed to have the opportunity to work with
them both. I’ve had a great career with Ruf Records but I’m so excited
to be moving forward with VizzTone! I feel my new record “Live at
Brighton Road” is by far my best work. It’s true to the blues, and
inspired by the American music that I love; but it’s also true to me and
tells my story as a British Blues Woman”.
“Live at Brighton Road” was recorded live at Brighton Road Studios in England. Produced by Wilde, It’s a collection of heartfelt Acoustic and Electric live performances that will tug on your heartstrings and get your feet stomping. The CD release features a bonus DVD of the ‘live in the studio performance’. The album will also be available on 180g-heavyweight vinyl.
In 2020, Wilde resigned with Vizztone, extending her contract for a collection of three singles. The first 'Howling at the moon' was released in March 2020, the second 'Brave' was released in May 2020 and the third 'Masters of War' released July 2020.
A further trilogy of singles
is to be released on Vizztone in Summer 2021, Pluto (May 21), Wild Women
(June 21) and Don't Fish In My Sea (July 21).
A passionate advocate for the charity ‘Moving Mountains’ and Toto Love Children's Home, Kenya, Dani Wilde is also recognised for her humanitarian work, raising funds and awareness for children in Embu, Kenya.
Thursday, September 29, 2022
Blues Caravan
Seventeen years since Ruf Records first had the brainwave of a showcase tour, the Blues Caravan concept remains unchanged and unbeaten. Three rising stars from the roster of Europe’s most respected boutique record label. Three live sets that run the gamut of emotion and genre. And as the finale each night, the mother of all live jams, with all three performers cutting loose together – and inviting the audience to do the same.
Nobody sounds like Katie Henry. The singer–songwriter darting between microphone, piano and Gibson SG, alighting on genres that include rock, roots, R&B, soul, funk and pop. You might catch flashes of a young Bonnie Raitt in Katie’s Blues Caravan performance, but with her raw charisma, heart– on–sleeve songcraft and jam chops hard–won on the NYC circuit, this is one artist earning a reputation on her own terms.“ Music has always been about freedom and expression for me, and when audiences leave my show feeling expressed and more connected to themselves and each other, I know I’ve done my job.”
Will Jacobs is a modern blues/R&B/soul artist from Chicago, Illinois, USA. At 28 years old, he is best known for his powerful live performances.
Whether he’s playing clubs/festivals, performing with other world-class musicians, doing sessions or composing, Will always looks forward to sharing his passion for music with his audience.
In 2022, the Blues Caravan audience can look forward to another Blues music talent who’s guitar will rock the stages.
Through her many years of living and touring in the United States, Brussels native Ghalia Volt has been able to soak up the grooves and vibes of the blues like few Europeans before her. The singer and guitarist made her first big splash fronting the New Orleans–based outfit Mama’s Boys; she solidified her reputation as an exceptional talent with her 2019 Billboard Charting release Mississippi Blend working with legends like grammy–nominated Cedric Burnside. Early 2021, she released her One Woman Band album, recorded at the prestigious Royal Studios in Memphis, another Billboard Charting record showing her multi–instrumentalist skills playing drums, slide guitars and singing simultaneously.
On the Blues Caravan 2022, she’ll be feeding us a gumbo made out of hits part of her 3 Ruf Records releases.
News from JAM 66 RADIO
Many new groups and artists every day on the radio. Every day, the newest in rock, country, folk, blues and jazz music.
Tune in and hear on this blog or through the links on the right column. https://jam-radio.blogspot.com/
Also you can hear us on https://bit.ly/3xAefB1
The Blog of JAM 66 Radio, is the blog of the radio that plays rock, country, blues, blues rock, music of route 66 and the newest.
Wednesday, September 28, 2022
Stevie Redstone
Stevie Redstone’s never been one to slow things down, but taking a break
from the road proved to be just what the hard-touring L.A. songwriter
needed. The change of pace offered a chance to recharge and reflect, to
experiment and explore, and it resulted in the creative windfall that
led him to his spectacular debut, ‘Shot In The Dark.’ Recorded at Los
Angeles’ Valentine Studios with producer Nic Jodoin (BlackRebel
Motorcycle Club, Allah-Las), the album is an infectious slice of vintage
gold, a retro-tinged collection that feels both classic and modern at
once as it draws on everything from Motown and Stax to Britpop and
Laurel Canyon. Redstone’s songs burst with larger-than-life horns,
cinematic strings, and wall-of-sound production, tipping their cap to
George Martin and Phil Spector in their outsized ambition while still
managing to remain profoundly dynamic and intimate.
