Friday, November 13, 2026

Brandon Isaak Serves Up Electrifying New ''Lookin' Out My Window' Blues Album With a Knockout Blend of Grit, Groove and Guitar Magic

 


Horns blazing, piano rolling and a big, generous heart at the centre of it all, Brandon Isaak is back with "World's Got the Blues," a rousing new single from his eighth solo album, 'Lookin' Out My Window,' both out now on Modern Primitive Records. The album follows his triumphant 2025 release 'Walkin' With the Blues,' which won three of its five Canadian Blues Music Award nominations: Electric Blues Album of the Year, Blues Song of the Year and Blues Guitar Player of the Year. "I came home from Toronto incredibly grateful," Isaak says, "and then I did what I always do. I went back to work."

"World's Got the Blues" takes stock of hard times, from rising prices to the shouting matches on the nightly news, and answers them with a warm, irresistible invitation to come together. "Let's try something new, don't seem that hard to do / Let's love one another, and I'm starting with you," Isaak sings, before rallying listeners in the final verse: "Let's do better, you know we can / We the people, well we'll make a stand." For Isaak, writing songs like this one comes with the job. "I believe part of my responsibility as an artist is to hold up a mirror to the world around me," he explains. "Music can reflect what we're going through, ask questions, challenge us, and sometimes simply remind us that we're not the only ones feeling what we're feeling."

Across 'Lookin' Out My Window,' Isaak found inspiration everywhere he looked: a phrase that caught his ear, a conversation with a friend, a headline he couldn't shake. He even wrote through the eyes of his 20-year-old daughter as she embarked on her own adventures in love. "For this album, I even found myself writing through my daughter's eyes and her new adventures in love and relationships," he says. Every day he headed down to his studio or out to the back porch to sharpen those ideas, trusting that each rough sketch could bloom into something special. "Bad ideas can be the best fertilizer," he says with a grin. "You throw them on the ground, give them some attention, keep digging, and every once in a while, something starts to grow."

Once the songs were ready, Isaak called in his band, The Saints of Swing, a crew of A list players drawn from the Vancouver blues scene: Darryl Havers on piano, keys and organ, Rob Becker on bass, Chris "The Wrist" Nordquist on drums and tambourine, Jerry Cook and Paul Wainwright on saxophones, Marty Shepard on trumpet and Nadine States on backing vocals. Cook, who co-wrote the album's horn arrangements with Isaak, was named Sax Player of the Year at the 2025 Canadian Blues Music Awards. "They listen, they feel it, they add things, subtract things, change things and bring their own personalities and experience into the music," Isaak says. "Sometimes they take an idea somewhere I never would have thought of going. That collaboration is one of my favourite parts of making a record."

Isaak produced, engineered and mixed the album himself at Modern Primitive Studios, then sent it to Marc L'Esperance at Vancouver's heavyOsonic Studios for mastering. "Every song passed through my hands from the first rough idea all the way to the final mix," he says. The album features cover art by painter David Goatley and liner notes by Dan Casavant, who calls Isaak "a thinking man's blues artist" whose music also has "a very joyful, playful and, at times humorous side." Isaak's wife, Cindy Mae, coordinated the project, and he credits her as "my rock and shining light."

Born in Whitehorse, Yukon and now based in the Cowichan Valley on Vancouver Island, Isaak grew up watching his father play music professionally. Over 39 years in music, he has carried his songs across three continents and eight countries, including 13 European tours, and picked up three JUNO Award nominations along the way. His sound carries echoes of Taj Mahal, B.B. King and Lightnin' Hopkins, along with the guitar and vocal styles of heroes like Ronnie Earl, Anson Funderburgh, Sam Myers and T-Bone Walker, all filtered through a songwriting voice that moves easily from thoughtful to funny to spiritual. Onstage, the multi-instrumentalist pairs firebrand guitar and harmonica with a gravelly voice that surprises everyone who hears it, pulling every crowd into the show and sending fans home humming his melodies. His catalogue includes 'Bluesman's Plea' (2011), 'Here on Earth' (2014), 'Big City, Back Country Blues' (2017), 'Rise n' Shine' (2018), 'Modern Primitive' (2021), 'One Step Closer' (2023) and 'Walkin' With the Blues' (2025).

