Showing posts with label indie. Show all posts
Showing posts with label indie. Show all posts

Tuesday, October 10, 2023

The Glass Skies


The Glass Skies are a four piece indie/pop band from Liverpool, who have been making music since 2015. 


The lads said when they kicked it together, they just knew music was the way forward for them as they got along so well. Originally they were called Skylights but changed the band name as it clashed with another band of the same name from Yorkshire. The Glass Skies have played hundreds of shows around the north of England, the highlights being; Noel Gallagher’s High Flying Birds after show party in 2016, St Helen's Christmas Light Switch, Anthony Walker Festival, Liverpool Pride and so many more, including theie first uk tour in october 2022.


The Glass Skies come with energy and big tunes, they said ''we want to capture the imaginations of the country with our energetic songs with real lyrics about the turbulent lives of our singer and drummer, Sonny and John backed by one of the most talented guitarists around, Lachlan, along with our new bass player, Ewan! 

http://www.facebook.com/theglassskies

Monday, December 19, 2022

Honeypot

 


Honeypot is the passion project of Frank Hartman, a guitar-slinging lawyer by day, and a rockstar by night. The band is based out of Charleston, South Carolina, but is casting its net upon the wider world with its new release of, On the B Side ReBorn. Here find the new, improved, for a limited time only, ascendant product of three years of blood, sweat, and tears.

We made On The B Side ReBorn in the fiery chasms of Mount Doom with the assistance of the aptly named Apocalypse Studios hailing from Guernsey, England. We took the battered bits of a previous offering and looked at it in a new light and remixed it with their assistance. Out of the darkness came light and the music took on a new shape. Something we dreamed of as boys. Something timeless. Then we made a bargain with Devil, making use of mastering provided by LANDR. Artificial Intelligence that will eventually replace us as makers of music smoothed the few rough edges left over from the master mixing.

We present On the B Side ReBorn to world on the 6th of May, 2022. There was a tickler release of "Over the Line" as a single on May the Fourth Be With You. There is more to come. 

 https://honeypotband.com/

Friday, December 16, 2022

Judith Owen

 


 

Welsh singer and performer Judith Owen is releasing her new album, "Come On & Get It", via Twanky Records, together with a charming, burlesque-infused new video for "Tess's Torch Song". The video was filmed at the Toulouse Theatre in New Orleans, featuring the bow-tie "Loving Big Band". 

 

Delicious, delightful, bodacious, brave, insightful, seductive and fun - just some of the many adjectives one might use to describe Judith Owen's fascinating and alluring new album.

 

Owen, a now New Orleans native who originally hails from Wales, conceived of the project as a result of her childhood fascination with the jazz music of some of the ballsiest women of the Jazz and Blues world, including unsung trailblazers Nellie Lutcher and Julia Lee whom she discovered hidden on the shelves of her father's record collection alongside the likes of Oscar Peterson and Jelly Roll Morton. Captivated and enchanted by these "unapologetic" chanteuses of the 40's/50's (Pearl Bailey, Dinah Washington, Blossom Dearie, Peggy Lee, Julie London), who were singing about sex - and enjoying it at a time when women were meant to sing about romance - Owen made it her mission to dig deep and find out more from both a musical and historical perspective. The result is "Come On & Get It," the most joyful, uplifting, and empowering project to emerge out of Covid; a throw-back with a fresh feel complete with a look and style that speaks of all those delectable, hugely entertaining women who broke the glass ceiling with their shoe heels and were ever so proud of it!

 

Recorded at Esplanade Studios in New Orleans, "Come On & Get It" features a stellar cast of musicians, including Jason Marsalis, Donald Harrison, Charlie Gabriel, Nicholas Payton, David Torkanowsky, Kevin Louis...

 

 https://judithowen.net/

 

Thursday, December 8, 2022

Paradise Blue

 


 

In the back of my mind, I have carried reminders of evenings engaged with Keith Jarrett’s 1975 The Köln Concert recording of improvisations played on a Bösendorfer Imperial Concert Grand. Solo piano is a precise arena for many a pianist. At once revealing, yet intimate and rewarding. Much to do with the broad range, possibilities, command, touch, and the instrument at hand. Jarrett achieved something few before had ever tested in front of a vast audience. Sit behind the piano and play. No script, no set list, no banter between entertainer and admiring crowds.