“I’ve always been a sucker for the big swooning harmonies and orchestral
instrumentation of stuff from the 60’s and 70’s,” explains Redstone. “I
think I just intuitively preferred music from that era because it was
made by human beings and not computers. It was all about the raw
performance.” Redstone’s passion for raw performance has guided him from
the start. His earliest childhood memories involve singing for family
and friends, and by the time he was in middle school, he was writing and
performing his own original material. In college, he launched his first
band, Redstone Hall, which recorded an EP with producer Dave Cobb (now a
household name for his GRAMMY-winning studio work with Chris Stapleton
and Jason Isbell) and played together for nearly a decade before
splitting up.
“It was scary to leave that group because when you’re in a band for a
long time, you become like a group of soldiers together,” says Redstone.
“You get used to the camaraderie and the support system. But at the
same time, I needed to move at my own pace and keep pushing myself, and I
believed in my music enough to take the leap to become a solo artist.”
Following his departure from the band, Redstone teamed back up with Cobb
to record an album under the name Steven Roth. The collection (one of
Cobb’s first sessions in Nashville) earned rave reviews and helped
Redstone land some seriously high profile gigs, including dates with The
Who at the Staples Center in L.A. and the Theater at Madison Square
Garden in New York, where Elvis Costello also joined the bill.
“To be asked to open up for [The Who] was quite a thrill,” Redstone said
in an interview at the time. “You work your whole life for something,
and then it happens, and it’s sort of tough to describe…It’s like how do
you describe jumping out of a plane and falling towards the Earth? Pure
adrenaline and joy.”
As exciting as it was to strike out on his own and perform with rock
royalty, Redstone was still hunting for something deeper, something more
personal and powerful, so, for the first time in years, he cleared his
calendar and forced himself to confront the big questions in his life:
Who was he? Where was he headed? What did he truly want?
“Taking a break from touring to focus on writing really changed
everything for me,” Redstone explains. “It was like this creative
rebirth.”
With rebirth came a rechristening to his current moniker (Stevie
Redstone is a play on the translation of his legal name) and a new, more
collaborative approach to his music. Redstone began teaming up with
writers he met in Nashville and LA for more than half a year of
intensive sessions, pursuing a sound inspired by those raw recordings
from the 60’s and 70’s that piqued his imagination and inspired his
artistic spirit since childhood. While the resulting songs certainly owe
a deep debt to those decades, they’re ultimately timeless, the work of
an artist unafraid to follow his muse wherever it may lead.
“I’ve never been very tuned into current trends, and I’m not
particularly interested in what’s popular at any given moment,” Redstone
explains. “All I care about is finding a way to express myself and
create something that I’m proud of.”
The record opens with the epic sweep of “Shot In The Dark,” a densely
orchestrated earworm all about taking chances and going after the things
you want in life. Hints of The Ronettes and The Beach Boys permeate the
tune, with Redstone’s velvety voice carving straight through solid
walls of strings and horns. The driving “Dance In The Rain” finds the
silver lining in hard times, while “The Real Me” celebrates the deep
bonds of lifelong friendship with tender piano and a soaring orchestra,
and the joyful “Surrender” channels old-school Detroit soul as it gives
in to the inevitability of love.
“I got married last year, and during the time I was writing this album,
we were in that last stretch of being boyfriend/girlfriend,” explains
Redstone. “I was working up the courage to take the next step and
falling deeper in love with her the whole time.”
Though much of the record is drawn from personal experience, Redstone
also looks outward here, tackling both cultural and political issues
with subtlety and nuance. The George Harrison-esque “Now” combats the
modern world’s constant barrage of negativity with a relentless
optimism, while “Shots Fired” recalls ‘Let It Bleed’ era Stones as it
castigates America’s epidemic of gun violence, and the unforgettable
album closer “Rivers In The Sky” was born from the southern California
drought. No matter the topic, Redstone ties it all together with
passionate, explosive performances tracked live in the studio and
straight to tape.
