Egil Vollan

Egil Vollan is a musician from the Olympic city of Lillehammer in Norway. His main instruments are drums and vocals, but he also plays piano, guitar and other instruments. Egil has played with many talented artists in Norway but is now looking forward to continuing with his own music as a songwriter and artist.

"In Heaven There's a Star" is about a good friend and talented musician colleague who passed away at 57.

https://open.spotify.com/artist/6MsVSxeTXYuXxaRisJFThz?si=r1KF5Cf0R0ihxsk6NMhLMA

 

Honeypot

 

Honeypot is the passion project of Frank Hartman, a guitar-slinging lawyer by day, and a rockstar by night. The band is based out of Charleston, South Carolina, but is casting its net upon the wider world with its new release of, On the B Side ReBorn. Here find the new, improved, for a limited time only, ascendant product of three years of blood, sweat, and tears.

We made On The B Side ReBorn in the fiery chasms of Mount Doom with the assistance of the aptly named Apocalypse Studios hailing from Guernsey, England. We took the battered bits of a previous offering and looked at it in a new light and remixed it with their assistance. Out of the darkness came light and the music took on a new shape. Something we dreamed of as boys. Something timeless. Then we made a bargain with Devil, making use of mastering provided by LANDR. Artificial Intelligence that will eventually replace us as makers of music smoothed the few rough edges left over from the master mixing.

We present On the B Side ReBorn to world on the 6th of May, 2022. There was a tickler release of "Over the Line" as a single on May the Fourth Be With You. There is more to come. 

 https://honeypotband.com/

Judith Owen

 

 

Welsh singer and performer Judith Owen is releasing her new album, "Come On & Get It", via Twanky Records, together with a charming, burlesque-infused new video for "Tess's Torch Song". The video was filmed at the Toulouse Theatre in New Orleans, featuring the bow-tie "Loving Big Band". 

 

Delicious, delightful, bodacious, brave, insightful, seductive and fun - just some of the many adjectives one might use to describe Judith Owen's fascinating and alluring new album.

 

Owen, a now New Orleans native who originally hails from Wales, conceived of the project as a result of her childhood fascination with the jazz music of some of the ballsiest women of the Jazz and Blues world, including unsung trailblazers Nellie Lutcher and Julia Lee whom she discovered hidden on the shelves of her father's record collection alongside the likes of Oscar Peterson and Jelly Roll Morton. Captivated and enchanted by these "unapologetic" chanteuses of the 40's/50's (Pearl Bailey, Dinah Washington, Blossom Dearie, Peggy Lee, Julie London), who were singing about sex - and enjoying it at a time when women were meant to sing about romance - Owen made it her mission to dig deep and find out more from both a musical and historical perspective. The result is "Come On & Get It," the most joyful, uplifting, and empowering project to emerge out of Covid; a throw-back with a fresh feel complete with a look and style that speaks of all those delectable, hugely entertaining women who broke the glass ceiling with their shoe heels and were ever so proud of it!

 

Recorded at Esplanade Studios in New Orleans, "Come On & Get It" features a stellar cast of musicians, including Jason Marsalis, Donald Harrison, Charlie Gabriel, Nicholas Payton, David Torkanowsky, Kevin Louis...

 

 https://judithowen.net/

 

Armored Dawn

 

The Brazilian band Armored Dawn resumes activities with the newest single "S.O.S.".

Written by Carolina Angeli and the group’s ex-drummer, Rodrigo Oliveira, the song portrays the feelings of a person with depression, who wants to be alone and reclusive with their pains and thoughts, believing that no one will ever understand his/her feelings or what is happening to his/her.

Mixed by Chris Lord Alge (Muse, Green Day, Nickelback) and mastered by Ted Jensen (Bring Me The Horizon, Evanescence, Metallica), the single shows a great evolution in the band’s sound.

“S.O.S.” is available on digital platforms in partnership with Outono Music, a label specializing in rock and metal, distributed by Universal Music.

 www.armoreddawn.com

Syd Carter West

 

Beyond the anthemic blues rock progressions and in-your-face lyrics, Syd Carter West has been navigating her way through finding the potential in her imperfections rather than striving for perfection. "'Motorbike Man' is my muse - the wild, carefree, gritty, and badass man I desire and the person I want to be. Through this song, I find inspiration in letting loose and tearing myself away from the idea of perfection and normal," West confesses. "Motorbike Man" presents West's truth as a heavier, rock-forward artist. 

 https://music.trendpr.com/sydcarterwest

Leah Belle Faser

 

Up-tempo, driving beats, and modern sparkling synths set to the empowered, sassy lyrics and free-spirited vocals of Leah Belle Faser come together in "Trash Talk;" a country-pop feast of a song parked at the intersection of sweet love language that turns to savage back-stabbing by an ex.