With Paradise Blue I explore the range of emotions, the many shades of the colour blue. Six of twelve tracks are improvised. The blues, a touch of classical and the accidental improvisational curves of jazz. And there is a backstory to my relationship with the piano.

In the ‘50s, Era King looked after the boys as dad worked the night shift at Colgate’s, and mom hemmed parachutes at the Quartermaster Depot. Era was my grandmother, old country in style, manners, and as stern as a woman could ever be. A weary upright piano stood near a soft lit window, the centrepiece of her daily life. Mid afternoons, the soap opera The Edge of Night and other Christian programming held her interest.

When playing, Era whispered along, invariably something sacred. I’d study her squinting eyes as they peered above wired-frame glasses while she leafed through a hymn book, hair rolled in a bun, and understood the wheezing soap opera organ in the background, the soundtrack of her daily life. The hymnals - a reprieve from separating agitated kids and averting the devil’s grip.

It was the most primordial sound. Melody and broken chords. No frills, just the occasional inverted triad, one that never disrupted a lyric or directive from the Lord. Slow-moving melodies, distinctive and meaningful. Folkish and rooted deep in civil soil.

I’ve long been intrigued with melody. The cry of a single note as it seeks a partner, suddenly a community member, and then a composition. It’s those moments when sound moderates the brain, and one tunes in. How and when a single note, a second, and third merge - stream down through the soundboard resting at the feet of the damper pedal.

Paradise Blue is the piano talking back at me. That light in the head momentarily eclipsed, hands in receipt of inspiration. Junctures of sweeping colour and others of blue intent. Fingers jabbing and prying at the space between black and white notes, the overtones, the undertones, wedged between the crevices. A solitary moment where melody and harmony linger beyond invitation.

In memory of those piano teachers that brought so much joy and clarity to my playing. Eva Smith, Don Murray – The Louisville Academy of Music, Jamey Aebersold, Oscar Peterson, Composition studies at Ursuline College and piano at the Louisville Conservatory of Music. That other worldly miracle of influence, pianist Martha Argerich.
Remembering Doug Tipple whose Yamaha C-3 resides in our kitchen, a gift from Laura Tipple and the love and care Doug shared with his beloved friend. Big hugs to my piano finder and friend – Helga Stephenson.

To Kristine for the lovely cover art, Jesse - cover design, Mike Haas the critical mastering – friends, Gary Slaight, Derrick Ross, Pat Silver, FYI MUSIC News, Saturday Night Jazz, Mark Ruffin, Martine Levy, Jane Harbury, Stephen Smith, Ilona Kauremszky, Jessica Bellamy, Ken Stowar, CIUT 89.5 FM, Gloria Martin, Mark Hebscher, Susan Perly, John Harris and my brilliant cousin, Linda Michelone Lang.

Wednesday, December 7, 2022

Michael Massaro

 


Michael Massaro is in motion once again with his 5th full Album Release with ‘I Remember You’ as a follow to his latest Single Release of New World being played over 200 +Stations spanning over 20 countries! This Album consists of 12 Original eclectic and easy-to-listen instrumentals that are accessible to the listener. In other words, it covers different grooves, styles, and genres to connect on some level with everyone.

Michael Massaro is no stranger to the Canadian airwaves as he is one of Canada’s premier musicians. His distinctive saxophone recordings have been heard internationally since the eighties with major instrumentals such as ‘Flying Easy’, ‘L.A. Days New York Nights’, and ‘Wings of Glory’. His talents were heard on a Redmond Broadcasting compilation recording with some of Canada’s foremost instrumental performers including David Foster, Liona Boyd, Moe Koffman, Andre Gagnon, and Frank Mills to name only a few. Michael Massaro was thrilled to be included with such a stellar lineup and was humbled when the album was titled after the Massaro hit, ‘Flying Easy’.

https://michaelmassaro.bandcamp.com/

Tuesday, December 6, 2022

Robert Ocean

 


In a domain as saturated as the music industry, it is very rare for an up-and-coming singer and songwriter to not only discover their niche very early on, but also to make it their defining attribute. This is exactly what Robert Ocean has done – by blending an array of dynamic acoustic ranges and marrying them with the bold hook of alternative rock, Robert Ocean has created a brand of music only he can truly champion.