“As proud as I am of the record, I’m even more proud of the way these
songs will be performed onstage,” Redstone says. “The shows I play are
very high energy, totally rocking and rolling and danceable, but they’re
also really improvisational. I like to open the songs up and let the
band jam in a way that makes each concert totally different and unique.”
Redstone may have needed to leave the touring life behind in order to
make this album, but the road is now clearly calling to him once more,
and with ‘Shot in the Dark,’ he’s ready to answer.
Tuesday, September 27, 2022
The Western Country Band
„It is an awesome journey through my life with my music, my friends, my kids, my wife...“ (“The Journey” by TWCB)
It all started with a van. No, not a fan. Andy M. Veit didn't have a fan
back in those days. Except his mother. - God bless all the cheering
mothers out there! - He just had a van. It was old, a little bit rusty
and slow.
„I'm on the road, have nowhere to go, no hurry, I take it slow...“ (“I'm On The Road” by TWCB)
Andy took all his money from his bank account to buy a guitar, a little
PA and this old van. He quit his studies at university. Andy wanted to
be a musician. Surely his parents felt really enthusiastic about this
well thought out idea of their youngest son.
“At nights I play my guitar in a bar...” (“Family Man” by TWCB)
The following years were filled with little money but with lots of fun.
To make your living as a musician is hard work but filled with passion,
friendship to impressive people and sound, sound, sound.
In 2017 Andy M. Veit took the chance to found TWCB with his great guitar
playing friend Marco Birkner. The very talented bass player Mike
Oberhauser and the fabulous drummer Erny Moucka joined them.
“So many people are there, yes they seem to care! With a big wide grin I start to sing...” (“A Good Night's Song” by TWCB)
The first concert was arranged quickly. The band worked hard and had a
lot of fun to create their own sound. But the joy in the matter was
even greater: The first concert already packed! Incredible.
“Successful on my way, no time for a stay. Too far and further on, too fast on and on...” (“Home” by TWCB)
And how did it continue? Logically with the second concert. And?
The hall was full again. Madness. More and more guests came to the
following concerts. The setlist was constantly expanded. Guest musicians
invited. Fireworks of fun shared with the audience.
Own songs have been written. The first album "The Journey" was recorded
in 2018. The single „Christmas In The Country“ was released in 2019 and
in 2020 Corona couldn't stop them. „Little Love Song“ was produced. In
2021 it was released worldwide and reached a great amount of airplay
(nearly) all over the world!
And now?
“It's Time To Smile” by TWCB ;-)
Monday, September 26, 2022
Scott McKeon
Scott McKeon has given a lifetime of dedication to his craft as a guitarist. Initially inspired by his dad’s love of blues, soul and rock music, he took up the guitar at the age of four and has developed a reputation as one of the UK’s most in-demand guitarists, both in the studio and performing live.
Scott was raised in southern England on a diet of Buddy Holly, Eddie Cochran, Chuck Berry, Gene Vincent, Hank Marvin, and other 50s rock n roll music, as well as Stevie Wonder, Steely Dan, Motown, RnB, and soul, through his parent’s record collection. Scott’s dad, Geoff, was a successful guitarist in his own right, with his band The Diplomats opening for The Beatles and Gerry and the Pacemakers in the early 60s, with offers to go to Germany to perform.
By the time he was eight, Scott was playing a full-size Strat and was the face of a Fender ad campaign to inspire a new young generation of guitarists. Around the age of ten, a friend of Geoff’s showed Scott and his Dad a video tape of Stevie Ray Vaughan performing at Austin City Limits. This ignited Scott’s love of the blues and set him on a path to discover more about Texas musicians such as Freddie King, Lightnin’ Hopkins, Doyle Bramhall Sr and Jr, and The Fabulous Thunderbirds. This led Scott to listen to artists including Jimi Hendrix, Albert King, Eric Clapton and BB King, all of which were influences on his playing in these formative years.
In 1998, Scott was the winner of Guitarist Magazine’s Young Guitarist of the Year, writing and performing his own song at Wembley Arena. Scott’s father sadly passed away shortly after this time, when Scott was 13 years old and already fronting his own blues band, playing most weekends in pubs and clubs around the south coast of England.