Leah Belle was named the 2021 Teen Artist of the Year by Georgia Country, and this past spring brought her the coveted Golden Ticket to Hollywood on the 20th Season of ABC’s American Idol where she placed in the Top 60. She tours regularly with her band including recent opening spots in front of Boz Scaggs (who gave her a shout-out!), Jimmie Allen, Christopher Cross, Maggie Rose, and on November 19, she’ll be opening for Jake Owen! “Trash Talk” was written by Leah Belle who is a senior in high school and recently celebrated her 18th birthday.

Leah appears on Ozarks Fox AM morning show:

https://www.facebook.com/OzarksFOXAM/videos/784931389460434/

Kenneth Cole

 

Kenneth Cole is a country artist, singer - songwriter, who has worked with some of Nashville's finest. He has recorded 3 albums and appeared at the Nashville Palace in Nashville, TN., as well as at the TSAI awards show and several TV shows. He has been nominated for various awards by the Tennessee Songwriters Association International and Millennium Music. All of his radio releases have gone high on the Cash Box, Cross Country, and Power Source Music Nashville charts. 

 https://www.kennethcolemusic.net/

Anthony Krizan

 

Anthony Krizan’s rock roots run deep. He was lead guitarist of the Spin Doctors, opening 15 dates for the Rolling Stones with audiences of 70,000, and for the Allman Brothers. He played guitar with Jimi Hendrix’s legendary bassist, Noel Redding. Anthony is known for rocking the big stages and getting an audience on their feet. He’s an original member of Amphibian, with Phish lyricist Tom Marshall.

Anthony has also penned rock/soul staples such as Stand By My Woman with Lenny Kravitz, 5 songs on the Spin Doctors Greatest Hits, the theme of the Spin City TV series and The Howard Stern “Miss America” theme. Recently, Krizan co-wrote the title track to British rock singer John Waite’s new EP, When You Were Mine, and produced 3 tracks on the release. He also produced Waite’s 2022 release, Anything.

 https://anthonykrizan.com/

Tiffany Huntley

 

The world of music is the literature of the heart. It commences where speech ends. It washes away from the soul the dust of everyday life and takes you on an adventure.
​
My unforgettable adventures include:
2018 - Grand De Talent finals Menton, France
2019 - The Voice Kids Callbacks France
2022 - New release Crois En Toi album.
2022 - La Voie Des Talents Finales, France
2022 - Live Interview CHBN Radio / Thanks Jason for the support on my EP, special thanks to my U.K fans.

Tiffany Huntley was born in Alsace, France, and at 17 years old, she is a coming artist in France who is trying to break into the pop-country culture and has had success. She released her first album in 2022, Crois En Toi, and has been recognized by several newspapers and a local tv station in Alsace. In addition, 2022 has opened doors to her career by opening for several bands while touring in the region for her new album. 

 https://www.tiffhuntley.com/

 

Paradise Blue

 

 

In the back of my mind, I have carried reminders of evenings engaged with Keith Jarrett’s 1975 The Köln Concert recording of improvisations played on a Bösendorfer Imperial Concert Grand. Solo piano is a precise arena for many a pianist. At once revealing, yet intimate and rewarding. Much to do with the broad range, possibilities, command, touch, and the instrument at hand. Jarrett achieved something few before had ever tested in front of a vast audience. Sit behind the piano and play. No script, no set list, no banter between entertainer and admiring crowds.

With Paradise Blue I explore the range of emotions, the many shades of the colour blue. Six of twelve tracks are improvised. The blues, a touch of classical and the accidental improvisational curves of jazz. And there is a backstory to my relationship with the piano.

In the ‘50s, Era King looked after the boys as dad worked the night shift at Colgate’s, and mom hemmed parachutes at the Quartermaster Depot. Era was my grandmother, old country in style, manners, and as stern as a woman could ever be. A weary upright piano stood near a soft lit window, the centrepiece of her daily life. Mid afternoons, the soap opera The Edge of Night and other Christian programming held her interest.

