Friday, June 2, 2023

Muddy Waters


 

In 1943 a man arrived in Chicago with little money in his pocket, unaware that he would change the course of the blues forever. His only conviction was to achieve fame through what he loved the most: music.

At 27, Muddy Waters had already been playing blues at country parties, as well as on the streets of Clarksdale, Mississippi, for nearly thirteen years. Those who listened to him in his musical beginnings, some testimonies assure it, never imagined that in the future those chords would move the entire world.

His name was McKinley Morganfield. He was born on April 4, 1915 in Rolling Forks, a small city in the state of Mississippi. After his mother passed away, his father left him in the care of his grandmother, with whom he lived his entire childhood. He owes her nickname to her, since he loved to play and get dirty in the mud, and her grandmother once decided to scold him by calling him: "muddy waters", which in Spanish means: 'muddy water'.

"At a very young age he dropped out of school and began working on the Clarksdale cotton plantations, very close to where he lived."

 He learned to play the harmonica at the age of nine, soon after he was instructed on the guitar with the help of his neighbor -Eddie "Son" House-, and it did not take long for him to exploit his talent showing it to his companions in the plantations, to receive his recognition and boost his career from there.
Muddy Waters' Band

The fame he gained in Mississippi unfortunately didn't reach Chicago, so when he decided to move there, Muddy had to work in a paper mill and play at small workers' parties; which helped him because that way he was able to buy his first electric guitar.

After auditioning for Chess Records, he finally got the chance to go into a studio. In 1948 he recorded "I Can't Be Satisfied" and "Feel Like Going Home". The album sold out within hours, and his career as a blues musician took off.

By 1951, Muddy Waters formed a band with Jimmy Rogers on guitar, Fred Below on drums, Willie Dixon on bass, Little Walter on harmonica, and Otis Spann on piano. Throughout the rest of the 1940s, the band recorded blues classics such as "Long Distance Call", "I'm Your Hootchie Cootchie Man", "Rollin' Stone", "Got My Mojo Working", "Mannish Boy », among others.

"Ten years after arriving in the city, Muddy Waters became 'the king of Chicago.' The Best of Muddy Waters, a collection that made him known throughout the world.

Two concerts meant the next step in the career of Muddy Waters. The first was in England, when the band rocked audiences with their energetic, city music. The second was at the Newport Folk Festival, in Rhode Island, USA, the day Muddy Waters proved to be the doyen of electric blues.

His fame was never satisfied because along with Johnny Winter, Muddy Waters won the Grammy Award for the album Hard Again in 1977. In the middle of the decade he played for President Jimmy Carter, in 1980 he entered the Hall of Fame and seven years later the Hall of Fame. Rock'n Roll Hall of Fame, recognition that he could not see in life because on April 30, 1983 he died in the state of Illinois.

The great influence that Muddy Waters had on music was soon reflected in bands like The Rolling Stones —whose name was inspired by two of their songs "Mannish Boy" and "Rollin' Stone"— or The Animals, and musicians like Eric Clapton , Jimi Hendrix, Stevie Ray Vaughan and many more.

In addition to influencing music, an American magazine also bears the name of one of his songs, and Martin Scorsese dedicated a chapter to it in his 2003 television series The Blues, in which he recounts the history of this musical genre.

Muddy Waters' legacy in music is undeniable. It was the most important bridge between the native Mississippi country blues and the sophisticated urban sound of the city of Chicago. His dream came true, he managed to bring his music to the whole world, without thinking that it would change him completely.

Thursday, June 1, 2023

Apache Rose



Apache Rose is back with a banging soft/loud track "Cabin Fever". The track starts out with a chill vibe but then goes full throttle with pummeling drums and haunting vocals


The lyrics draw from lockdown and personal situations you get stuck in.

Apache Rose is a rock band from Moscow, Russia. They have released several singles and a debut album (“Attention!”) in 2021. The band is centered around vocalist and songwriter Ilya Novokhatskiy with prominent Russian rock musicians lending their skills in the studio. All songs are in English with inspiration drawn from mostly American classic rock and alternative scenes.

https://music.apple.com/us/artist/apache-rose/1481624048

Tuesday, May 30, 2023

DownTown Mystic



"Live" is the 3rd single to be released off the new DownTown Mystic "AmeriKarma" album. "Live" features Steve Holley (Paul McCartney, Elton John) on drums and harmony vocals while Paul Page (Ian Hunter, Dion) steps out front on bass. Harmonica wiz Jerry Fierro adds some funky flavor to the track, which was mastered by the legend, Leon Zervos at Studios 301 in Australia.


DownTown Mystic writer/producer Robert Allen comments, 'Most of the songs on "AmeriKarma" are a product of the Covid pandemic. I think people had a chance to really take stock of their lives and "Live" is a song about getting a second chance to do something'.

Monday, May 29, 2023

A Black Rainbow

 


A Black Rainbow is the music project and brainchild of Wilson Gonzalez Ochsenknecht.