At 18, a demo CD was passed onto Jakko Jaksyk of Level 42/King Crimson, who then passed it on to Paul Crockford, Mark Knopfler’s manager, who started representing Scott. This culminated in the release of his debut album ‘Can’t Take No More’ - an energetic and raw take on modern electric blues rock, produced by Jesse Davey of UK blues band The Hoax. To promote the album, Scott toured extensively in the UK, Europe and US, sharing stages with Eric Clapton, Derek Trucks, Arc Angels, John Mayer and Sheryl Crow at Hard Rock Calling, Buddy Guy, Johnny Winter, The North Mississippi Allstars, BB King and Joe Bonamassa, as well as playing at The Montreal Jazz Festival, Mont Tremblant Festival, Glastonbury, and making TV appearances in the US.
In 2010, Scott released his second album, ‘Trouble’, on Mascot Provogue Records and again toured extensively to promote the record. This self-produced album crossed over to the rock/pop genre, with emphasis on song writing coming to the fore, after spending time in Nashville writing and hanging out with fellow guitarist Tyler Bryant earlier that year. The album featured guest performances from David Ryan Harris from John Mayer’s band, and legendary UK guitarist Robbie McIntosh. The release of the album led to Scott touring and opening shows for Derek Trucks, Gary Clark Jr and the Arc Angels, and to making his first performance at the Royal Albert Hall supporting Joe Bonamassa. Scott also wrote and produced music for Robert Knight’s ‘Rock Prophecies’ Documentary, which won him a RIIFF award for Best Soundtrack. The makers of Guitar Hero Five also sought him out in order to have a track from ‘Trouble’ on their game, as did the makers of the TV show LA Task Force.
After moving to London in 2010, Scott found himself in demand as a session musician, playing both live and in the studio, with many artists including Zigaboo Modeliste, James Arthur, Emeli Sande, Lana Del Ray, Van Morrison, Andreya Triana, Ed Sheeran and Rebecca Ferguson. Working outside of the blues genre widened Scott’s musical palette.
In 2014, Scott got a call to play in Sir Tom Jones’ band, alongside Robbie McIntosh and Pink Floyd drummer, Gary Wallis. The blues, rock n roll and gospel orientated set allows Scott to call on his early influences and travel the globe, recently completing the fifth year of working with Sir Tom. Performances so far have included five European tours, three tours of the US and South America, and tours of Australia and the Far East, as well as TV appearances including Later… with Jools Holland and TFI Friday, and playing New Orleans Jazz Festival in 2019.
Scott founded his own band, Rufus Black, in 2017, with UK blues/soul singer Gavin Conder, guitarist Ben Jones, and drummer Russ Parker. Their debut album, ‘Rise Up’, influenced by British Blues bands like Cream, Free and The Faces, was released the same year and was met with critical acclaim. The band have since seen their following grow and have been packing out venues and festivals across the UK and Europe.
In 2016, Scott travelled to the Fender factory in Corona, California, to meet with Master Builder, Dale Wilson. Dale designed and built a replica of Scott’s distinctive 1962 Fender Strat - a process which took around a year to complete, when the finished guitar was shipped across the pond to Scott.
Early 2018 saw Scott playing with one of his musical heroes, Eric Clapton, as part of the house band for an annual charity event (also featuring pianist Paddy Milner and guitarist and singer Marcus Bonfanti of Jawbone), Paul Jones and Friends, which also saw performances from Van Morrison and Sir Tom Jones.
In 2019, Scott joined Schiller, one of Germany’s biggest electronic artists, for his ‘Morgenstund’ tour, playing 15 arena shows all over Germany. Later that year, Scott joined guitarist and singer Doyle Bramhall II’s band for part of his European tour for shows in Sweden and Denmark. Scott has also been part of John Illsley from Dire Strait’s live band for the past 3 years, and features on John’s latest album, ‘Coming Up for Air’.
Scott’s third album, 'New Morning' out April 23 2021,is an earthy, raw, guitar-lead record, showcasing Scott's range and ability as a guitarist. The album was recorded live in the studio at RAK in London, capturing the energy and spontaneity of the sessions, and was produced by Paul Stacey (Black Crowes/Oasis), and features Jeremy Stacey (Sheryl Crow/Tal Wilkenfield) on drums, Rocco Palladino (Tom Misch/ D'Angelo) on bass, and Gavin Conder (Rufus Black/The Kondoors) as vocalist on several tracks.