Above all, Isaak hopes the album brings people together. "Being part of this vibrant Canadian blues community fills me with pride," he says. "We need to stick together to nurture and grow this fantastic blues community, ensuring that this timeless music remains alive and well in our beautiful country." And true to form, he is already hard at work on what comes next. "I make them from the heart," he says. "I give them 100% of whatever I've got. And the funny thing is, the second one is finished, I'm already looking for the next song."

Sunday, November 8, 2026

JAM 66 Radio. Only the newest!


Today, more new bands added to the station. Yesterday, lots more... At JAM 66 Radio we don't stop playing and only the newest groups every day!

Playing only new blues/rock bands! Every day, lots of new groups and songs added to the playlist on the radio!
 
 
 
ENJOY ONLY THE NEWEST on JAM 66 RADIO

Friday, November 6, 2026

Canadian Blues Master Wailin' Al Walker Hits #1 With New Album 'Bluesman'


 

Vancouver bluesman Al “Wailin’” Walker has spent nearly five decades proving that the blues is not a genre you retire from. His eighth self-produced album, 'Bluesman', has landed at #1 on the Roots Music Report Canada chart and #13 debut this month on the Canadian Big Blues Chart, powered by worldwide blues radio hosts, the latest chart-topper in a catalogue that stretches back to 1978, and a career built almost entirely on his own terms.

Walker wrote, produced, engineered and mixed 'Bluesman' himself, a role he has filled on every one of his eight albums, from his 1978 debut, 'Rock It Day and Night', with his band the Houserockers, through 'The Devil Made Me Play It', 'Buzzsaw Boogie', 'Crazy at Night', 'No Regrets', 'All Fired Up' and 'Blues Lightnin’'. The last three releases have each reached #1 on the Roots Music Report charts in Canada, and 'Bluesman' has now added a number six placement on the US Roots Music Chart, with airplay on 57 stations worldwide.

The album’s lead single, “Too Many Bills,” has already reached number one on the Roots Music Report Top 50 chart in both the US and internationally, and drew praise from Blues Blast Magazine. Recorded with longtime collaborators Bruce O’Neill on bass, Marko Ibarra on drums, Darryl Havers on keyboards and Jerry Cook on saxophone, the track pairs a driving, high-energy groove with the raw grit Walker has built his reputation on.

Walker leads the Wailin’ Walker Band out of Vancouver with bassist Bruce O’Neill, drummer Marko Ibarra, saxophonist Jerry Cook and keyboardist Dave Webb, all fixtures of the city’s West Coast blues, jazz and roots scene. It is a lineup with deep roots of its own: Ibarra spent more than twenty years as Jerry Doucette’s drummer, Cook earned a 2026 CBMA nomination for Best Sax Player on Walker’s 'All Fired Up', and O’Neill has held down the Vancouver blues scene’s low end since 1982.

Across 'Bluesman’s' ten tracks, Walker moves between original songs and tributes to the artists who shaped him. “It Takes Time” is a cover of his mentor Otis Rush, recorded, Walker says, to honour “his iconic Chicago blues blueprint” and let “his signature guitar work and emotional depth breathe.” “Directly From My Heart” reworks Little Richard, and “Blues Hour” brings in Hollywood Fats Band alumni Richard Innes and Larry Taylor.

Two tracks carry weight. “Drink Muddy Water,” a cover of Eddie Miller, features the final recorded guitar performance of the late Jerry Doucette, with whom Walker played for twelve years. “Never Getting Old,” the album’s closing track, was co-written with the late Evan Johns, a friend and collaborator whose songwriting partnership with Walker stretched back years before his passing.

Walker’s history in the blues runs deeper than his own catalogue. He has been personally mentored by Buddy Guy, Pee Wee Crayton and Otis Rush, and has shared stages with Johnny Winter, George Thorogood and Stevie Ray Vaughan. Buddy Guy has said simply, “He plays the stuff like it’s supposed to be played,” while Otis Rush praised his diction: “His elocution is incredible! I can hear every word he sings from the back of the club!” Walker was also a member of the Jerry Doucette Band from 2006 to 2018, served as the house band at Vancouver’s Commodore Ballroom for 78 shows, and has written songs recorded by Long John Baldry and Powder Blues.