A Black Rainbow stands for the outsider who doesn't fit into the picture at first glance, but is nevertheless a soulful, profound, multi-layered person. A rainbow whose colours have yet to be fathomed. Dark basses meet harmonious melodies, underpinned by strict beats and arrangements rich in contrast, plus an incomparable visual style. A mixture of rock'n'roll, wave, electro and techno. As multi-layered as a rainbow, yet unadjusted and rebellious. Like the black sheep of the family.

After his first acting successes, it was clear to Wilson that he would be more than "just" a child star. At 16, he moved to Los Angeles, where he studied film and art at the Idyllwild Arts Academy. But acting was never Wilson's only passion. At the same time, he was always making records. His greatest strength: a diverse musical taste that blurs genre boundaries and with which he intuitively reacts to the moods of the respective audience. Wilson regularly demonstrates this musical empathy and spontaneity on the dance floors of the republic.

Alongside his fascination for the music of other artists is his passion for self-made music. His own songs allow him to show the world facets of himself that would otherwise remain hidden in acting.

Over the years, Wilson has been on stage again and again as a musician. In 2010, together with friends, he finally founded A Black Rainbow - the music project of which the 31-year-old is still the singer and songwriter today and with which he now unfolds a new side of himself. Mysterious, dark and androgynous ... and yet always accompanied by a spark of hope.

After many ideas, experiments and countless hours in the rehearsal room, A Black Rainbow were now back in the studio to record their first EP. And in May the time had come. The debut single "The Inbetween" was released. Followed by two more tracks and a few Open Air Shows he finished recording the Debut EP “Face” that was released in spring 2023.

Fitting for spring now follows the new single with the video to “Don’t touch my heart”.

Mission Control: A Black Rainbow has landed!

https://hoernsenmusic.com/artist/a-black-rainbow/

Sunday, May 28, 2023

Markus Schukowski



"What It Feels Like" is a real genre bender, combining powerful rock music with electronic sounds from the drum and bass genre. It is highly energetic and fast!

https://www.markusschukowski.de/

Saturday, May 27, 2023

The Verve Jazz Ensemble

 


It takes a bold, knowledgeable, and inventive group to call itself The Verve Jazz Ensemble. The moniker Verve conjures the legendary jazz label Verve Records: once home to the greatest pioneering names in the artform – from Duke Ellington, Stan Getz and Ella Fitzgerald to Bill Evans, Count Basie, and Buddy Rich. It is in the spirit of the Verve label’s 1950s - ‘60s hard bop heyday that The Verve Jazz Ensemble composes, arranges, and performs jazz of a timeless quality. Across eight albums and counting – the latest entitled All In – the “VJE” has been satisfying the cravings of critics and audiences alike, consistently placing near or at the very top of the JazzWeek radio chart for the past decade. No less than Ellis Marsalis, the late, revered patriarch of the highly distinguished Marsalis Family that gave us Wynton, Branford, Jason and Delfeayo Marsalis, observed, “The VJE is the new MJQ,” referring to the fabled Modern Jazz Quartet.

Drummer Josh Feldstein founded The Verve Jazz Ensemble in 2006 as a band that paid homage to the past while vehemently establishing newer, younger audiences for the now vintage sound. “Part of the band’s mission,” said Feldstein, “is to expand the audience of classic instrumental jazz, to identify melodies that pop audiences can easily relate and groove to – but not need a degree in music to dig.”

The Verve Jazz Ensemble is a band that “chooses to move in a musical direction that’s appealing to radio as well as our broad base of US and international listeners,” Josh added. “Our mission is to bring forward the acoustic jazz artform in a way that both veteran listeners and newcomers to Jazz easily appreciate.”

Feldstein’s passion for acoustic jazz stems back to when he was 11 years old and living with his family in Queens, New York. He was taking drum lessons at the time from a teacher who turned him onto the volcanic Gene Krupa.   “One day my teacher told me I sounded like Krupa,” Josh recalled. “Well, I don’t think that was remotely true, but I dug Gene’s drumming intensely and couldn’t stop listening.” The LP he pointed Josh to was Verve’s Choice: The Best of Gene Krupa.” Josh was hooked.  


"I spent the next 10 years grabbing up all of the jazz albums recorded for Verve Records that I could,” he states. “I hung out listening to Papa Jo Jones and the Countsmen at the West End Café on Broadway and 113th street in Manhattan.  I’d catch the incredible Buddy Rich and his big band, and legends like Max Roach, Art Blakey, and Count Basie.  Any given month would bring into town the best of the best like (saxophonist) Stan Getz, (pianist) Monty Alexander, and on and on. 

 

“I put music on the backburner once I entered college, however, because I didn’t think I could make money as a jazz musician,” Josh said. “While I kept practicing and did play from time to time – I even toured for a while with a big band in the mid-Atlantic area – it was part-time stuff by and large. 

