Friday, November 4, 2022

Tim Wolf

 


Aspiring rock stars dream of becoming household names in their 20s, but when Nashville-based Americana artist, Tim Wolf, was that age, he fantasized about creating a household consumer brand. The lifelong musician and entrepreneur did taste business-world stardom, earning prestigious Marketing Excellence awards; inventing and earning multiple US Patents; and living in chic and exotic locales like New York and Japan. Yet, the grind got him down, and, by 2014, Wolf found himself at his wit’s end.

One fateful day, a buddy intervened. He marched into Wolf’s office and demanded he shut down his enervating business ventures and pursue his dreams. “My friend metaphorically hit me on the head with a two by four. Things were so gray and dreary, and music just felt like sunshine and beautiful flowers. As soon as he left the office, I vowed to do music full time,” Wolf recalls. Within 24 hours Wolf listed real estate for sale which would allow him to restructure. He adds: “After it was sold, I was completely free to pursue my musical dreams full time.”

To date, Wolf has released a brace of singles, the Castle Built of Cards EP, and next he will issue his full-length debut, Everything I Learned In Grade School. In addition, since he’s fired up his artist career, Wolf has toured regionally and internationally. So far a career milestone has been touring Ukraine and Poland which climaxed with Wolf headlining the Stara Fortetsya Festival in Trostyanets, Ukraine.

His songs are those of the lone wolf—masculine but sensitive, romantic but ill-fated. Wolf a storyteller of hard luck and heartbreak. Wolf’s music is informed by the blues—he’s a lyrical and economic lead guitar player—but contextualized by Americana, that sweet spot where country, folk, and blues overlap, and songs come first. His vocals have a patina that’s both paternal and mythical—as if he’s singing from years of hard road living. Wolf’s song’s invite comparisons to Johnny Cash, Mark Knopfler, Rhett Miller, and Jason Isbell.

Wolf’s earthy musicality no doubt is tied to his rural upbringing in South Dakota where he grew up on a large but lonely farm. Despite being a natural at living off the land, Wolf had big city aspirations and earned a BS in Mechanical Engineering, an MBA, and set off for the wilds of the business world where he tasted success and excess. Eventually, he tired of the glitz, and brought his enterprising spirit back home.

Back in South Dakota, he pursued various entrepreneurial endeavors while overseeing the family farm. Away from the din and excitement of a life in business, his love of music began to surface. He had been playing guitar since grade school, and continued to practice, perform, and evolve as a musician throughout his adult life. He even picked up the saxophone later in life and began gigging semi-professionally with a cover band.

A series of events recalibrated Wolf’s journey from being landlocked by his family’s farm in South Dakota. His cover band dissolved, and a bubbling-under urge to be a front man, and his friend’s urgent request that he pursue music galvanized him into making some profound changes. He sold the farm, and decided to go all-in with music and move to Nashville in 2017.

It wasn’t an easy transition. The reality of a career in music hasn’t necessarily been the sunshine and beautiful flowers Wolf envisioned. In the wilds of Music City, Wolf rubbed shoulders with powerful producers interested in his talents, but hypercritical of his abilities. “I’ve been broken down so many times,” he admits. “My first reaction was to quit because I felt like I would never amount to anything. I remember thinking what would be the fastest route to sell my gear, but there’s nothing I would rather do than play music.”

However, he’s emerged from it all with dignity, grace, and an impressive back catalog of songs. He’s earned the stamp of approval of working with in-demand Nashville producer and singer-songwriter, Kenny Schick. Schick and Wolf worked together on his upcoming debut album, Everything I Learned in Grade School. That title is pinched from a quip a producer made while listening to one of Wolf’s tracks, remarking that his tasty blues licks were somehow pedestrian—“I learned those in grade school,” the producer exclaimed. To his credit, Wolf did take the hard scrapes in stride, feeling the pain, but also growing from the advice. He fine-tuned his vocals, easing them back into the pocket, but he stayed true to his gutsy and achingly beautiful lead guitar playing.