Ocean has always prided himself in writing music with a higher purpose in mind. He has always aspired to create music that has the potential to inspire, enlighten, and initiate growth and forgiveness. Championing the theme of togetherness at its core, his entire discography stands tall as a riveting example of how music has the transcendent ability to foster love and care. 

 https://www.robertocean.com/

Saturday, December 3, 2022

Womack III - Songs Of Downfall & Deliverance

 

Womack III - Songs Of Downfall & Deliverance is the latest offering from local heroes of small town called Forssa, in Finland.

Lovingly calling their hometown the deep south of gloomy north, this foursome embrace their smalltown boy roots and let their love of southern rock shine through their heavy metal influences.
 

As the album title suggests, this is the third full-lenght album from Womack, who, as a band have gone through a lot considering they were formed in 2010, and are quite young as an orchestra. After their first album "Prehab" they went through a line-up change as their original drummer chose to leave and Womack was left to reinvent themselves completely.
 

They did just that, and the result was a fully acoustic rock album "Strays" which was a whole new kind of challenge for the band, as they wandered far away from their comfort zone in search of new ways to express theirselves.
 

Out of that period they got behind the wheel of their distortion-driven side, backed with their new member, Jani Blomerus who has been instrumental in the development from an acoustic rock band to a heavier, groovier harder hitting riff machine.
 

The new album has been in the making for several years now: The groundwork was laid in the later days of 2016, and the album has been slowly cooking ever since. The band has truly given the process their all, and found a new level production-wise too, as the album was mixed and mastered by the legendary Hiili Hiilesmaa, who should need no introduction to anyone who has read their homework on finnish metal.

 

The band has released two singles, Back On The Hooch off the forthcoming record, and another track, Spittin´ Teeth a couple of weeks before the whole album will finally hit the virtual shelves of the streaming world.
 

The band is proud and satisfied with their magnum opus thus far, but are also keeping their collective sights aimed to the future: They kept themselves busy during the pandemic, writing new songs and rehearsing, so they would be among the first ones out the door when the world opens up again.
 

Womack is ready now. Let´s hope the world is ready for them.

 https://aivoimuri.wixsite.com/womack

Friday, December 2, 2022

Gulf Stream Riders


 

"The Mystic Burns Within" is an intimate conversation between two different sides of the same person. The vocal shifts back and forth between one side given to despair, and the other side that sees what's good in this existence. This alternating pattern connects with the melody to evoke honest feeling in this deep and ultimately hopeful tune. A beautiful, laid-back Folk-Country song with a nice build up towards the end.

Gulf Stream Riders, aka Chris and Nalle , are former members of a hard rock band that had a record deal with Warner Music in Scandinavia and toured the clubs in LA. After a breakup that lasted many years, with Chris studying back home in NY and Nalle writing and producing for artists around the world, they reunited to pursue the long time dream of making the kind of music closest to their hearts; Country/Country-Rock.

 https://twitter.com/RidersGulf

Wednesday, November 30, 2022

Mark Ruebery

 


Mark Ruebery is an original songwriter, singer. guitarist and recording artist.

Mark has been writing songs for over 25 years and has performed his material all over the world…..

After graduating with distinction in guitar from the Royal Welsh College of Music and Drama, he recorded his debut album ‘Because of You’ at the legendary Rockfield Studios, Wales. 

The album was promoted by BBC Radio Wales as ‘album of the week’ and five songs were featured as ‘single of the week’. He has had multiple plays on BBC Radio 2 and his videos aired several times on Sky TV. Mark regularly performs his songs live in session on BBC radio and for many other stations.

His second album ‘One Night One Chance’ was recorded at the famous Abbey Road Studios, London. A lifelong ambition for MarkA song from Mark’s second album ‘One Night One Chance’ was featured on an American pilot TV Series “Do I have a hit Song?” in Jacksonville, Florida. 

https://www.markruebery.com/

Monday, November 28, 2022

Chris Antonik Releases "Trust In Me" From #1 Roots Music Report Canadian Chart Album 'Morningstar'


 

Chris Antonik, whose album, Morningstar, still sits at No. 1 on the Roots Music Report, has released a blues/hip hop hybrid single, “Trust in Me,” something a little different for the chart-topping blues-rock guitarist who has always pushed the boundaries of blues.