The band celebrates the release of 'Bluesman' with an Album Release and Dance on Saturday, November 14.

Friday, October 30, 2026

Sasha Persholja


 
 
It’s just me, myself, and I, doing my music. I do everything from silence to the final product. I mainly write and produce my music in my home. I don’t do any shows at this point. My reasons for doing so now is I still have a lot of ideas I want to write and produce in my music before releasing it to the public venue scene, or collaborating with others in concerts etc. On the upside of it all, I have a lot of finished product for new and old fans to listen to from me and my band.

My very first song was written and produced in Solvenian called “Uzela si mi vse” which means, “you took all from me.” I dedicated that song to a girl who ripped out my heart. Basically the song was based on me getting my heart-broken which we all have or will experience in some point of our lives. As far as my favorite songs goes, I will have to go with one of my very own. My reason for this is because it tells about a very compromising position in Central European slang. The position describes a guy in traffic jam stuck with a crazy woman behind the wheel. “Crawling King Snake“ by John Lee Hooker and the Doors also because I like a woman to crawl all over me.

My most memorable performance was on the Cross-boarder with Italy called The Battle for Socialistic Democracy. On the other hand, my worst performance was when I did a Jimi Hendrix memorial concert here in the city of Trst (Europe), Italy a local area and capital of Friuli-Venezia Giulia region and of Trieste provincial, northeastern Italy, located on the Gulf of Trieste at the northeastern corner of the Adriatic Sea 90 miles (145 km) east of Venice. Two guys at my performance were throwing stones on the stage and of course it was not popcorn!

The only other highlight in my life other than staying focus and remaining humble in whatever I do in life is introducing my music to world successfully is farming. Yes I am a farmer also, and I love doing it as well! The low points in my music career are numbered high but I keep myself busy with move forward, staying positive abount my low points, and integrating new ideas into my music.

We have two new projects with a new band coming up soon.

https://sashapersholja.com/

Monday, October 26, 2026

Dammit Goldie - Pardon My Intrusion

 


New band  from Hamilton Canada, seems like a cool place for music, Monster Truck and Madison Galloway to name a couple anyway! So this is the modern rock sound of Dammit Goldie, who have released 4 previous single this year. "Pardon My Intrusion" is their 5th single release from the band. The band are a quartet with a lot of different influences going off in their music. The guys have said they`re planning to release another 3 singles, before putting out their debut full length album in new year.

BIO Dammit Goldie is a band from Hamilton, Ontario, known for their energetic performances and eclectic sound. Their music blends elements of rock, punk, metal and alternative, creating a unique and dynamic sound that is equal parts innovative and familiar.
 

Friday, October 23, 2026

INTERCONTINEN7AL, The World's First Rock Band To Record Across All Seven Continents, Releases "Lighthouses (Acoustic Remix)"



INTERCONTINEN7AL, the project that bills itself as the first rock band in history to record music across all seven continents, releases "Lighthouses (Acoustic Remix)" out now, a moody, folk leaning reinterpretation of a track originally featured on the band's 2022 record, ‘Volume 3.’

The original "Lighthouses" began almost by accident. Freehold, New Jersey-born, now Castle Rock, Colorado-based bandleader Matt Smith was experimenting with synth effects on his phone in September 2021 when he recorded a one-minute descending bass line in A minor with a trip hop feel, uploading it to the band's shared BandLab folder just to see if anyone connected with it. A month later, his cousin Alex Burke added haunting piano chords to the intro, and the darker turn convinced Smith the song needed to become something more, a minor key duet about a relationship reaching its end. He wrote the lyrics and vocal melody in about 20 minutes, drawing on the feeling of his own past relationships winding down. 

Remarkably, the vocal take that made the final mix was his very first attempt, recorded straight into his phone's microphone, a performance he could never quite recreate no matter how many times he tried. Bandmate Becca Drayer joined as the female half of the duet, and Argentina based Gustavo Prida reworked Smith's original drum programming to give the track its finished shape.