A sneak peek at his upcoming album produced by Schick includes the smoldering pop-rock track “Earthquake In A Bottle,” the gut-wrenching “A Million Little Hearts,” and the boldly vulnerable piano ballad, “Frequency.” The stunning “Earthquake In A Bottle” conjures the sleek groove-pop of prime 1970s Fleetwood Mac with a captivating romantic narrative. Here, Wolf’s writing is sexy and clever, one choice passage is A palindrome in human form/Like poetry upside down/She looks as good from any direction you can see.

Wolf’s EP Castle Built of Cards EP is available now on all digital sales and streaming platforms. Two highlights on this six-song EP include “Born In South Dakota” and “Castle Built of Cards,” both are co-written by guitarist Jimmy Davis. The swampy “Born In South Dakota” is both a storyteller and a scene-setting song, conveying a mythically grand perspective of Wolf’s home state through the Deadwood series saga of Wild Bill Hickok and Calamity Jane. The lyrics are ominously evocative and feature such imaginative lines as: As the cold blows thru your bones/A man knows he’s alone/When he understands the wind can smell your fear I was born in South Dakota/Born in South Dakota. The EP title track features some of Wolf’s finest lead guitar playing, and his tasty melodic-blues playing evokes Eric Clapton and Mark Knoplfer. His vocals are low-register and understated and tell the story of a temptress woman who hoodwinks the male protagonist, using her charms and deceptive ideals to lure him into a trap.

The Nashville chapter in Wolf’s life has been both hard fought and triumphant. Up next, Wolf will be finishing up his debut album, and embarking on a 5 month, 85-date tour starting in January. The road has been reaffirming and grounding for Wolf, especially the festival in Ukraine. “When I went on, the audience was clapping and singing along from the first song,” he remembers. “It felt amazing, otherworldly, and I’m excited to hit the road in January!”

 https://thetimwolf.com/

Thursday, November 3, 2022

Blaze Project

 


It’s a simple, universal fact that without our health we don’t have anything. The desire and drive to be alive and thrive is at the center of the powerful and purposeful new single by Canadian blues-rock band Blaze Project. “Still Fine” is available now!

A guitar-driven, super funky ride from start to finish, “Still Fine” is a revved-up testament to the indomitable will to live in the face of tough personal challenges. The song takes a triumphant approach in response to a health crisis too many people will face in their lifetimes.

 Try every day to do my best for me

Try every day to do much more for me

Still fine as you see

“‘Still Fine’ deals with cancer, a disease that affects thousands of families,” says the Baie-Comeau, Québec-based group. “Having lived it within the entourage of the band, the song is therapy in itself.”

Rather than focus on the grief and devastation a cancer diagnosis can cause, “Still Fine” underlines the determination, fight and forward thinking of a person who’s ready to tackle this formidable health challenge head on.

“It tells the story of a person affected, who decides to fight and whose great desire to stay alive will lead him back to health and eventually, healing.”

 “Still Fine” is one of several tracks on Blaze Project’s second full length release that embrace the positive aspects of life, even through the lens of hardship. The band took the two years of the deepest part of our global pandemic to consciously ‘enjoy this moment’ as they gathered in their practice space and composed the ten songs that make up the new album released last May. “Enjoy This Moment” follows up Blaze Project’s 2018 debut album “Universe”.

“We took two years to compose and refine ‘Enjoy This Moment’ in a positive and playful climate,” notes the band. “The album conveys positive messages and a beautiful energy.”

Recorded mostly live off the floor on analog equipment at Wild Studio in Saint-Zénon, Québec, “Enjoy This Moment” mixes the band’s diverse influences of blues, rock, funk, and indie rock into a warm, rich and delicious sound concoction. The kinetic energy of the band ripping through their songs in a single take is what fuels this project.

“Music is visceral to us,” they explain. “It’s the need to create and share, touch people and make a difference in their day in order to change the negative into positive!”

