New Radio Show

Today, new radio show available.

Content and artists: ZITA, MILTOS MARATHON, HER FURY, GREAT TIDE, ANTON BECKMAN, JANE AND THE KILLER QUEENS, MASHEENA, FOR WHAT YOU BURN, WILL LUDFORD, WWOOLLFF.

Listen to it on the right column of this blog.

 

Piper and the Hard Times.

 

 

This Nashville-based blues rock band has had an extraordinary run since winning the 2024 International Blues Challenge for Best Band, but they’ve just made history as the first band in forty years to clinch the "Blues Trifecta" taking home IBC wins for Best Band and best self-produced CD, along with the 2025 Blues Music Award for Best Emerging Artist Album. Their 2024 album 'Revelation' debuted at number one on the Billboard Top Blues Albums chart, and they’ve just dropped their second album, 'Good Company,' on August 29.

Piper and the Hard Times are currently on a September and October US tour. Their story has an emotional dimension as well: on June 4, 2025, their lead singer Al "Piper" Green was diagnosed with advanced cancer, but he’s still pouring his heart into performing and connecting with fans. With more than 5,200 engaged followers, their reach is passionate if not massive, and they bring both musical edge and genuine humanity to every interview.

https://www.piperandthehardtimes.com/

Short Fuse Swamp Blues

 

Steve Coleridge of Short Fuse Swamp Blues has a new EP, Texas Bus.

Over the years, they've played in every province of Spain at some point, except Teruel, which has allowed to connect deeply with Spanish audiences.

Currently based in Carboneras, Almería, Short Fuse Swamp Blues formed in London before relocating to Baton Rouge, Louisiana, with the goal of playing authentic Swamp Blues in its place of origin.

Short Fuse Swamp Blues released their work with Cambaya Records, and collaborations with Louisiana bluesmen appeared under their respective names on labels such as Sidetrack, Red Lightnin’, Wolf, and New Rose.

After returning to Europe, the band continued recording and touring with musicians such as Paul Orta, Henry Gray, Ike Cosse, and Bob Kirkpatrick.

 

 

Listen to him on the radio site https://jarnanz.wixsite.com/jamradio

LIVE STREAM >>  https://eu4.fastcast4u.com/proxy/jam66?mp=/1

Mick Clarke on the radio

British blues guitarist Mick Clarke began his career with KILLING FLOOR, part of the British blues boom of the late 1960s and contemporaries of Free, Black Sabbath and Led Zeppelin. The band backed Texas blues guitar star Freddie King and toured with legends Howlin' Wolf and Otis Spann. The album "Killing Floor" was listed as one of Classic Rock Magazine's twenty top British blues albums of the period.

THE MICK CLARKE BAND was formed in the early 80s and toured extensively in Europe and the USA. Mick has appeared on numerous festivals with artists including Joe Bonamassa, Johnny Winter and Rory Gallagher, and the Southern California Blues Society called him "One of the finest blues players to come out of England".

In recent years the band has played dates in the UK, Europe and India, where Mick was the winner of the "best international act" from artistaloud.com. 

 

 

Listen to him on the radio site https://jarnanz.wixsite.com/jamradio

LIVE STREAM >>  https://eu4.fastcast4u.com/proxy/jam66?mp=/1

Antonio Vergara

 

Antonio Vergara has made history by being nominated for the prestigious 2024 GRAMMY® in the Best Contemporary Blues Album category, becoming the first Latin American artist to receive a nomination in this legendary category. The Fury not only reaffirms his place as one of the most relevant artists in the genre but also offers a bold and rich proposal that reimagines contemporary blues with a blend of tradition and experimentation that only an artist of his caliber can achieve. This album stands as a masterpiece that captures the essence of blues while pushing it into exciting new territories. With impeccable production and high-level collaborations, The Fury not only stands out for its technical virtuosity but also for its deep emotional connection and ability to resonate with a broad audience.

Released on August 29 and composed of 13 carefully crafted tracks, The Fury takes listeners on a journey through the deepest roots of blues, while introducing modern and exploratory elements that enrich the sonic experience. Antonio Vergara, renowned for his masterful skills with the electric guitar, lap steel guitar, and resonator, offers a repertoire that feels both intimate and expansive, blending classic influences with a contemporary approach that keeps the genre fresh and relevant.

From the rhythmic intensity of "My Lucky Mojo" to the melodic introspection of "Delta Shine," every song on The Fury is an artistic statement that celebrates the richness of blues. Vergara does not shy away from exploring the emotional complexities of the genre, navigating themes of mysticism, resilience, and rebellion with authenticity that deeply resonates. Tracks like "Superstitions Lead the Way" and "Hoodoo" not only pay homage to the Delta blues traditions but also reinterpret them, presenting them in a new and contemporary light that speaks to the modern listener.