Two years later, in October 2023, Smith set out to rebuild the song entirely. He stripped away the original synth bass line and replaced it with a slide Drop D acoustic guitar riff while keeping the melody intact, softened the drum programming into more of a brush kit feel, and brought in longtime collaborator Marcin Nawrocki from Poland to record a new bass line to anchor the track. The rework took years of returning to the mix in stages before Smith felt it was finally ready for a wider audience this fall.

The result trades the original's electronic texture for something rawer. "You were my beacon, but now our love has weakened," the duet opens, building toward the song's central image: "When the lights go out, safe harbor cannot be found, when the lights go out, best swim before we drown." Reviewing the track, Alt77 likened the Smith and Drayer duet to "the equally darkly romantic duets between Mark Lanegan and Isobel Campbell."

INTERCONTINEN7AL's story is unlike any other band. What began in March 2020 as members of the Columbia, Maryland band Toast trying to keep collaborating remotely during the pandemic grew, through Smith's use of BandLab's public creator tools, into a project spanning more than 30 musicians across 15 countries. 

Inspired by the Foo Fighters' Sonic Highways concept, Smith set out to find a musician on every continent, including Antarctica, eventually recruiting two researchers stationed there to record parts for the progressive rock track "Manor Hill." The band takes its name and stylized "7" from Tool's "7empest," and its catalogue now spans seven volumes of original material. Within these volumes, there are five original songs that include instrumentation recorded on all seven continents. All five songs are compiled together on the band's ‘World Over’ EP. True to its collaborative spirit, every dollar of streaming revenue from INTERCONTINEN7AL's music is donated to humanitarian causes, including Stand Up 2 Cancer, Oxfam, Doctors Without Borders, St John's Hospice, the International Rescue Committee, the International Justice Mission and the GoFundMe COVID-19 Global Relief Fund.

That story has earned the band coverage from more than 200 news, music and media outlets, including Rolling Stone en Español, Spin, the San Diego Union-Tribune, the Denver Post and Earmilk, among many others. The Big Takeover has called the project's music-first approach one where the songs "speak volumes" despite the scale of the recording feat behind them, while Earmilk described the experience of the band's World Over EP as "an audio journey unlike any other."

As a project built entirely on remote collaboration across continents, INTERCONTINEN7AL has no touring plans, true to the borderless, virtual nature of how the band has always operated. With "Lighthouses (Acoustic Remix)," the band proves that same spirit works just as well stripped down to a single acoustic guitar and two voices as it does with musicians recording from opposite ends of the globe.

INTERCONTINEN7AL Band Members:
Matt Smith, Castle Rock, Colorado, USA, guitar, vocals, production
Becca Drayer, Columbia, Maryland, USA, vocals
Marcin Nawrocki, Torun, Poland, bass
Gustavo Prida, Buenos Aires, Argentina, drum programming
Alex Burke, Long Branch, New Jersey, USA, bass, synth
Josh Pearlson, Johannesburg, South Africa, guitar, synths, bass
Jukerok, Cairo, Egypt, guitar, piano
Aymar de Lichtervelde, Princess Elisabeth Station, Antarctica (resides in Brussels, Belgium), guitar, piano
Stijn Thoolen, Concordia Station, Antarctica (resides in Boston, Massachusetts, USA), percussion
Nerse, Chiang Mai, Thailand, violin, guitar, banjo
Tanabata (aka Tnbt), Kanazawa, Japan, drums
Robert James Shoveller, Blue Mountains, NSW, Australia, guitar
Andrasta, Cleethorpes, United Kingdom, vocals
Miami73, Chambéry, France, guitar
Rousevision, Darmstadt, Germany, guitar, piano
Kelly Wandless, Gateshead, United Kingdom, vocals, guitar
Michael Ahart, Wicomico Church, Virginia, USA, percussion, production
Emily Betz, Columbia, Maryland, USA, vocals
Hope Gray, San Francisco, California, USA, vocals
Jamie Miller, Columbia, Maryland, USA, drums, djembe, cajon
Nereo Paulus, Buenos Aires, Argentina, bass, guitar, vocals, mandolin
Darren Fellows, Middlesbrough, United Kingdom, piano, guitar
Jeff Hobbs, Bexhill-on-Sea, United Kingdom, guitar
Rieneke van Laarhoven, Arnhem-Nijmegen, Netherlands, vocals
David Green, Chico, California, USA, guitar, vocals
Debby Greene, Columbia, Maryland, USA, vocals
Devin Heritage, Edgewater, Maryland, USA, bass
Dale Pearson (aka Dirty D), San Diego, California, USA, saxophone (deceased)
Ben Gaither, Columbia, Maryland, USA, vocals, guitar (deceased)
Ruslan, Chelyabinsk, Russia, guitar, synths
Yaroslav, Kyiv, Ukraine, guitar, drum programming