Blaze Project is composed of vocalist and acoustic guitarist Pat Trudel, guitarist and vocalist Serge Blais, drummer Danny St-Gelais and bassist Jacques Roy. In recent years, the foursome has seen more than their fair share of bad luck including illnesses, deaths in the family and a serious road accident that almost claimed Trudel’s life. All of that galvanized the band into action with passionate, positive momentum to create “Enjoy This Moment”, which has resulted in airplay on 350 international radio stations and a spate of great reviews.

“Our music has become much more emotional, and our vision has become very clear: to pursue our dream, to touch people and to write the best music possible!”

“Still Fine” and the new album “Enjoy This Moment” are both available now.

 https://blazeproject.ca/

Wednesday, November 2, 2022

Jon Sudbury

 


After  getting  hooked  on  the  music  of  AC/DC,  Van Halen, Led Zeppelin, The Faces and The
Rolling Stones, Jon Sudbury got  his first guitar aged 13, immediately formed his first  band and  was gigging within 6 months. Having been in many bands over the years and playing all over the world, in 2013 he started as guitarist with Nashville roots rocker Stacie Collins, touring Europe extensively and writing and recording with her. In March 2020, covid struck and stopped all touring so he got stuck into writing more for his own release which has now taken a more prominent role after the sudden tragic death of Al Collins, band leader and husband of Stacie Collins. 

This upcoming album for SWND Records draws heavily on Jon’s early influences of 70’s rock
and also features leanings.

 https://www.facebook.com/JonSudbury/

Tuesday, November 1, 2022

Alli Bean

 


A lover who withholds is often frustrating, at best. With that, multi-award-winning Victoria, BC-based jazz songstress Alli Bean captures the dynamic’s push-pull perfectly in her new single “Twenty Questions,” from her recently released album, Outside Voice — available now!

 

Framed as a series of increasingly probing questions for her lover, “Twenty Questions” features a funky, head-bopping groove, saucy and soulful vocals, and a chill “Doo doo doo” chorus over rollicking piano. Basically, it asks –  in a detached and curious way – why the guy is such a damn narcissist:

 

What do you dream about while I awake from dreaming of you?

While I try to turn my light out, what is it you do? 

Where do you go when you don't have a plan? 

Who are you when you're not the front man? 

 

The narrator inquires, somewhat sadly, why such a lover won’t let anyone in, but her smarts and self-respect get the better of her over and over again, as she challenges: “Why am I freezing in the heat while you're struttin' around so cold?” The overall message is a tried-and-true “you’re so vain,” so that the woman doing the calling out emerges as the song’s embattled hero.

 

It’s a theme that’s overarching on the album, recorded in its entirety in Bean’s tiny home studio during the pandemic. “Outside Voice is a culmination of works created along a personal growth journey,” Bean divulges. “We go through life making moves, and choices aren't always conscious. By chasing people and seeking external validation, we find ourselves in dicey situations, leading us astray from what matters.

 

“When I realized I had this issue,” she continues, “I turned inward and began really asking myself what I was relentlessly pursuing – what did I need to let go of in order to find it? In that process, I said goodbye to a lot of habits and ideas that got in the way.”

 

Alli Bean is a multi-award-winning Canadian powerhouse blues/jazz/pop-influenced songwriter and vocalist. Drawing influence from a multitude of artists including Wynton Kelly, Horace Silver, Fiona Apple, and Amy Winehouse, her compositional style leans toward the bluesy, funky side of the street, with a twist of jazz and a dash of sass for good measure. 

http://www.allibean.ca/

Monday, October 31, 2022

November 2nd

 