When playing, Era whispered along, invariably something sacred. I’d study her squinting eyes as they peered above wired-frame glasses while she leafed through a hymn book, hair rolled in a bun, and understood the wheezing soap opera organ in the background, the soundtrack of her daily life. The hymnals - a reprieve from separating agitated kids and averting the devil’s grip.

It was the most primordial sound. Melody and broken chords. No frills, just the occasional inverted triad, one that never disrupted a lyric or directive from the Lord. Slow-moving melodies, distinctive and meaningful. Folkish and rooted deep in civil soil.

I’ve long been intrigued with melody. The cry of a single note as it seeks a partner, suddenly a community member, and then a composition. It’s those moments when sound moderates the brain, and one tunes in. How and when a single note, a second, and third merge - stream down through the soundboard resting at the feet of the damper pedal.

Paradise Blue is the piano talking back at me. That light in the head momentarily eclipsed, hands in receipt of inspiration. Junctures of sweeping colour and others of blue intent. Fingers jabbing and prying at the space between black and white notes, the overtones, the undertones, wedged between the crevices. A solitary moment where melody and harmony linger beyond invitation.

In memory of those piano teachers that brought so much joy and clarity to my playing. Eva Smith, Don Murray – The Louisville Academy of Music, Jamey Aebersold, Oscar Peterson, Composition studies at Ursuline College and piano at the Louisville Conservatory of Music. That other worldly miracle of influence, pianist Martha Argerich.
Remembering Doug Tipple whose Yamaha C-3 resides in our kitchen, a gift from Laura Tipple and the love and care Doug shared with his beloved friend. Big hugs to my piano finder and friend – Helga Stephenson.

To Kristine for the lovely cover art, Jesse - cover design, Mike Haas the critical mastering – friends, Gary Slaight, Derrick Ross, Pat Silver, FYI MUSIC News, Saturday Night Jazz, Mark Ruffin, Martine Levy, Jane Harbury, Stephen Smith, Ilona Kauremszky, Jessica Bellamy, Ken Stowar, CIUT 89.5 FM, Gloria Martin, Mark Hebscher, Susan Perly, John Harris and my brilliant cousin, Linda Michelone Lang.

Michael Massaro

 

Michael Massaro is in motion once again with his 5th full Album Release with ‘I Remember You’ as a follow to his latest Single Release of New World being played over 200 +Stations spanning over 20 countries! This Album consists of 12 Original eclectic and easy-to-listen instrumentals that are accessible to the listener. In other words, it covers different grooves, styles, and genres to connect on some level with everyone.

Michael Massaro is no stranger to the Canadian airwaves as he is one of Canada’s premier musicians. His distinctive saxophone recordings have been heard internationally since the eighties with major instrumentals such as ‘Flying Easy’, ‘L.A. Days New York Nights’, and ‘Wings of Glory’. His talents were heard on a Redmond Broadcasting compilation recording with some of Canada’s foremost instrumental performers including David Foster, Liona Boyd, Moe Koffman, Andre Gagnon, and Frank Mills to name only a few. Michael Massaro was thrilled to be included with such a stellar lineup and was humbled when the album was titled after the Massaro hit, ‘Flying Easy’.

https://michaelmassaro.bandcamp.com/

Robert Ocean

 

In a domain as saturated as the music industry, it is very rare for an up-and-coming singer and songwriter to not only discover their niche very early on, but also to make it their defining attribute. This is exactly what Robert Ocean has done – by blending an array of dynamic acoustic ranges and marrying them with the bold hook of alternative rock, Robert Ocean has created a brand of music only he can truly champion.

Ocean has always prided himself in writing music with a higher purpose in mind. He has always aspired to create music that has the potential to inspire, enlighten, and initiate growth and forgiveness. Championing the theme of togetherness at its core, his entire discography stands tall as a riveting example of how music has the transcendent ability to foster love and care. 

 https://www.robertocean.com/

Crystal Shawanda

 

JUNO Award-winning powerhouse singer-songwriter Crystal Shawanda is back with a new studio album, Midnight Blues, set for release this September 30th on True North Records. The latest fiery bluesy Americana collection features the first single  “How Bad Do You Want It” — showcasing her full-throttle raspy voice, unmatched in today’s musical landscape, and an authenticity for the genre dating back to her youth.

 “Growing up, all of my favorite music had these breadcrumbs that led me to the blues,” Crystal says. “I often quote Willie Dixon: ‘Blues is the roots and everything else is the fruits.’ Even today's pop music, there's all this influence that derives from the blues. I was just always really attracted to the rawness and the realness of the blues.”

