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Sunday, March 22, 2026
Sick Things
Wednesday, March 18, 2026
Hamilton Guitar Visionary Kyle Pacey Releases Daring New EP “After the Fall”
There are artists who make music to entertain, and artists who make music to understand the world. Kyle Pacey, the Grammy-nominated Hamilton guitarist, singer, and songwriter, has always belonged firmly in the second category. On After the Fall, his luminous new five-song EP out now, Pacey brings the full force of that lifelong curiosity to bear — spinning R&B heat, jazz-inflected melody, funky locked-in groove, and blues-rooted soul into a cohesive and deeply felt statement about endurance, empathy, and what it means to be alive and paying attention in this moment.
At the center of the collection is the EP’s title track, a piece of breathtaking compositional ambition that deploys improvised jazz-scat phrasing against a driving rhythmic bed to pose the questions that animate the entire project. “What will remain / after the fall,” Pacey sings, his voice both urgent and luminous, before opening the lyric outward to encompass the sweep of human experience: “Farewell my friends now / there’s nowhere to hide — / oh sweet woman / please comfort me.” The song does not offer easy resolution; instead it offers something rarer and more nourishing — the comfort of being asked the right questions in exquisite company.
“What will remain after the fall… oh sweet woman, please comfort me.”
The EP moves through five distinct sonic worlds with the ease of a player who has inhabited all of them for decades. Back Against the Wall leans into rousing blues-rock, its propulsive funk bottom and insistent groove physically lifting the body even as the lyric grapples with the sensation of being hemmed in. Brave New World arrives on a reggae-styled pulse and draws openly from the philosophy of Aldous Huxley — a meditation on personal autonomy and the power each of us holds to chart a new course. I’m Here for You trades in a warm country-blues tenderness, its message of inner strength and self-reliance arriving with the quiet authority of earned wisdom. And Beware, the EP’s most strikingly cinematic moment, conjures a swampy, Lynchian unease — a soulful blues warning about division and the urgent need for common ground, delivered in a growl that would make Tom Waits take notice .
Pacey’s musical authority is built on a foundation that stretches back to lessons under Tony Braden — the celebrated guitarist and teacher who also shaped Kim Mitchell and Ed Bickert — and a run of local and international guitar championships before he turned eighteen. He went on to serve as opening act for the Duke Ellington Orchestra at Hamilton Place, became the first local musician ever to play that storied venue, and built a reputation whose arc runs from an invitation to audition for Chicago to a 2007 Grammy nomination as a member of the John Gora Band. His octave work draws comparison to Wes Montgomery; his full chordal approach recalls Freddie Green and Charlie Christian. After the Fall was recorded at Pine Street Studios in Hamilton, Ontario, with a stellar ensemble of collaborators — Kevin Christoff and Gordon Hall on bass, Michael Sloski, Johnny Winiarz, and Bruno Farrugia on drums, Michael Birth elmer on acoustic guitar, and Ed Roth on keyboards — each song matched to the precise combination of players that best serves its emotional weather.
What sets Pacey apart from the wide field of singer-songwriters working in blues, R&B, and jazz fusion is the particular lens through which he views his subject matter. His lyrics have always been informed by a restless intellectual life — a sustained interest in world events, the visionary culture of the 1960s and ‘70s, metaphysics, philosophy, and the New Thought movement — and After the Fall is his most fully realized expression of those preoccupations to date. From Huxley’s writings on individual agency in Brave New World to the Lynchian surrealism of Beware, Pacey positions contemporary feeling inside a much larger frame, inviting listeners to locate their own experience within the sweep of ideas that have shaped our culture. As broadcaster Kevin Barber has written of Pacey’s work: “He has lived through those times, and the passion and conviction he carries ensures tha t those who get to hear him are treated to something real and good.”