 "I wrote this song as a commentary on how toxic, childish, and mean politicians were becoming in the media in the years leading up to the pandemic,” says the Toronto-based musician. “As a single parent, I needed to work extra hard to drown it out and outweigh it with positive behaviour examples for my kids because there was no help from the top.  How we talk to people is important and it's incredible how crazy the world was getting in this respect."

“Trust in Me” features one of the fiercest guitar solos Chris has ever recorded. “Musically, I required this sort of modern, chaotic, industrial-type vehicle to tell my story and to deliver the song's ferocious and intense guitar solo,” he explains. 

The track also includes a beautifully chaotic and mind-bending soprano sax solo by 2022 Maple Blues Award-winner Alison Young. “Sonically, her contribution matches the frustration and confusion of the lyric’s theme, but also has a desert/mystical/Duran Duran ‘Union of the Snake’ vibe,” Chris says.

“Trust In Me” is the fourth single from Morningstar, following August’s release of “Back to the Good”, July’s “Pilgrim,” and June’s “Waves of Stone” (feat. Jarekus Singleton).

All the singles have done phenomenally well on the Roots Music Report, starting with “Waves of Stones,” which landed at No. 1.  Both “Back to Good” and “Pilgrim” also reached No. 1 in Canada on the Roots Music Report’s singles chart.

This kind of reception is nothing new for Chris. Since his nomination for Best New Artist at Canada’s Maple Blues Awards in 2011 based on his debut album, Chris has been delivering innovative and thoughtfully crafted songs that transcend expectations of the genre. His sophomore album, Better for You, was hailed by critics as “the best Canadian blues-rock album of 2013” and “a masterpiece” — with American Blues Scene calling it the “sound of someone taking the blues to a new place.”  His self-produced third studio album, 2017’s Monarch, further expanded the blues’ boundaries into blues-rock, soul and Americana; it was nominated for both Songwriter of the Year and Recording of the Year at the 2018 Maple Blues Awards.

Reviews for his latest album, Morningstar, have been stellar.  All Music Magazine gave it a 10/10, while influential US blues-rock outlet, Rock and Blues Muse, said “Antonik is clearly focused on making music that advances the state of blues/rock and guitar music in general.  He’s got bigger game on his mind and is creating music that will stretch your soul when you hear it. He’s a fully developed artist working on something big. We should all be listening.” 

A few days after its Aug. 5 release, Morningstar charted on the Roots Music Report at No. 4 for radio play in Canada (all genres) and No. 7 in the U.S. (for blues rock). The album also hit No. 1 in Canada on the Roots Music Report, the week of Aug. 13, and No. 20 in the U.S. for blues. 

 

Sunday, November 27, 2022

The Whythouse


The Whythouse is back with a new song called Urban Country, This fast paced, fun and energetic song is our 11th studio release this year. Urban Country is the final single released off The Country Files LP. It features a little bit of urban and a little bit of country which is no surprise based on The Whythouse's previous releases.

The Whythouse is a multi-versatile urban collective fronted by Chris Hale alias Plex who hails from Toronto, Canada. This prose fits in perfectly in that pop box as they do in the Country scene and is what has made it a fan favorite with the tracks from their impressive discography going on to amass millions of streams with massive airplay on radio and other digital channels. It seems like everything the band touches ultimately turns to gold and is really proving to be one of the most innovative and creative collectives of its generation. The Whythouse connects with its audience by putting their hearts and souls into their songs while ingeniously investing real-life stories into their lyrics.

 https://www.thewhythouse.com/

 

Wednesday, November 23, 2022

Claudia Campagnol

 


Claudia Campagnol's voice is extremely powerful, yet warm and soulful. She takes inspiration from jazz, pop, soul, and R&B, showcasing a stunning flair for improvisation and vocal arrangements.

Claudia Campagnol has a deep-rooted affection for jazz fusion, and she has achieved great success on the jazz scene in Denmark as well as abroad. Her debut album "I'm Strong" (2019) was nominated for Danish Music Awards Jazz in two categories: 'Best Vocal Album' and 'Best New Act', and received excellent reviews worldwide.