Produced and engineered in Nashville by her husband and long-time collaborator Dewayne Strobel, Midnight Blues — her eighth studio album, and fifth since switching from a chart-topping career as a country artist —  is a collection of original songs, such as the seductive-sounding rocker “Midnight Blues,” swampy dance-floor groove “Rumpshaker,” and gentler “Take A Little Walk With The Moon,” as well as covers of the Howlin’ Wolf classic “Evil” and her take on Celine Dion’s hit “That’s Just The Woman In Me.”

“This is absolutely my favorite album I've ever recorded because I feel like my husband put me in a picture frame,” says Crystal. “He really captured who I am as an artist. He let my vocal shine. He brought out the best in me and all the songs that we wrote really capture my live show and who I am.”

Crystal was introduced to the blues by her eldest brother and to old-time country by her parents. “I was also into other styles of music that led me to the blues,” she says, citing everything from Elvis Presley’s “Hound Dog,” written by Big Mama Thornton, to R&B-pop star Monica’s “Misty Blue,” by Dorothy Moore.

“I was one of those kids who read the liner notes,” Crystal says.  “I wanted to know everything, who are the songwriters, the musicians, the producers, the engineers. I'm always wanting to know who are the originators, who are the mothers of invention, who inspired all of us?  I’m a purist at heart, so I was always diving back to learn from the masters, like Etta James, as far as vocalists; Muddy Waters, as far as feeling; and Buddy Guy, as far as stylists who have a lot of swagger.”

And yet Crystal’s first foray as a professional singer was in country music, not blues.  She was in her early 20s and had immediate success after signing a U.S. record deal with RCA Nashville. 2008’s Dawn of a New Day, featuring the single “You Can Let Go,” reached No. 1 on the Canadian Country Album chart and No. 16 on the Billboard Top Country Albums, the highest charting album by a full-blooded Canadian First Nations country artist (in the SoundScan-era). Her first single, You Can Let Go,”

The following year she left the label and created her own, New Sun Records. Her first release was the holiday album I’ll Be Home For Christmas. Her next country album was 2010’s Just Like You, which won a 2013 Juno Award for Best Aboriginal Album, before she made the change to the blues with 2014’s The Whole World’s Got The Blues.

“I love all styles of music, but there was just always something drawing me to the blues,” she explains.  “I had a country hit on the radio, and I would show up at country music festivals and I'd do a BB King cover or Buddy Guy or Etta James. Within country music, as much as I loved it, I had to restrain my voice a lot. It's very hard to hold back, and sometimes it was exhausting, whereas with the blues, I could just let it fly.”

While other artists have been embraced when they’ve made the switch to a different genre — Taylor Swift from country to pop; Dallas Smith from hard rock to country; and Darius Rucker from pop/rock to country — Crystal doesn’t mind talking about the difficulties she’s encountered.

“Country music is so excited when anybody from any genre comes to their world, hoping it'll make their world more popular. It'll up the cool factor but switching from country to blues is a lot more difficult because the blues scene is very protective because it's such an original genre. They want it to be respected and preserved.”

She would’ve had an easier time if she had created a blues-influenced sound, like the Black Crowes, Sass Jordan, or Alannah Myles, but Crystal can hold her own in any conversation about the blues pioneers. Still, she still likes to cover an iconic Canadian artist in her inimitable way. Last album, it was The Tragically Hip’s “New Orleans Is Sinking” and this time, Celine Dion.

“Because I had so much friction coming to the blues where people were like, ‘You don't know nothing about the blues,’ I'm trying to show them not to be so close-minded because a lot of people are more inspired by the blues than they may realize. Again, I'm trying to reiterate that quote by Willie Dixon that the blues is roots and everything else is the fruit.” 

 http://crystalshawanda.co/

Womack III - Songs Of Downfall & Deliverance

 

Womack III - Songs Of Downfall & Deliverance is the latest offering from local heroes of small town called Forssa, in Finland.

Lovingly calling their hometown the deep south of gloomy north, this foursome embrace their smalltown boy roots and let their love of southern rock shine through their heavy metal influences.
 

As the album title suggests, this is the third full-lenght album from Womack, who, as a band have gone through a lot considering they were formed in 2010, and are quite young as an orchestra. After their first album "Prehab" they went through a line-up change as their original drummer chose to leave and Womack was left to reinvent themselves completely.
 

They did just that, and the result was a fully acoustic rock album "Strays" which was a whole new kind of challenge for the band, as they wandered far away from their comfort zone in search of new ways to express theirselves.
 