The first single 'Third Eye Witness' released in February 2021, has already made it onto Spotify’s 'Modern Blues Rock' playlist alongside international artists including The Black Keys, Alabama Shakes, Kurt Vile and Gary Clark Jr.
More recently, Scott has been working in a producing role with other artists, with albums due for release later in 2021. You can also catch Scott performing live with his own 'Superjam' group comprised of some of the UK’s top musicians.
Scott has also a signature fuzz pedal and signature pickups, modelled on his ’62 Strat.
Sunday, September 25, 2022
Sano Hill
Sano Hill is a singer-songwriter based in Galway (Ireland) currently recording his debut album. His songs are inspired by life, love and loss and he has played to audiences in the US and Ireland with his work released already to critical acclaim on compilation albums, including 'Origin: See the Light', 'New Horizons', and 'Inundations' (which also featured music from leading international acts, including Josh Ritter, Ron Sexsmith, Lloyd Cole, Damien Rice, Mundy and The Frames).
“Circlewalk” – released on July 29 – is the third single from his forthcoming album (music review responses to "Circlewalk" as well as his acclaimed previous singles “The Climb” and “Starting Over” are available here: https://sanohillsongs.wixsite.com/sano-hill/reviews). The forthcoming album as a whole (titled “If Not Now, When?”) charts the course of a relationship from hopeful beginnings, to emotional crises, breakup and recovery. “CircleWalk” is a darker song than the previous releases, dealing with the challenging subject of communication breakdown in a relationship, when two people can't find the words to say how they feel and instead walk in circles around what they need to say. This song is about expression, about breaking the silence. It features a full band sound, driving chorus and memorable final refrain. It was recorded at Dublin's legendary Windmill Lane Studios with award-winning producer Larry Hogan.
Sano Hill “is blessed with a strong and distinctive voice” (Galway
Advertiser) and his work has been described as defining “a timeless
recipe for original guitar music: inventive, humanist lyrics sung from
the gut, then embedded in rhythms to barrage or soothe the soul"
(Milwaukee Journal Sentinel). For leading Irish music magazine, Hot
Press, Sano Hill daringly “tries to capture the sound, sense and smell
of Galway in a similar vein to Van Morrison's finest compositions about
his native Belfast." (Hot Press).
Selected Review Extracts for 'CircleWalk'
" “CircleWalk” is Sano Hill’s best offering to date. Here, the golden,
ever-lasting, and infectious retro vibe reaches an emotional climax to a
point that the time has stopped and everything will be forever
lavishing and flamboyant...Hill’s vocal is undoubtedly the soul of the
piece. It’s flavorful and expressive. It takes the listeners onto a
whole new level of musical sensation that is unlike other
songs...“CircleWalk” is a non-linear sonic box that preserves the best
of the past and present. It’s a song that leaves an impression in your
head for long as if the buzz will always be a part of your memory."
- https://thepunkhead.com
" 'CircleWalk'... proves that Sano Hill is a real artist who knows how
to write insightful, soulful songs taken from life itself. We love his
sensual vocals, professional arrangements and the originality of his
compositions." - http://indiedockmusicblog.co.uk
"A brilliant and exciting track that’s all about communication... The
ending is phenomenal, with a refrain that sticks in our heads and make
us dance and sing along." - https://lessthan1000followers.com
"The melody is a masterpiece brought to sonic glory by the full band.
Hill’s vocals ride the waves of the sound to tug at your emotions and
make you want to listen to the track over and over."
- https://www.theothersidereviews.com
"Bringing back more of that rich and dynamic direction he has cultivated
for himself, his newest release offers another heady dose of sweeping
textures and soaring atmosphere that we simply can't get enough of."
- https://www.therealding.com
"The arrangement and recording work on the song is phenomenal and
expressive. The versatile guitars and saxophone provide good textural
timbres. Hill’s powerful vocals coupled with the tight arrangement
propel the song to the next level. CircleWalk is a stunning rock song
that will keep you humming and tapping your feet."