 

You can already listen to him on the radio site https://jarnanz.wixsite.com/jamradio

LIVE STREAM >>  https://solid9.streamupsolutions.com/proxy/tptrihxd/stream

 

The Bateleurs

 

 

The Bateleurs are back in 2025. "For all to see" is the new single for the upcoming album "A light in the Darkness", scheduled for release later this year. 

 

The band went through a major line-up change, with the departure of the guitarrist Marco Reis and the addition of Ricardo Galrao to fill his role. 

 

Rehearsals and recordings were done in January and February 2025 and the new record is definitely a leap forward on The Bateleurs sound and aesthetics.

 

"For all to see" is a song about the life on the road, playing music, sharing dreams and loving every moment of it. It features two guests, Tiago, Maia on slide guitar and Nuno Louro on Hammond organ.

You can already hear them on the station.

Radio site >> https://jarnanz.wixsite.com/jamradio
LIVE STREAM >>  https://solid9.streamupsolutions.com/proxy/tptrihxd/stream

 

Guy Snowdon & The Citizens

 

 

Guy Snowdon & The Citizens are an original rock band from Cleveland, Ohio. It is the brainchild of Guy Snowdon, who not only writes, produces, arranges, and performs the Citizens’ material, he also fronts the band with vocals and bass. Snowdon is a transplant from the home of British heavy metal, Birmingham, UK, along with Americans Matthew Schieferstein (Drums), Greg Hido (Guitar) and Tanisha Salary (Backing Vocals). Snowdon grew up in the Midlands of England on a healthy mix of pop, jazz, rock and world music from his parents’ and grandparents’ collections. 

 

In 2016, he found a new musical home in Cleveland, Ohio where he embedded himself into its vibrant music scene and began freelancing as a producer and recording artist. But his ever-growing catalog of original songs were begging to be played by a full band. And thus, Guy Snowdon & The Citizens were born. With The Citizens, he brings a new sound that is infused with his diverse inspirations from the UK like anthemic guitars, heavy metal high notes and Brit pop beats. But he also exploits the talents of the band members he has meticulously chosen to bring his original songwriting from a single-handed, do-it-yourself recording to the live stage.
 

”If You Dare” is an anthem about facing fear head-on, urging its listeners to take risks, trust
themselves, and embrace the unknown as a path to growth. Courage and change only come when we dare to try, even when there is a chance of loss. 

 

You can listen to him on the radio site https://jarnanz.wixsite.com/jamradio

LIVE STREAM >>  https://solid9.streamupsolutions.com/proxy/tptrihxd/stream

THE NEW JAM 66 RADIO !!

THE NEW JAM 66 RADIO BRINGS YOU THE NEWEST ROCK, BLUES AND BLUES ROCK!

DON'T miss a band or new group that may like you. HERE ONLY THE NEWEST!

 

With more new bands and songs added every day! Broadcasting 24/7!

 

Listen at https://route66radio.es.tl or on this blog. See links in the right column.

 

LIVE STREAM >> https://bit.ly/3Jf7YF6

 

ENJOY JAM 66 RADIO!

 

 

Pageant

 

 

Pageant’s new single, “Your Name”, is an exciting, tongue-in-cheek telling of a toxic relationship, driven by catchy vocals and dirty guitar licks. Produced by Brian Craddock of Daughtry and mastered by Grammy-winning Brad Blackwood, the song mixes a bluesy feel with writing styles reminiscent of mid-2000s rock, perfect to listen to in the car with the windows down. From the dramatic guitar solo to the driving drum beat, it’s impossible not to move when listening to this earworm of a song.

 

North Carolina based 4 piece Pageant, " Your Name" is the bands second single of the year, the previous single is "Show Me How To Love You" back in April. The band also released their debut album "Walk The Line" in August 2023, which was described as a "bold introduction to a band, combining the rawness of classic rock with the flair of 80`s glam". The band started out as a trio, with Roxxi Dirt on Bass and Vocals, Dylan Dynasty on drums and  Dessi Fozzy on lead guitar and now added Cam Duke on rhythm guitar. I hope you enjoy the bluesy rock n roll of Pageant and their new single "Your Name".

 

Listen to it at https://route66radio.es.tl

Live Stream >>  https://bit.ly/3BO6Ynt

Will Ludford is back!

 

We are pleased to announce the release of the new album by Will Ludford. 