But for a while, Claudia has considered trying her hand at other genres.

With her single "Dance With Me" (2020) – inspired by names like Chaka Khan and Sade – Claudia stepped into a funky pop/R&B world that suits her amazingly.

In February 2021, Claudia released the beautiful love ballad Abracadabra, with which she participated in 'Dansk Melodi Grand Prix 2021' (the Danish pre-selection for ‘Eurovision Song Contest’).

In March 2021, the super catchy "Do You Love Me (Dance Edit)" was released – and with an ongoing desire to challenge herself, she continued down the Pop/R&B/Soul path with her single "Everything's OK" (June 2021). – This time adding a flirty touch of Reggaeton.

Her new single "Confused" is a laid-back, confident and funky affair that makes you dream of the California sun and cruising up and down legendary PCH (Pacific Coast Highway) - or the French Riviera. Think West Coast music, Earth Wind & Fire, Bill Champlin and Michael Ruff, and the mood is set.

https://www.claudiacampagnol.com/

Tuesday, November 22, 2022

Hickory Hank


 

Has it been a long time? Nah, that's actually great. So not so long ago a number of musicians, relatively unknown to each other, got together to share their love for Country and Americana, in particular. Joint heroes soon found the men in Johnny Cash, Hank Williams and Gram Parsons. There is also a common preference for the more traditional instruments. They mean guitar, mandolin, banjo, bassukulele and whatever else comes to the table.

From their town on the Rhine, the men are slowly but steadily building a solid live reputation. And they are welcome guests on and off stage. Given their set of instruments, they have freedom of movement to play in any cozy corner. In fact, that's probably what they like the most. Blessed with voices like nightingales, the polyphonic vocals really add value.

https://www.facebook.com/HickoryHankTank

https://hickoryhank.jouwweb.nl/

Monday, November 21, 2022

Gulf Stream Riders, new album

 

 
 
Gulf Stream Riders, aka Chris and Nalle , are former members of a hard rock band that had a record deal with Warner Music in Scandinavia and toured the clubs in LA. After a breakup that lasted many years, with Chris studying back home in NY and Nalle writing and producing for artists around the world, they reunited to pursue the long time dream of making the kind of music closest to their hearts; Country/Folk.

Barn Music is the first full-length album from Gulf Stream Riders since they began releasing music in 2018. The album is a snap-shot of GSR’s consistently excellent work, with increasing focus on the folk and roots side of their sound. 
 
12 tracks, 5 never before released songs/versions.  
 
Heart Trying Mind Lying is a plain-spoken song about sad endings and new beginnings; and also a toungue-in-cheek reference to vocalist Christopher John’s surprise heart attack and surgery in ‘21. Heart Trying Mind Lying somehow manages to be mournful and optimistic at the same time.
 

Thursday, November 17, 2022

Luminous Wavez

 


 Luminous Wavez is acclaimed U.K. artist Leaone (Lee-own) and American lyricist Mike Dobbins (Patience Gloria) collaborative effort birthed during the long days of Covid. Their 2nd EP, Ashes of the Artist, displays the incredible music potential of the duo. While binge listening Cash, Cornell, and Cave, Dobbins reached deep into the depths of his being to reveal buried emotions longing for release. The resulting lyrics are dark, honest, painful, courageous, and demonstrate a maturity derived from life experience. The youthful musical genius of Leaone infused the perfect modern day indie rock sounds into the songs with his deep, haunting baritone voice and ridiculously catchy melodies. Revenge Song Spiritual starts the journey, showcasing a fearless, uncompromising message of vengeance that would make Johnny Cash proud. The introspective Ex Regrets provides a reflective meditation on lost relationships and the naive Gatsby like hope of their resurrection. Let the Pain Be Your Light destroys commonly held assumptions of pain, seeing it not as something to run away from but embraced in order to grow and escape the darkness. The closing track, Have No Fear, has a Nick Cave minimalist feel and stands out as a brave, hopeful song that leaves the listener emboldened and revitalized at the end of the EP's journey. Mixed and Mastered by Math (Matt) Bishop (U2, The Killers), Ashes of the Artist ups Luminous Wavez game in the music world. Their future is wide open.