Out of that period they got behind the wheel of their distortion-driven side, backed with their new member, Jani Blomerus who has been instrumental in the development from an acoustic rock band to a heavier, groovier harder hitting riff machine.
 

The new album has been in the making for several years now: The groundwork was laid in the later days of 2016, and the album has been slowly cooking ever since. The band has truly given the process their all, and found a new level production-wise too, as the album was mixed and mastered by the legendary Hiili Hiilesmaa, who should need no introduction to anyone who has read their homework on finnish metal.

 

The band has released two singles, Back On The Hooch off the forthcoming record, and another track, Spittin´ Teeth a couple of weeks before the whole album will finally hit the virtual shelves of the streaming world.
 

The band is proud and satisfied with their magnum opus thus far, but are also keeping their collective sights aimed to the future: They kept themselves busy during the pandemic, writing new songs and rehearsing, so they would be among the first ones out the door when the world opens up again.
 

Womack is ready now. Let´s hope the world is ready for them.

 https://aivoimuri.wixsite.com/womack

Gulf Stream Riders

 

"The Mystic Burns Within" is an intimate conversation between two different sides of the same person. The vocal shifts back and forth between one side given to despair, and the other side that sees what's good in this existence. This alternating pattern connects with the melody to evoke honest feeling in this deep and ultimately hopeful tune. A beautiful, laid-back Folk-Country song with a nice build up towards the end.

Gulf Stream Riders, aka Chris and Nalle , are former members of a hard rock band that had a record deal with Warner Music in Scandinavia and toured the clubs in LA. After a breakup that lasted many years, with Chris studying back home in NY and Nalle writing and producing for artists around the world, they reunited to pursue the long time dream of making the kind of music closest to their hearts; Country/Country-Rock.

 https://twitter.com/RidersGulf

Mark Ruebery

 

Mark Ruebery is an original songwriter, singer. guitarist and recording artist.

Mark has been writing songs for over 25 years and has performed his material all over the world…..

After graduating with distinction in guitar from the Royal Welsh College of Music and Drama, he recorded his debut album ‘Because of You’ at the legendary Rockfield Studios, Wales. 

The album was promoted by BBC Radio Wales as ‘album of the week’ and five songs were featured as ‘single of the week’. He has had multiple plays on BBC Radio 2 and his videos aired several times on Sky TV. Mark regularly performs his songs live in session on BBC radio and for many other stations.

His second album ‘One Night One Chance’ was recorded at the famous Abbey Road Studios, London. A lifelong ambition for Mark. A song from Mark’s second album ‘One Night One Chance’ was featured on an American pilot TV Series “Do I have a hit Song?” in Jacksonville, Florida. 

https://www.markruebery.com/

Chris Antonik Releases "Trust In Me" From #1 Roots Music Report Canadian Chart Album 'Morningstar'

 

Chris Antonik, whose album, Morningstar, still sits at No. 1 on the Roots Music Report, has released a blues/hip hop hybrid single, “Trust in Me,” something a little different for the chart-topping blues-rock guitarist who has always pushed the boundaries of blues.

 "I wrote this song as a commentary on how toxic, childish, and mean politicians were becoming in the media in the years leading up to the pandemic,” says the Toronto-based musician. “As a single parent, I needed to work extra hard to drown it out and outweigh it with positive behaviour examples for my kids because there was no help from the top.  How we talk to people is important and it's incredible how crazy the world was getting in this respect."

“Trust in Me” features one of the fiercest guitar solos Chris has ever recorded. “Musically, I required this sort of modern, chaotic, industrial-type vehicle to tell my story and to deliver the song's ferocious and intense guitar solo,” he explains. 

The track also includes a beautifully chaotic and mind-bending soprano sax solo by 2022 Maple Blues Award-winner Alison Young. “Sonically, her contribution matches the frustration and confusion of the lyric’s theme, but also has a desert/mystical/Duran Duran ‘Union of the Snake’ vibe,” Chris says.

“Trust In Me” is the fourth single from Morningstar, following August’s release of “Back to the Good”, July’s “Pilgrim,” and June’s “Waves of Stone” (feat. Jarekus Singleton).

All the singles have done phenomenally well on the Roots Music Report, starting with “Waves of Stones,” which landed at No. 1.  Both “Back to Good” and “Pilgrim” also reached No. 1 in Canada on the Roots Music Report’s singles chart.