November 2nd was formed in the late 1990s in Hranice and has had successful concerts in Europe and the USA. They jumped ahead of such stars as Alanis Morissette, Suzanne Vega, Spin Doctors, Bryan Adams or David Gahan. They made a great debut with their debut Midnight Desert, for which they were nominated for the APH Anděl award in the "Discovery of the Year" category and won the Report magazine's Ladder Poll. Little Miss Behavin' & the Troublemakers' second album earned nominations at the Óčko TV station's annual awards in the "Best Domestic Singer" and "Best Domestic Pop" categories. So far, the famous singer-songwriter Suzanne Vega helped the band with the last album Night Walk with Me. On her recommendation, Chad Blake was in charge of the final mix. The experienced producer and multiple Grammy award winner is signed to the best albums of Paul McCartney, Black Keys, Peter Gabriel, Sheryl Crow, Pearl Jam and Tom Waits.

 http://www.november2nd.net/

Sunday, October 30, 2022

Unsu

 


Unsu is a belgian songwriter (Wim) working together with Ukranian singer (Kate).
We released different singles already.

Song "Hills of Hope" is about a young girl who is rejected by other children and therefor she creates her own fantasty world where she lives in harmony with trees, flowers and animals. But still hopes to be accepted by humans.

"Hills of Hope" is about a young girl who is rejected by other children and therefore she creates her own fantasy world where she lives in harmony with trees, flowers and animals. But still hopes to be accepted by humans.

 https://open.spotify.com/artist/3oUYSXcx82YllWC1WwBLH7

 

Saturday, October 29, 2022

Aynsley Lister


 

Aynsley Lister is one of the UK’s hottest contemporary blues guitarists – many consider him to be among the best in the world. His unique brand of blues-based rock delivers contemporary song writing fueled with the kind of heart and soul that’s missing from so much modern music.  Whether passionately writing and recording his own material or mesmerising audiences at his live shows, one thing is abundantly clear: music is hard-wired to his DNA and flows from his fingertips like sonic bolts of lightning. With over 100,000 albums sold, lashings of critical acclaim and years of high profile touring, Lister’s resumé speaks for itself and firmly secures his position as a leading light in the resurgence of British blues-infused music.

In hindsight, it’s clear Aynsley was born to be a musician.  As a child he was hypnotised by his dad’s old guitar and at the age of eight was finally gifted his very own.  The moment he held that first six-string the outcome was inevitable; he was going to be a guitarist.  Blessed with the coolest dad in town, regularly spinning Hendrix, Cream, Fleetwood Mac and a whole host of bewitching blues for his spellbound son, Aynsley taught himself to play with relentless dedication and a precociously attuned ear, spending hours copying his favourite records note for note.  Peter Green, Albert King, Clapton and Kossoff weren’t just his heroes; they became his teachers.

 https://www.aynsleylister.co.uk

Friday, October 28, 2022

Radio Kings

 


Boston-based traditional blues duo almost eerily reminiscent of the like-minded Fabulous Thunderbirds, the Radio Kings primarily comprised vocalist/harpist Brian Templeton and guitarist Michael Dinallo. Formed in 1991, the group debuted in 1994 with the Icehouse label release It Ain't Easy, a showcase for their clear affection for the gritty sound of giants including Howlin' Wolf, Little Walter and Slim Harpo; Live at B.B. King's followed a year later, and in 1998, the Radio Kings returned with Money Road.

Thursday, October 27, 2022

Ann-Kristin Dørdal

 


Ann-Kristin Dørdal has been playing around the country for many years, with several different bands. She went solo in 2015, releasing two singles in 2015, 2 singles in 2016, and the album "Shape Up" in 2018. New single May 21. She started her "career" as a 3-year-old in musical kindergarten, through her parents' country record collection and music and revs at school. Has since then been true to the genre, even though the genre was little IN in the 80-90s. 

She has played both domestically, and in Sweden and Spain. She has shared scenes with Bobby Bare and the Bellamy Brothers, and others. She has recently had one of the lead roles in a Norwegian musical. She has done interviews in both domestic and foreign radio stations. NO 1 with “Someone else is gonna get it”, and “album of the month” The music is now being presented worldwide. 