“I am captivated by music that is always changing,” Pacey says of his approach, “and like to incorporate a fusion of popular music genres. I am a very expressive player and like to push boundaries with my unorthodox style.” That restlessness is everywhere in evidence on After the Fall — in the sudden pivot from a jazz scat to a reggae groove, in the blues-country warmth of a song that could sit comfortably on a late-night radio playlist as easily as a Hamilton club stage, in the audacious Huxley reference tucked inside a propulsive beat. The EP is the work of an artist in the full command of his powers, making exactly the music he wants to make, and certain that the world is ready to receive it.
https://kylepacey.com/
Tuesday, March 10, 2026
Canadian Blues Music Awards
The inaugural Canadian Blues Music Awards (CBMA) gala takes place Monday, March 30, 2026 at The Phoenix Concert Theatre in Toronto, bringing together the finest performers in Canadian blues for a landmark national celebration. The evening will feature live performances from nominees and honourees spanning the full breadth of the country’s blues landscape — from roots-drenched acoustic traditions to electrifying contemporary interpretations — with Lifetime Achievement and Industry Person tributes woven throughout the programme. Gala tickets are on sale now at canadianbluesmusicawards.com. Watch the official launch video here.
The Canadian Blues Music Awards is a fully independent, incorporated national not-for-profit organization with an exclusive mandate to govern, develop, and operate Canada’s premier blues recognition programme. The CBMAs are a wholly new creation — not a rebranding or restructuring of any previous programme. The CBMAs operate as a separate entity: the Toronto Blues Society has no role whatsoever in governance, nominations, judging, voting, or any other element of the awards process. The TBS will proudly host the gala ceremony, and that is the full extent of the relationship.
The new programme was built from the ground up. Initially formed in spring 2024 by Brant Zwicker and Cindy McLeod, the CBMA Governing Committee spent more than a year in extensive research, national consultation, and programme development before incorporating as an independent organization. In December 2024, Julie Hill joined the committee, and the completed plan was finalized in May 2025. The result is a programme grounded in transparency, expertise, and coast-to-coast representation: all artist category awards are decided exclusively by a jury panel of industry professionals drawn from a national pool spanning radio, print, labels, engineering, production, promotion, academia, associations, festivals, and venues. Nominees are determined by submission - not nomination - based on qualifying recordings released between September 1, 2023 and September 30, 2025. The sole exception is the Fan Favourite Award, which is open to the public as a write-in vote.
Quisha Wint, Chair of the Toronto Blues Society, has offered her full endorsement of the new programme. “The Canadian Blues Music Awards represents a complete overhaul,” Wint writes. “A whole new programme created to serve the Canadian blues community with greater transparency, fairness, and unity from coast to coast to coast.” With 16 competitive categories recognizing artists, instrumentalists, producers, and industry figures, alongside Lifetime Achievement honours for five foundational contributors to Canadian blues, the CBMAs are positioned to become the gold standard of blues recognition in this country - one that reflects the true depth, diversity, and resilience of the music and the people who make it.
There are many people asking what will the Canadian Blues Music Awards Gala look like this year? Here’s the breakdown: The Gala will be held at The Phoenix Concert Theatre on Monday March 30.2026 7pm start. All 17 Awards will be presented along with six performances sprinkled through the night with an intermission.
This year’s host will be Danny Marks who will also perform a song. Steve Marriner, Crystal Shawanda, Kenny ‘Blues Boss’ Wayne, Brandon Isaak and Dana Wylie (Secondhand Dreamcar) will be the feature performers who will all perform a song each.
The gala backing band ‘Pass the Envelope’ will be run by Manny DeGrandis (MD & Bass) with Quincy Bullen (keyboards), Dave Patel (drums) and new additions Cecile Doo-Kingue (guitar) and Dan Jancar (Sax) Blazing Kitchen will also be in the house serving up tacos during the show There will be an After party but not our typical open jam. We will have Emerging artist nominees Glenn Marais & The Mojo Train, Ollie Owens, JP LeBlanc, plus Secondhand Dreamcar and more to be announced perform a few songs in the main room on the big stage starting immediately after the awards.< /p>
“We will be wrapping up at 11pm so everyone can venture off to other Toronto bars and catch more live music or get to bed for work the next day.” Says event producer and TBS Operations Manager, Manny DeGrandis.