Guitarist Will Ludford has worked with and performed with some of the top name bands in the UK and toured the USA with rock band Diamond LIL in the late 60s…. Some of the people he worked with include…. George Harrison, Tiny Tim, Sly and Robbie..Anton Ellis…The Barron Knights, members of the Hit band Liquid Gold.. He also did session work in the legendary Chalk Farm studios. Will also wrote the hit single”Indian Dancer”. for UK Band “Abacus” . Will has found respect as a Guitarist from a new wave of young musicians who have discovered his original songs and inspirational guitar playing. Will says one of the best moments in his life was meeting and working with George Harrison at the Beatles headquarters in Saville Row, he describes George as being the nicest person he met in music. Will Ludfords Album “All I Wanted Is You” .is released by Big Buzzard Records.. up to now Will has several No.1 credits in the Reverb Nation Chart and many Radio charts,, He was voted worlds best Guitar Player for 2014 by listeners of XLR-RADIO EUROPE .You can find Albums released by Will Ludford on Amazon and ALL major download and streaming platforms.

New album “My Blues~ Everyone`s Story” is released 29th July on Big Buzzard Records.

More info on his sites:

https://streamondistro.lnk.to/AllIWantedIsYou

https://www.facebook.com/bigbuzzardrecords

https://www.facebook.com/willludford/

https://willludford2.bandcamp.com/track/slow-down-2

https://open.spotify.com/artist/38Cggr0Z1Nq1vzeUunVC31

The Fury by Antonio Vergara: A Revival of Contemporary Blues

Antonio Vergara has made history by being nominated for the prestigious 2024 GRAMMY® in the Best Contemporary Blues Album category, becoming the first Latin American artist to receive a nomination in this legendary category. The Fury not only reaffirms his place as one of the most relevant artists in the genre but also offers a bold and rich proposal that reimagines contemporary blues with a blend of tradition and experimentation that only an artist of his caliber can achieve. This album stands as a masterpiece that captures the essence of blues while pushing it into exciting new territories. With impeccable production and high-level collaborations, The Fury not only stands out for its technical virtuosity but also for its deep emotional connection and ability to resonate with a broad audience.

A Bold Fusion of Tradition and Modernity

Released on August 29 and composed of 13 carefully crafted tracks, The Fury takes listeners on a journey through the deepest roots of blues, while introducing modern and exploratory elements that enrich the sonic experience. Antonio Vergara, renowned for his masterful skills with the electric guitar, lap steel guitar, and resonator, offers a repertoire that feels both intimate and expansive, blending classic influences with a contemporary approach that keeps the genre fresh and relevant.

From the rhythmic intensity of "My Lucky Mojo" to the melodic introspection of "Delta Shine," every song on The Fury is an artistic statement that celebrates the richness of blues. Vergara does not shy away from exploring the emotional complexities of the genre, navigating themes of mysticism, resilience, and rebellion with authenticity that deeply resonates. Tracks like "Superstitions Lead the Way" and "Hoodoo" not only pay homage to the Delta blues traditions but also reinterpret them, presenting them in a new and contemporary light that speaks to the modern listener.

High-Level Collaborations and Exceptional Production

One of the highlights of The Fury is the quality of its collaborations. Vergara surrounds himself with some of the most influential voices in blues and jazz, including Grammy® and Emmy nominees and winners. These collaborations not only add vocal and musical diversity to the album but also elevate each composition, adding layers of richness and complexity that allow each track to shine on its own. This collaborative approach reflects Vergara's ability to weave multiple influences into a cohesive and captivating work.

The production of The Fury is a testament to Antonio Vergara's unwavering commitment to artistic excellence. Working alongside Claudia Correa at AVA Recording Studios, who handled the recording engineering, Vergara has achieved a sound that is both visceral and polished. Correa's mix captures the rawness and soul of the blues while her technical approach ensures exceptional clarity and depth in each track. The synergy between Vergara and Correa is evident in the quality of the album's sound, achieving the perfect balance between raw emotion and technical precision.

A Sonic and Visual Journey

The experience of The Fury extends beyond the auditory, also extending to the visual aspect with artwork that encapsulates the album's energy and intensity. Designed with a vibrant psychedelic style and intricate patterns that recall the mystical symbolism of blues, the cover not only catches the eye but also reflects the bold character and fusion of tradition and modernity that define Antonio Vergara's work. This visual representation invites the listener to fully immerse themselves in the world Vergara has created, a place where the music is not just heard but lived.