 https://www.facebook.com/LuminousWavez

Saturday, November 12, 2022

Stephen Wines

 


Small town musician and songwriter Stephen Wines is quickly making a big impact on the local and national music scene. The release of his first studio single “Country Girl” was an instant success among critics from all backgrounds! You can find Stephen touring all over the continental USA including Alaska and into Canada! 

 https://www.facebook.com/stephen.wines/

 https://www.instagram.com/stephenwinesmusic/

Thursday, November 10, 2022

The Livesays

  


The Livesays are an accomplished five-piece Heartland/Americana band fronted by the band’s namesake critically acclaimed singer/songwriter/guitarist Billy Livesay, who spent 12 years performing, recording and touring with E-Streeter Clarence Clemons' band "Temple of Soul." During his 12-year tenure with the beloved “Big Man,” Billy recorded and released "Live in Asbury Park" Volumes I & II at The Stone Pony, the second album which features Bruce Springsteen. Billy has shared the stage with so many industry giants, his resume reads like a "Who's Who of Rock n' Roll Hall of Famers."

Drummer Steve Rheingold, was formerly the beat keeper with the legendary Wayne Cochran.

The Livesays' lineup is rounded out with Jorge Laplume on bass, Victor "Cuqui" Berrios on Hammond B-3 organ, and Tim Murphy on piano, all of whom have impressive resumes of their own. Cuqui, who grew up in New York City, offers a touch of the Big Apple to the band with his Hammond B3 and impassioned vocals. Tim brings his ear for harmony and his unique Elton John style piano. Jorge hails from Havana, Cuba; with his Latin roots coupled with a steady diet of the rock groups The Who and Free, he delivers a bass sound that is both funky and thunderous.

The combination of these five seasoned pros, with their versatile backgrounds, incomparable harmonies, energy level, and undeniable chemistry, create real magic on stage together and put on one heck of a dynamic live performance.

The Livesays have created five full length albums that are both memorable and moving with stories ranging from adolescence to adulthood, from battling addiction to conquering depression, from finding love to losing love ... with lyrics that will surely touch your heart and quench your soul. 

 https://www.thelivesaysmusic.com/

Sunday, November 6, 2022

The Lost & Found

 


A south wales originals band with alternative guitar sounds and with added welsh swagger.

We're over the moon to be sharing with you the new album from, Cardiff-based rockers, The Lost & Found

Plastic World is packed with rifftastic tunes, great harmonies and is one of our favourite releases of 2022 so far.
 

Friday, November 4, 2022

Tim Wolf

 


Aspiring rock stars dream of becoming household names in their 20s, but when Nashville-based Americana artist, Tim Wolf, was that age, he fantasized about creating a household consumer brand. The lifelong musician and entrepreneur did taste business-world stardom, earning prestigious Marketing Excellence awards; inventing and earning multiple US Patents; and living in chic and exotic locales like New York and Japan. Yet, the grind got him down, and, by 2014, Wolf found himself at his wit’s end.

One fateful day, a buddy intervened. He marched into Wolf’s office and demanded he shut down his enervating business ventures and pursue his dreams. “My friend metaphorically hit me on the head with a two by four. Things were so gray and dreary, and music just felt like sunshine and beautiful flowers. As soon as he left the office, I vowed to do music full time,” Wolf recalls. Within 24 hours Wolf listed real estate for sale which would allow him to restructure. He adds: “After it was sold, I was completely free to pursue my musical dreams full time.”

To date, Wolf has released a brace of singles, the Castle Built of Cards EP, and next he will issue his full-length debut, Everything I Learned In Grade School. In addition, since he’s fired up his artist career, Wolf has toured regionally and internationally. So far a career milestone has been touring Ukraine and Poland which climaxed with Wolf headlining the Stara Fortetsya Festival in Trostyanets, Ukraine.

His songs are those of the lone wolf—masculine but sensitive, romantic but ill-fated. Wolf a storyteller of hard luck and heartbreak. Wolf’s music is informed by the blues—he’s a lyrical and economic lead guitar player—but contextualized by Americana, that sweet spot where country, folk, and blues overlap, and songs come first. His vocals have a patina that’s both paternal and mythical—as if he’s singing from years of hard road living. Wolf’s song’s invite comparisons to Johnny Cash, Mark Knopfler, Rhett Miller, and Jason Isbell.