Join the celebration on March 30 at The Phoenix and help honour the extraordinary talent that defines Canadian blues. Tickets at https://torontobluessociety.com/canadian-blues-music-awards-2/
Tuesday, February 24, 2026
Taming Sari
Taming Sari has released a brand new single and video, “Tea & Honey”, a teasing love song about the kind of girl who keeps you guessing - playful, sharp, and a little mischievous, yet impossible to resist. Tea & Honey is produced and recorded by Ross Hayes Citrullo (The Commoners), two-time JUNO Award nominee. True to the song’s theme, the instrumentation keeps the listener guessing with unexpected twists and turns. The accompanying music video is produced by up and coming Ottawa producer/videographer Sebastian Ribeiro. The video tells a humorous story of frontman Warren Meredith waking up and realizing his bandmates, who have moved on to different professions, do not remember they were part of the band. Watch along for a surprise twist once they’re all reunited!
Friday, February 13, 2026
New Radio Show
Today, new radio show available.
Content and artists: ZITA, MILTOS MARATHON, HER FURY, GREAT TIDE, ANTON BECKMAN, JANE AND THE KILLER QUEENS, MASHEENA, FOR WHAT YOU BURN, WILL LUDFORD, WWOOLLFF.
Listen to it on the right column of this blog.
Friday, February 6, 2026
Sundown Marathon
Formed in Liverpool in 2022, Sundown Marathon have been steadily making waves in the underground music scene, delivering their electrifying fusion of alternative, indie, and pop rock to audiences across the North West and beyond. Drawing sonic inspiration from the likes of Inhaler, Nothing But Thieves, and Biffy Clyro, the band have carved out a dynamic and distinctive sound, marked by soaring vocals, punchy guitar hooks, and undeniable live energy.
2025 has been a milestone year for Sundown Marathon. Their latest single, “Better About You Now”, released to growing acclaim, showcases the band’s evolving artistry and knack for infectious, emotionally charged songwriting. In Ma, they took to the stage at the Big Condo Records Weekender — a standout performance that caught the attention of the label. Just a few months later, in September 2025, the band officially signed with Big Condo Records, setting the stage for their next chapter.
Reviewing their May performance, Rock Flesh writer Jo Crosby noted:
From gritty club gigs to breakout festival appearances, Sundown Marathon continue to build momentum with every show. With a growing fanbase, an exciting new label partnership, and more music on the horizon, this is a band poised for big things.
Sunday, January 25, 2026
Karl Vrålstad
Wednesday, January 21, 2026
Brass Camel
Thursday, January 15, 2026
Piper and the Hard Times.
Tuesday, January 13, 2026
Avalon Stone
LIVE STREAM >> https://eu4.fastcast4u.com/proxy/jam66?mp=/1
Thursday, January 8, 2026
Maurice Aucoin
Monday, January 5, 2026
Short Fuse Swamp Blues
Over the years, they've played in every province of Spain at some point, except Teruel, which has allowed to connect deeply with Spanish audiences.
Currently based in Carboneras, Almería, Short Fuse Swamp Blues formed in London before relocating to Baton Rouge, Louisiana, with the goal of playing authentic Swamp Blues in its place of origin.
Short Fuse Swamp Blues released their work with Cambaya Records, and collaborations with Louisiana bluesmen appeared under their respective names on labels such as Sidetrack, Red Lightnin’, Wolf, and New Rose.
After returning to Europe, the band continued recording and touring with musicians such as Paul Orta, Henry Gray, Ike Cosse, and Bob Kirkpatrick.