Resonance and Relevance in Contemporary Blues

The Fury is more than an album; it is a deep exploration of the human soul through the universal language of blues. Antonio Vergara not only reaffirms his place in the contemporary blues scene but also pushes the boundaries of the genre, offering listeners an experience that is both reflective and liberating. Songs like "The Rebel’s Right" and "No Fear in Heart" capture the duality of blues: the ability to comfort and challenge, to reflect pain and celebrate resilience.

Each track on The Fury is an invitation to explore the emotions that define the human experience, from melancholy to hope, with moments of pure musical catharsis. This album not only stands out for its technical virtuosity and sonic richness but also for its ability to connect emotionally with the listener, offering a window into the depths of blues while celebrating its continued relevance in modern life.

The Fury by Antonio Vergara is a work that honors the roots of blues while challenging its limits, offering a fresh and powerful proposal that stands out in the Best Contemporary Blues Album category for the GRAMMY®. With exceptional production, high-level collaborations, and an artistic vision that balances tradition with innovation, Vergara has created an album that not only sounds exceptional but also leaves a lasting mark on the blues scene. It is a celebration of music in its purest form and a reminder of the transformative power of blues, an invitation for all to discover and appreciate Antonio Vergara’s mastery in The Fury.

 https://antoniovergara.ffm.to/thefury

John Calvin and The Barnstormers

 

Having signed with Rock Sun Records/Virgin Music Group this is John's second release.

"Pike County Coal" is a poignant blend of country and blues that captures the heart-wrenching story of a man reflecting on a life spent in the coal mines. As he faces the weight of grief after losing his wife and watching his children grow and move on. He now finds himself buried in the struggles of his past as well as that very mine. With soulful melodies and raw, emotional lyrics, this song resonates deeply with listeners who understand the toll of hard work and loss. 

https://www.facebook.com/johncalvinky

https://music.apple.com/us/artist/john-calvin-and-the-barnstormers/1766593840

Zita

 

Zita is a four piece group that fuses classic rock, funk, and blues to create a live show that surpasses expectations. Founded on their shared love for rock & roll music the days of their youth, and an affinity for the great music history of New Orleans, their sound resides uniquely between these two worlds. Formed in 2019, the band consists of Michael Mullins on Lead Vocals, Trombone and Rhythm Guitar, Bradford Lewis II on Lead Guitar, Dylan Caillouet on Bass, and Kai Melancon on Drums. 

As of late, the band has had success with local festival appearances at Hogs for the Cause, French Quarter Fest, Gretna Fest, Oak Street Po-Boy Fest, and NOLA Crawfish Fest. Also, Zita has had high-profile sit-ins from musicians such as George Porter Jr. (The Meters), Nigel Hall (Lettuce, Tedeschi Trucks Band), Luther Dickinson (The Black Crowes, North Mississippi All-Stars), and Brad Walker (The Revivalists, New Orleans Suspects). 

From Zita, you can expect vibrant rock & roll energy, the New Orleans groove with a southern flair, and most of all, a great damn time.

 

 

https://www.facebook.com/zitaband

https://www.instagram.com/zita.band/

 https://www.zitaband.com/

https://www.youtube.com/channel/UCgFSz6P5GEhLyQmzpoULgPw

Top JAM Radio Blog

Thanks to all the people that see and read this blog every day. 

 

JAM Radio Blog has been selected by the panelist team of Feedspot.com as one of the Top 70 Blues Music Blogs on the web.

https://bloggers.feedspot.com/blues_music_blogs/

 

Thank you! And don't forget to listen to the JAM 66 Radio station, too.

 

 

Spendo

Crowned “Best In Vancouver 2021” by Live Acts Canada, SPENDO is turning heads with their big hooks, catchy melodies and relentless work ethic. Each member brings a unique, feel-good vibe that takes you back to a familiar and timeless era. Their strength is live performances, as this five-piece powerhouse consistently delivers a tight, engaging and hard-hitting performance that leaves their audiences wanting more. After introducing a new lineup in March 2020, they found themselves in a state of involuntary hibernation (along with the rest of the world). Clearing a busy schedule of shows from their calendar, they instead devoted their time and energy into writing new material and recording with Canadian producer Danny Craig (Default, One Bad Son). This culminated in their seven-track EP The Great Unknown, which they released to positive reception in March 2023. Giving SPENDO the opportunity to sell out headline shows and play festival main stages, rubbing elbows with the likes of Finger Eleven, Big Wreck, Collective Soul, Prism, and 54-40, among others. Fueled by the momentum of the last 5 years, SPENDO has only just begun their journey into The Great Unknown.

https://www.spendomusic.com/

The Heavy Strides

Composed of Drew Fulton on lead vocals and guitar, Josh Estes on bass & Cedric Feazell on drums, The Heavy Strides carry a legacy of musical talent formerly known from Magnolia Bayou. The Heavy Strides promise an electric fusion of classic influences including the likes of Led Zeppelin to Soundgarden all wrapped up with a contemporary edge, offering their fans an exhilarating sonic ride.