 

“Some years later, when I was living in Connecticut, I came across the playing of a young saxophonist / keyboardist named Jon Blanck. He really impressed me as a young cat who could really play in the authentic hardbop idiom, which is my foundation. I approached him to play locally – just for fun. We ended up booking restaurants and country clubs and becoming close friends.  The band developed a strong reputation and a faithful following. Once the VJE started playing clubs throughout Connecticut and eventually in New York proper, things started happening.”

 

The VJE was a quintet when it first ventured into the studio to record its debut album, It’s About Time (2012), followed by East End Sojourn (2014) which featured guest Peter Bernstein on guitar. Both charted Top 10 on the JazzWeek radio charts. Those albums were followed by top 25 Perimeter (2016) and yet another top 10 album, Swing-A-Nova (2017), recorded by the rhythm section as a trio album.  For 2018, Feldstein expanded the tenor sax, trumpet, piano, bass and drums quintet into a septet with alto / flute and trombone for the VJE’s fifth albumConnect The Dots, a change that shot the band to the #1 position atop the JazzWeek chart for two weeks. Next came Night Mode (2019) – another top 10-charter – followed during the Covid lockdown by The VJE: Very Live! (2021) - recorded at a pre-pandemic benefit concert in Hadley, MA - which kept the VJE brand alive and well. 

 

For VJE’s eighth and latest album, All In, the septet joyfully explores the theme of “Mid-20th century Americana” via two original compositions and eight arrangements of some classic and other little-heard material. The band consists of Tatum Greenblatt on trumpet, Willie Applewhite on trombone, Alexa Tarantino on alto sax / flute, Jon Blanck on tenor sax, Matt Oestreicher on piano and guitar, Elias Bailey on bass, and VJE leader Josh Feldstein on drums.


Highlights of the album include the Tatum Greenblatt original title track, “All In;” an Afro Cuban approach to Neal Hefti’s beloved “The Odd Couple Theme;” another Greenblatt original entitled “What I Meant to Say Was,” set up as a musical conversation between trumpet and alto sax; and a piano trio whirl through Jean “Toots” Thielemans “Bluesette.” 

 

All this music, along with the rest of “All In,” is in passionate keeping of The Verve Jazz Ensemble’s sworn mission to expand the audience of instrumental jazz in the United States and worldwide. “This is very important to all of us,” Feldstein shares. “My daughter is in high school, and she and her friends like our music. There are listeners everywhere of all ages who don’t know any jazz history.  But when they hear our approach to jazz, they soak it in.  Identifying and performing jazz melodies that pop audiences can relate to – catchy yet legitimate music, with a pulse – that’s our target.”


https://www.verve-jazz.com/

Friday, May 26, 2023

Jon Mullane




Jon Mullane always intended on writing a new summer song for the modern era, especially after several years living in Los Angeles. “The Sun in the Summertime” is the result, an infectious, upbeat, feel good summer anthem with nods to the 60s (Beach Boys, Four Seasons), 70’s ( Raspberries), 80’s (Eric Carmen), 90s (Four Non Blondes), 00s (Smashmouth), and more. Add in a slick production with fresh harmonies by producer Creighton Doane, and everything is so fine, fine, fine.

From his new EP "California'" set for release on June 9, 2023.

Jon Mullane is an award winning, Billboard charting singer, songwriter and performer originally hailing from Halifax, NS Canada. He has gained International acclaim and attention through his music, as his songs have been heard on commercial and satellite radio stations, featured in numerous television shows, films and commercials and played at International sporting events.

Jonmullane.com

Thursday, May 25, 2023

Stevie Williams



Stevie: “I was born in Salford UK and raised on dreams and fresh air!"


It all started when I was 5yrs old and I borrowed a bag of vinyl records. An old collection of mixed up 78s 33s and 45rpm which was fun changing the speeds! I was six years old when I started teaching myself to sing and play. Piano first then guitar and bass guitar and I was eight years old when I wrote my first song.


At about the same time I formed a duo with a school friend and we performed our first gig on my front door step! Shortly after I started experimenting with recording and tape looping, layering vocal harmonies and generally exploring the multi-track recording process. A big decision was to trade my bike for an electric guitar and an old record player which I used as a guitar amp until I blew all the electricity in the house!


From there my musical interest spiralled beautiful out of control and I discovered many other artists and styles in Pop, Rock & Roll, Jazz, Folk, Americana, Soul, Gospel, Country and more!


I’ve played bass for and recorded and toured with a large number of artist. Here are a few highlights:

Jim Mullen - John Cooper Clarke - Tanita Tikaram - Hamish Stuart (Average White Band) - Christy Moore - Ralph McTell - Hot House Flowers.


Support tours with: Frankie Beverly and Maze, Freddie Jackson, Joe Cocker, Sheryl Crow, Alexander O’Neal and more!


“My motivation? … good songwriting and the way music connects with people.”


Steviewilliams.co.uk