Friday, October 16, 2026

Canadian Blues-Rock Legends TRIBZ Look Back On First Love With Nostalgic New Single "Young Love"




Hamilton and Toronto's TRIBZ release "Young Love" out now, a pop-rock ballad that trades the band's usual social urgency for something quieter and deeply personal, a trip back to first love, sweet sixteen and the memories time can never fully take away. For a band built on more than a century of combined musical history, it is a fitting turn inward, tracing the story all the way back to where guitarist Earl Johnson's own journey in music truly started.

The song comes directly from Johnson's own life. The melody had been living in his head for years, its chords deliberately written to capture the excitement and simplicity of being young, and the lyrics draw from his real first love, a girlfriend named Linda he dated for about three years through high school. Introduced by his best friend Mike, who was dating Linda's friend Wendy, Johnson and Linda were in the same grades, walked to and from school together every day and spent Friday nights dancing to Motown on the radio, the kind of romance that feels, at sixteen, like it could never end. "We were high school sweethearts, from the day we met, walking hand in hand, everywhere we went," the song begins, building to the hook at its centre: "Young love, thought it would last forever, forever would you be mine."

The relationship eventually gave way to the pull of music, and at 18 Johnson left high school to go on tour with the legendary King Biscuit Boy, the first step on a path that would carry him through the founding of the cult rock band Moxy and, decades later, into TRIBZ itself. He still has Linda's picture. Decades on, that memory became the seed for "Young Love," proof that even a life spent on the road never fully lets go of where it began.

That sense of history runs through everything TRIBZ does. Frontman Errol Starr Francis won a JUNO for his 1989 hit "Angel" before stepping away from his A&M Records career at its peak, a story now told in the acclaimed documentary 'Temple of Love: The Erroll Starr Story.' Johnson's own résumé includes founding Moxy, whose 1976 debut featured Tommy Bolin on lead guitar and whose touring days included AC/DC opening for them in Texas in 1977, alongside dates with Black Sabbath and Santana. Bassist Donny Hill has recorded and toured with fellow JUNO winner Murray Porter and shared stages with Blue Rodeo, while drummer Dave Davidson brings more than four decades behind the kit, including a long run with The American Rogues. Together they represent one of the more quietly influential lineups working in Canadian music today.

TRIBZ was born from that shared history colliding in a pandemic era garage jam, and the band has carried its founding spirit, different backgrounds coming together as one unit, into every release since. Earl Johnson and Donny Hill are proud members of the Six Nations Tuscarora and Mohawk communities respectively, and Errol Starr Francis is an adopted member of the ASMINTI Anishinabek Metis Nation, a mix the band has always described as different tribes uniting under a single message of love, hope and empowerment.

Since their self titled 2024 album, TRIBZ has moved fluidly across styles, from the blues rooted reflection of "True Love" to the grief and healing of "Memories," the reggae inflected call to action of "Save the World" and the southern swagger of "Long Black Cadillac." "Young Love" marks a different kind of turn for the band, less a statement to the world than a memory shared, the sound of musicians with decades behind them still finding new ways to be honest.
With "Young Love," TRIBZ offers a reminder that behind every legendary career is a much simpler story, the one about the first person who made you believe forever was possible.
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