- https://sinusoidalmusic.com
" 'CircleWalk', a folk/indie rock single, is a revolutionary creation
... His vocals are unique and hard to explain but its entrancing to
listen to them. Sano Hill is a rising star; he has a unique sound that
anyone could enjoy and find comfort in." - https://www.saiidzeidan.com
"‘CircleWalk’ is a beautifully vibrant and uplifting Folk Rock track
that exudes creative energy. The song starts off with an energizing drum
roll that quickly takes the listener into a funky progression that
generates feelings of freedom and bliss almost instantly. Sano Hill’s
warm and upfront vocals make themselves known shortly after as his
lyrics tell a vivid story about love and loss...The theme of this track
is just as amazing as the overall sound of the song"
- https://www.giftedbalancerecords.com
"What a beautiful song. As soon as I hit the play button I was
fascinated by this melody. The musical arrangements are great. The bass
ventures into intricate melodic phrasing followed like a shadow by the
drums. The groove of this song is irresistible and makes you dance. The
passionate and intense interpretation of Sano Hill is irresistible and I
found myself singing with him" - https://www.edgarallanpoets.com
"As soon as one hears Sano Hill's breathtakingly fun and beautiful
voice, a smile will not leave the listener’s face. 'CircleWalk' is
already making big waves. I believe Sano Hill is the musician you've
been waiting for. Bolstered by a powerful tune, his track graces us with
dynamic and heart-warming melodies." -
https://www.musiccitypulse.online
"The pure vocals plus the intensity of the instruments is a perfect
combination ... It’s almost like a goth rock opera. You will enjoy every
single moment ... This euphoric three minute track will allow you to
drift away as you head back into the forest and thank Sano Hill for
taking you on this journey." - https://www.aceofswords.co.uk
"With vocals that remind us of Bono Vox, the track has an excellent
guitar arrangement and great production that give even more value to all
the emotion delivered to the listener and that reaches him throughout
the hearing of this work." - https://www.osgarotosdeliverpool.com.br
[Brazilian publication in Portuguese]
"As with the previous single ‘Starting Over’, ‘CircleWalk’ has a bold,
rich sound ... the element that screams desperation, melancholy and
inner turmoil is Sano Hill’s vocal execution ... Sincere, sentimental,
introspective and brutally honest, ‘CircleWalk’ connects with listeners
on a deeper level ... It’s inspiring, breath-taking and highly
recommended." - https://nexusmusicblog.com
" 'CircleWalk' has incredible orchestral power that comes from a very
well-placed set of instruments. The composition is creative, powerful
and has an overwhelming chorus that doesn't let the emotion drop"
- https://roadie-music.com [Brazilian publication in Portuguese]
"Hill’s voice is captivating, and keeps the listener engaged for the full length of the song." - https://popfadblog.com
Find all reviews (and full links) for Sano Hill releases here:
https://sanohillsongs.wixsite.com/sano-hill/reviews
"CircleWalk" is the third single from Sano Hill's forthcoming album. The
album as a whole (titled “If Not Now, When?”) charts the course of a
relationship from hopeful beginnings, to emotional crises, breakup and
recovery.
"CircleWalk" is a darker song than the previous releases, dealing with
the challenging subject of communication breakdown in a relationship,
when two people can't find the words to say how they feel and instead
walk in circles around what they need to say. This song is about
expression, about breaking the silence. It features a full band sound,
driving chorus and memorable final refrain. It was recorded at Dublin's
legendary Windmill Lane Studios with award-winning producer Larry Hogan.
Released on July 29th, "CircleWalk" is already receiving rave reviews from music critics internationally.
Saturday, September 24, 2022
Hans Grondel
What are your dreams, what is your calling, what makes you happy? Hans Grondel dreamed of a career in music. Doubt, uncertainty, choosing to be safe has kept him from going for his dream. Because we won't live forever and because he knew he would regret it, the 36-year-old bar owner decided to step away from the bar and follow his heart. He's working harder on his music than ever before!
Hans sings about chasing dreams, love and happiness. Americana that sounds like a mix between Danny Vera and Waylon. Let yourself be carried away by the guitar work and catchy melodies.
In addition to his safe job as a bar owner, Hans has always made music. At the age of 17 he picked up the guitar and since then Hans has performed hundreds of performances, won the Drenthe pop prize, was on stage with Triggerfinger and was shown on MTV.
Follow Hans on his musical journey. His new single: Step Into The Ring is out now! Several singles will follow this year.