Wolf’s earthy musicality no doubt is tied to his rural upbringing in South Dakota where he grew up on a large but lonely farm. Despite being a natural at living off the land, Wolf had big city aspirations and earned a BS in Mechanical Engineering, an MBA, and set off for the wilds of the business world where he tasted success and excess. Eventually, he tired of the glitz, and brought his enterprising spirit back home.

Back in South Dakota, he pursued various entrepreneurial endeavors while overseeing the family farm. Away from the din and excitement of a life in business, his love of music began to surface. He had been playing guitar since grade school, and continued to practice, perform, and evolve as a musician throughout his adult life. He even picked up the saxophone later in life and began gigging semi-professionally with a cover band.

A series of events recalibrated Wolf’s journey from being landlocked by his family’s farm in South Dakota. His cover band dissolved, and a bubbling-under urge to be a front man, and his friend’s urgent request that he pursue music galvanized him into making some profound changes. He sold the farm, and decided to go all-in with music and move to Nashville in 2017.

It wasn’t an easy transition. The reality of a career in music hasn’t necessarily been the sunshine and beautiful flowers Wolf envisioned. In the wilds of Music City, Wolf rubbed shoulders with powerful producers interested in his talents, but hypercritical of his abilities. “I’ve been broken down so many times,” he admits. “My first reaction was to quit because I felt like I would never amount to anything. I remember thinking what would be the fastest route to sell my gear, but there’s nothing I would rather do than play music.”

However, he’s emerged from it all with dignity, grace, and an impressive back catalog of songs. He’s earned the stamp of approval of working with in-demand Nashville producer and singer-songwriter, Kenny Schick. Schick and Wolf worked together on his upcoming debut album, Everything I Learned in Grade School. That title is pinched from a quip a producer made while listening to one of Wolf’s tracks, remarking that his tasty blues licks were somehow pedestrian—“I learned those in grade school,” the producer exclaimed. To his credit, Wolf did take the hard scrapes in stride, feeling the pain, but also growing from the advice. He fine-tuned his vocals, easing them back into the pocket, but he stayed true to his gutsy and achingly beautiful lead guitar playing.

A sneak peek at his upcoming album produced by Schick includes the smoldering pop-rock track “Earthquake In A Bottle,” the gut-wrenching “A Million Little Hearts,” and the boldly vulnerable piano ballad, “Frequency.” The stunning “Earthquake In A Bottle” conjures the sleek groove-pop of prime 1970s Fleetwood Mac with a captivating romantic narrative. Here, Wolf’s writing is sexy and clever, one choice passage is A palindrome in human form/Like poetry upside down/She looks as good from any direction you can see.

Wolf’s EP Castle Built of Cards EP is available now on all digital sales and streaming platforms. Two highlights on this six-song EP include “Born In South Dakota” and “Castle Built of Cards,” both are co-written by guitarist Jimmy Davis. The swampy “Born In South Dakota” is both a storyteller and a scene-setting song, conveying a mythically grand perspective of Wolf’s home state through the Deadwood series saga of Wild Bill Hickok and Calamity Jane. The lyrics are ominously evocative and feature such imaginative lines as: As the cold blows thru your bones/A man knows he’s alone/When he understands the wind can smell your fear I was born in South Dakota/Born in South Dakota. The EP title track features some of Wolf’s finest lead guitar playing, and his tasty melodic-blues playing evokes Eric Clapton and Mark Knoplfer. His vocals are low-register and understated and tell the story of a temptress woman who hoodwinks the male protagonist, using her charms and deceptive ideals to lure him into a trap.

The Nashville chapter in Wolf’s life has been both hard fought and triumphant. Up next, Wolf will be finishing up his debut album, and embarking on a 5 month, 85-date tour starting in January. The road has been reaffirming and grounding for Wolf, especially the festival in Ukraine. “When I went on, the audience was clapping and singing along from the first song,” he remembers. “It felt amazing, otherworldly, and I’m excited to hit the road in January!”

 https://thetimwolf.com/