Listen to him on the radio site https://jarnanz.wixsite.com/jamradio
Saturday, December 27, 2025
Mick Clarke on the radio
British blues guitarist Mick Clarke began his career with KILLING FLOOR, part of the British blues boom of the late 1960s and contemporaries of Free, Black Sabbath and Led Zeppelin. The band backed Texas blues guitar star Freddie King and toured with legends Howlin' Wolf and Otis Spann. The album "Killing Floor" was listed as one of Classic Rock Magazine's twenty top British blues albums of the period.
Listen to him on the radio site https://jarnanz.wixsite.com/jamradio
Friday, December 19, 2025
Gulf Stream Riders
Listen to them on the radio site https://jarnanz.wixsite.com/jamradio
Monday, December 8, 2025
Ginger and the Peppers
Listen to them on the radio site https://jarnanz.wixsite.com/jamradio
Jay Rin
Tuesday, December 2, 2025
ENJOY ONLY THE NEWEST on JAM 66 RADIO!
JAM 66 RADIO BRINGS YOU THE NEWEST ROCK, BLUES AND BLUES ROCK!
Monday, December 1, 2025
Vancouver's Honeybear, The Band Releases "Unbroken" And Announces Winter Tour
Monday, November 24, 2025
The Davidson Trio
The Davidson Trio is a hard rocking power trio based in Birmingham and the West Midlands in the UK.
The band is led by Owen Davidon, the bass playing and 5 octave vocalist (formerly with Uli Jon Roth & Rumour).
Guitarist Ben Bicknell was Davidson’s fellow band member in the Glenn Hughes tribute called Black Country Community, while the band is powered by exciting new discovery Ellis Brown on drums.
The band’s debut recording ‘Cougar’, is an old school album given a contemporary makeover, with cracking songs, seamless interplay, bursting solos and Davidson soulful vocals.
*It has already hit #7 on the getreadytorockradio.com weekly chart, and #28 on the IBBA blues chart.
As Owen explains: "This album is a return to my rock-blues and funk roots. I was always into guitarists like Jeff Beck, while in my early career I supported Trapeze, and I always liked the idea of a power trio.
I also was influenced by bass players like Stanley Clarke, Victor Wooten and of course Glenn Hughes.
So having met Ben and Ellis, I wanted to write the best possible songs in a power trio format.
I'd like to think that with this album we have achieved that."
'Cougar' is a powerhouse rock blues album with sharp riffs, booming solos and catchy hooks.
You can already listen on the radio site https://jarnanz.wixsite.com/jamradio
Tuesday, November 11, 2025
Antonio Vergara
Antonio Vergara has made history by being nominated for the prestigious 2024 GRAMMY® in the Best Contemporary Blues Album category, becoming the first Latin American artist to receive a nomination in this legendary category. The Fury not only reaffirms his place as one of the most relevant artists in the genre but also offers a bold and rich proposal that reimagines contemporary blues with a blend of tradition and experimentation that only an artist of his caliber can achieve. This album stands as a masterpiece that captures the essence of blues while pushing it into exciting new territories. With impeccable production and high-level collaborations, The Fury not only stands out for its technical virtuosity but also for its deep emotional connection and ability to resonate with a broad audience.
Released on August 29 and composed of 13 carefully crafted tracks, The Fury takes listeners on a journey through the deepest roots of blues, while introducing modern and exploratory elements that enrich the sonic experience. Antonio Vergara, renowned for his masterful skills with the electric guitar, lap steel guitar, and resonator, offers a repertoire that feels both intimate and expansive, blending classic influences with a contemporary approach that keeps the genre fresh and relevant.
From the rhythmic intensity of "My Lucky Mojo" to the melodic introspection of "Delta Shine," every song on The Fury is an artistic statement that celebrates the richness of blues. Vergara does not shy away from exploring the emotional complexities of the genre, navigating themes of mysticism, resilience, and rebellion with authenticity that deeply resonates. Tracks like "Superstitions Lead the Way" and "Hoodoo" not only pay homage to the Delta blues traditions but also reinterpret them, presenting them in a new and contemporary light that speaks to the modern listener.
You can already listen to him on the radio site https://jarnanz.wixsite.com/jamradio
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