This kind of reception is nothing new for Chris. Since his nomination for Best New Artist at Canada’s Maple Blues Awards in 2011 based on his debut album, Chris has been delivering innovative and thoughtfully crafted songs that transcend expectations of the genre. His sophomore album, Better for You, was hailed by critics as “the best Canadian blues-rock album of 2013” and “a masterpiece” — with American Blues Scene calling it the “sound of someone taking the blues to a new place.”  His self-produced third studio album, 2017’s Monarch, further expanded the blues’ boundaries into blues-rock, soul and Americana; it was nominated for both Songwriter of the Year and Recording of the Year at the 2018 Maple Blues Awards.

Reviews for his latest album, Morningstar, have been stellar.  All Music Magazine gave it a 10/10, while influential US blues-rock outlet, Rock and Blues Muse, said “Antonik is clearly focused on making music that advances the state of blues/rock and guitar music in general.  He’s got bigger game on his mind and is creating music that will stretch your soul when you hear it. He’s a fully developed artist working on something big. We should all be listening.” 

A few days after its Aug. 5 release, Morningstar charted on the Roots Music Report at No. 4 for radio play in Canada (all genres) and No. 7 in the U.S. (for blues rock). The album also hit No. 1 in Canada on the Roots Music Report, the week of Aug. 13, and No. 20 in the U.S. for blues. 

 

The Whythouse

The Whythouse is back with a new song called Urban Country, This fast paced, fun and energetic song is our 11th studio release this year. Urban Country is the final single released off The Country Files LP. It features a little bit of urban and a little bit of country which is no surprise based on The Whythouse's previous releases.

The Whythouse is a multi-versatile urban collective fronted by Chris Hale alias Plex who hails from Toronto, Canada. This prose fits in perfectly in that pop box as they do in the Country scene and is what has made it a fan favorite with the tracks from their impressive discography going on to amass millions of streams with massive airplay on radio and other digital channels. It seems like everything the band touches ultimately turns to gold and is really proving to be one of the most innovative and creative collectives of its generation. The Whythouse connects with its audience by putting their hearts and souls into their songs while ingeniously investing real-life stories into their lyrics.

 https://www.thewhythouse.com/

 

Claudia Campagnol

 

Claudia Campagnol's voice is extremely powerful, yet warm and soulful. She takes inspiration from jazz, pop, soul, and R&B, showcasing a stunning flair for improvisation and vocal arrangements.

Claudia Campagnol has a deep-rooted affection for jazz fusion, and she has achieved great success on the jazz scene in Denmark as well as abroad. Her debut album "I'm Strong" (2019) was nominated for Danish Music Awards Jazz in two categories: 'Best Vocal Album' and 'Best New Act', and received excellent reviews worldwide.

But for a while, Claudia has considered trying her hand at other genres.

With her single "Dance With Me" (2020) – inspired by names like Chaka Khan and Sade – Claudia stepped into a funky pop/R&B world that suits her amazingly.

In February 2021, Claudia released the beautiful love ballad Abracadabra, with which she participated in 'Dansk Melodi Grand Prix 2021' (the Danish pre-selection for ‘Eurovision Song Contest’).

In March 2021, the super catchy "Do You Love Me (Dance Edit)" was released – and with an ongoing desire to challenge herself, she continued down the Pop/R&B/Soul path with her single "Everything's OK" (June 2021). – This time adding a flirty touch of Reggaeton.

Her new single "Confused" is a laid-back, confident and funky affair that makes you dream of the California sun and cruising up and down legendary PCH (Pacific Coast Highway) - or the French Riviera. Think West Coast music, Earth Wind & Fire, Bill Champlin and Michael Ruff, and the mood is set.

https://www.claudiacampagnol.com/

Hickory Hank

 

Has it been a long time? Nah, that's actually great. So not so long ago a number of musicians, relatively unknown to each other, got together to share their love for Country and Americana, in particular. Joint heroes soon found the men in Johnny Cash, Hank Williams and Gram Parsons. There is also a common preference for the more traditional instruments. They mean guitar, mandolin, banjo, bassukulele and whatever else comes to the table.

From their town on the Rhine, the men are slowly but steadily building a solid live reputation. And they are welcome guests on and off stage. Given their set of instruments, they have freedom of movement to play in any cozy corner. In fact, that's probably what they like the most. Blessed with voices like nightingales, the polyphonic vocals really add value.

https://www.facebook.com/HickoryHankTank

https://hickoryhank.jouwweb.nl/