Friday, September 23, 2022
Rory Challenger
Thursday, September 22, 2022
Cabela & Schmitt
Two Schmitts and a Cabela, that's how it all started. Two brothers and
their best friend looking to rock the world. Like most kids with dreams
of fame and fortune, all they really wanted to do was jam out with their
buddies. Like all who came before them, they tried everything they
could think of to get into the music business.
This passion to play and sing and share their songs found them playing
out anywhere someone with a building and electricity would let
them...school dances, a garage, backyard parties, weddings, and more.
Almost immediately, this young trio of "brothers" started writing and
recording original songs. Oddly enough, when playing out they found that
they really preferred playing their originals instead of covers, and
they were connecting with their audiences.
Well-rehearsed and armed with some studio recordings of their original
songs, they started sending out packages to anyone who would listen.
Very quickly, they determined that the music business was not as much
fun as they thought it would be. However, their God given gifts for
creating and sharing original music that was important to them grew
stronger.
Throughout the years, all three members have learned to play multiple
instruments, honed their vocal chops, and refined their songwriting.
Their musical goal has always been and will continue to be to write,
record, and share with the world their songs of family, faith, and God.
Fortunately, with the advancement of technology, home studios, and the
internet, the trio have found a way to record and release 10 albums to
date.
Constant students of the business side of music, Cabela & Schmitt
continue to find new and different ways to market and promote their
music to their ever-growing legion of loyal fans around the world.
Cabela & Schmitt are: Rich Cabela (guitar, keyboards), Wayne Schmitt
(guitar, keyboards), and Tom Schmitt (bass guitar, keyboards).
Wednesday, September 21, 2022
Richard Brown
Sizzling, scrappy, bold and daring! Richard browns fresh flute is alive with energy. This flautist’s smooth jazz CD is the most capturing I’ve heard in years. I sat there listening to his free flute style and was mesmerized by the earthy tones. The sound was dazzling and when the music was done it left me wanting more. Richard Brown is truly a Jazz flute Master. If you like jazz don’t miss it. If you like the flute you’ll love it and you can get your free download of his hit single "It's A Boy!" at http://www.flautist.us. For the last 48 years, flautist Richard Brown has been writing and recording breathtaking melodies.
Through many trials and errors as well as overcoming the hiccups of being a musician, Richard Brown has emerged with a free contemporary jazz flute download on his website; http://www.flautist.us.
Richard Brown first started playing the flute in 1972. He has held consistent dedication to his talent in the areas of Jazz and R&B. Over the years Richard Brown put together several bands, most recently Distilled Butter. These bands offer musical talent for a variety of venues including weddings, dance clubs, jazz clubs, private parties, ocean cruises and R&B clubs. Together, the band members have over 160 years of professional music experience and a compilation of over 80 modern and classic songs.
On Richard Brown’s website you will find background information on him,
his music and his musical group as well as samples of his master
flautist ability. The musicians work is sold where ever digital
downloads can be found. His website contains free contemporary jazz
flute downloads from his most current album – Dreams. Richard Brown is a
highly talented musician who’s music makes the heart strings dance.
Simply hit play, close your eyes and relax while the sweet jazz and
R&B sounds play around you.
As a professional flautist, Richard Brown knows that the music world is
hard work. He has dedicated his life goals to working from the ground up
and producing the best musical compilations. While it is not every day
you find a contemporary jazz flautist with such talent, Richard Brown is
certainly one-of-a-kind. With two CD’s already finished and one already
released, there is plenty of contemporary jazz flare to go around.
On Richard Brown’s website, you can elect to go to his CD page and hear samples from all the songs on his CD. Listening to just samples of these pieces makes it is easy to see the talent that flows from this jazz flautist. Whether you are looking to purchase a CD, plan for an event or help promote Richard Brown, you will find the information that is needed on his website (https://www.distilledbutter.com/).
Richard Brown truly is a one-of-a-kind talent in the contemporary jazz music world. His talent for writing and producing music is unmatched. With dedication to his craft, he is a must have talent for any radio station, venue or event.
Tuesday, September 20, 2022
Mountain Castle Band
Vintage America Music is what we call our style of music written and
played by the Mountain Castle Band. We play a variety of styles of music
under the umbrella American Vintage Music.