Nominated for “The red carpet awards” (Holland) 2020, in the following categories: Amazing female voice Blues original (which she won), Amazing female voice Traditional cover, Amazing female voice Country rock, Amazing female voice modern country original, and Amazing female voice Traditional original. The award show took place November 7th 2020. New nominations for 2021. 

The Red Carpet Award Show will take place in August 2021. Top 10 in The Netherlands, Top 15 in South Africa, and more You find the music where you stream your music (spotify, youtube and more)

 http://www.annkristindordal.no/

Wednesday, October 26, 2022

Targetspot signs major video partnership with ShowHeroes

 


Targetspot (formerly AudioValley), a global player in AdTech and digital audio monetisation, today announced a highly promising agreement with ShowHeroes, a leading independent video solutions provider. The agreement gives Targetspot exclusive access to billions of monthly audio ad impressions from premium publishers and platforms such as Der Spiegel in Germany, Webedia in France and La Nacion in Argentina.

ShowHeroes is a global leader in digital video content, tech, and advertising solutions. The company provides publishers with valuable content, innovative technology, and sustainable monetization solutions while creating an engaging and brand-safe environment for advertisers. Its high-quality inventory aggregates a wide range of audiences across more than 4,000 websites, 800 publishers and 1 billion unique users. In Germany, where ShowHeroes is a partner of the country’s top three daily newspapers (Der Spiegel, Frankfurter Allgemeine Zeitung and Süddeutsche Zeitung), the company reaches the equivalent of 94.1% of the TV audience among adults over 16.

Keep reading here 

Tuesday, October 25, 2022

Wayne Gillespie

 


Their name should have already alerted you to the fact that this is a band that knows its music history – and who wouldn’t want to name themselves after a song by Leonard Cohen? The fact that the core members have a little history themselves should also alert you to expect quality in the CD that accompanies this press release – and why not?
 
Singer/songwriter Wayne Gillespie has been making quality music in Australia since CBS released his second album New Locations here back in 1987, and was already a favourite son back in his native New Zealand for a few years before that, while drummer/percussionist Rob Grosser has fired the engine room of more than a few records since he emerged from Adelaide, having worked with some of Australia’s best musicians including the late Pete Wells of Rose Tattoo, Jimmy Barnes, Tim Gaze , Bob Daisley (Ozzy Osbourne/Gary Moore) as well as overseas artists such as Bob Margolin (ex- Muddy Waters), and Deep Purple ‘s Jon Lord, Ian Gillian and Steve Morse.

So, how did they become Famous Blue Raincoat? Like all good things, it started with the end of another band. Back in ’95, Wayne and Rob were playing together in a three-piece called Passionfish, releasing an EP, 
 
Love Comes Down andpromoting Gillespie’s third album Living in Exile. When the bass player moved on, the musical chemistry suggested Wayne and Rob stay in touch. They started jamming a couple of days a week, recording what came up and seeing where it would lead. It was a new way of writing for Wayne, accustomed to being the solo acoustic singer/songwriter with folk-rock roots, yet strapping on an electric guitar and playing along to the grooves Rob laid down made perfect sense.
 
Life inevitably got in the way, relationships blossomed, children arrived, as did new career for Gillespie as an Entertainment Psychologist. Next thing you know years had passed. However the jam tracks were still there, honed into real songs by Wayne and enhanced with the help of a few friends who were called in, like sax player Ric Robertson (dig/eon/Baecastuff), with whom Gillespie had played back in New Zealand, as he had American guitarist now Zealander Nigel Gavin, who’d played in Robert Fripp’s League Of Crafty Guitarists, while bass player Goby Catt, now living in Vancouver, Canada, was a pal from the Slide McBride Band, and another Kiwi (whose credits include Van Morrison, Sting and Ray Charles) Brendan Power on harmonica.
 
So the album FRAZZ concoction of Folk/Rock/Jazz- Tracks with traces of Rock-edge, spiced with cheeky surrealism, Jazz juices, Folk reverence, African flavours, Hypnotic Grooves and Dark Tales.