Mikio Sankey is the leader, lead guitarist and writer of all the songs
recorded by the Mountain Castle Band. Mountain Castle is the American
translation of Sankey (Sanki).
Chris Wonzer is the lead singer, along with Gretje Angell also on lead
and backup vocals. Peter Assing is the saxophonist, Mike Albert is the
other lead guitarist, Paul ILL plays electric bass and our current
drummer is Ronnie Ciago.
Hope you enjoy Vintage America Music by the Mountain Castle Band.
Monday, September 19, 2022
Benedikt Brydern
One of the hippest nights out in Europe is a visit to an “ice bar“ where
the entire club is sub zero and you sip your cocktails in faux fur
coats and winter boots. I mention it because Germany’s Benedikt Brydern
and his electric violin could provide the perfect soundtrack for your
chilled outing. ~STEWART COXHEAD. smoothjazz.com
Benedikt Brydern is an award-winning composer and performer. His scores
have been featured in film, television and on the concert stage in the
United Sates and internationally.
From the Miramax documentary “Rhyme & Reason” to independent films
like” Dunsmore”, directed by Academy Nominee Peter Spirer, from Jon
Voight’s children tale “The Tin Soldier” to the historic drama "Pagan
Queen", whether using traditional orchestral or electronic techniques.
A brand new smooth jazz track featuring the sounds of the violin. Composed, performed and produced by award-winning composer Benny Brydern. Also showcasing acclaimed jazz artist Mark Hollingsworth on saxophone. The stellar rhythm section includes recording artists Rayford Griffin on drums and bassist Gabriel Vivas.
Sunday, September 18, 2022
Vie Singleton
25 years of country music recording artist & performance. Please
play the music and let the audience no where to find my music at:
www.viesingleton.com
From: Michigan USA - South Haven
Date of Birth: December, 02, 1970
Institutes of Education: South Haven High School of Michigan - USA
Baker College of Michigan - USA
University of Houston - USA
Hobbies: Music, Musician, Country Music Recording Artist, Singer,
Fishing, Boating, Mountain Biking, Motorcycling, Cooking, Gardening,
BBQ, Cheeseburgers, Beer & Karaoke.
Saturday, September 17, 2022
Junkyard Crew
Life Slides. The expression can be interpreted in a number of ways: a
child’s sliding board, a sliding life, snapshots – and, of course, the
slide guitar heard throughout the album.
Life tales tell us about the uncertainty of our world as seen from the
narrator's perspective – but not only. Boney Spree, for instance, is a
woman's thoughts about a one-night stand that turned into a nightmare
for her reputation.
Of course, Manouche Fournier also shares his own tribulations. With its
heavy beat, Going Down tells the story of his toxic friendship with a
certain Mr. M. who turned out to be a con man. Still relying on his
bottleneck & rap style, Manouche lets us hear a dialogue between two
friends in Troublations – with one trying to convince the other that
life is worth living no matter what. On the sunnier side, Piti Filé
Gumbo recalls with glowing nostalgia his encounter with a Louisiana
Creole woman. In French, naturally.
That region of the world is clearly a powerful source of inspiration
for Junkyard Crew, if only through the instrumentation: the sousaphone
(the iconic New Orleans tuba), the drum set that was invented there,
and, of course, the resonator guitar popularized by so many Blues
musicians -- in a part of the Deep South where French still resonates in
Creole and Cajun communities...
The horn arrangements were written by the band’s co-founder, trombonist
and tubist Jean Crozat (who also co-wrote some of the music). His horns
range from the reflections of a tortured soul – as in the spiritual
Death Comes Creeping – to the luminous brassy sounds of the powerful
Electro-Blues number, That Grin of Yours.
The final touch comes from Reunion Island via the Creole percussionist
and vocalist David Doris. His hands and voice give life to La Facture,
where France is reminded of its claim to be the land of the
Enlightenment – while mishandling a refugee crisis it helped create. We
also hear him on Whatcha Gonna Do – Reloaded, where climate change
shines through a blend of Duke Ellington and Blaxploitation grooves.
That's How I Wish wraps the whole thing up, but with underlying
tension. In this slow number, a self-righteous attempt to right some
wrongs fails in the face of powerful adversity. The end might just sum
up the whole album – the struggle continues, but it's best to choose
your battles...
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