"The Heavy Strides have a dynamic that's impossible to ignore," They have honed a unique signature sound, marrying deep rhythmic grooves with searing guitars under the leadership of soulful lead vocals. They are fierce, they are innovative, and they are already creating paced strides in the music scene.

https://www.theheavystrides.com/

Johnny Burgin

Johnny had a bang-up year in ’23, earning a BMA Nomination for Best Traditional Blues Artist and playing 200 dates across the US, Mexico, Japan and Europe.  But if you’d told him this would be his career when he was in High School,  he wouldn’t have belived you.  Johnny grew up in Misssissippi and South Carolina and went to University of Chicago with the intention of becoming a writer.  When a friend took him out to a West Side ghetto club to hear the blues singer Tail Dragger, it was a conversion moment.  The blues came to life for Johnny and he fell headfirst into the vibrant Chicago blues scene.  Choosing the blues clubs over the library, Johnny eagerly absorbed the lessons from the blues masters who practiced their craft nightly.  By persistence and practice, Johnny gained a spot in Tail Dragger, and started gigging and recording with  traditional blues veterans like Sam Lay, Billy Boy Arnold, and Pinetop Perkins.   By the late 90s, Johnny was working regularly in Chicagoland blues clubs under his own name.  Johnny started a Monday night residency at The Smoke Daddy in Wicker Park, featuring vocalist Jimmy Burns.  The band featured other future blues notables who were also at beginning of their careers, such as Kenny Smith on drums and Martin Lang on harp, and they created quite a buzz.  They packed the club every Monday with a younger, hip crowd, as well as blues veterans stopping by to sit in such as Dave Meyers, Jesse Fortune, Barkin’ Bill, etc.  Their success led to a record deal with Delmark and the first of several European tours. The shangri-la of being “King of Division Street” eventually ran its course.  In the early aughts, Johnny dropped off the scene entirely to raise a daughter.   When the music eventually called Johnny back, his comeback was noted by The Chicago Tribune, Chicago Blues Guide, and the Dutch blues magazine BLOCK.  As noted blues producer Dick Shurman wrote, “Johnny’s skills, passion and committment were undiminished.”   

His move to the Bay Area in 2016 led to a creative burst and his most notable recordings.  In a few short years, Johnny cranked out the Cali/Chicago blues mashups Greetings from Greaseland,  Neoprene Fedora, the Howlin’ Wolf tribute Howlin’ at Greaseland (nominated for a BMA for Best Traditional Blues Recording) and Johnny Burgin Live, which featured blues legend Charlie Musselwhite and was nominated for a Blues Blast Best Live Recording Award for 2019.   Johnny had always done road work, but during this time, he grew into the role of the constantly touring road warrior he’s known as today. Johnny’s produced eleven CDs as a leader to his credit (including “Ramblin’ from Coast to Coast, street date 03.10.24 on the Danish Straight Shooter label), and dozens more as a sideman.  He’s recorded with veterans like Johnny Sansone,  Paul DeLay, Bob Corritore, and Jimmy Burns as well as up and comers like Aki Kumar, Joel Astley, and Ben Levin.  

Johnny’s developed from a young guitar slinger and local blues hero to a matured bluesman, fully fledged singer and the confident and engaging bandleader.  In recent years, he has been a resident instructor at the Pinetop Perkins Foundation and the Chicago Blues Guitar Workshop and has developed a loyal following on YouTube channel for his weekly looks at the blues guitar greats.   Johnny’s recordings have evolved from being very Chicago-centric, to a fusion of West Coast and Chicago styles, and finally,to a more inclusive, international approach.  His latest CD, No Border Blues Japan, is the first American compilation of the underground Japanese blues scene.

http://www.johnnyburgin.com/

Glenn Foster

After four decades in the music business, Glen Foster has earned the right to break any rule he wants. And this happy iconoclast shows no signs of compromise on “White Funeral,” a whimsically morbid country-blues number that appears on his latest album, the trend-bucking Unnatural Tendencies. 
 
Like a winking eulogy to a vanishing era, the song finds Foster chronicling the impending demise of one Old Snake, a “hardened old metaphoric character” who gets stranded in the desert just as it’s starting to snow.
 
It’s a sure sign of winter, the geese are flying south 
A sure sign of winter, when you see that harvest moon full out
A sure sign of winter, it don’t leave much room for doubt
It’s going to be a White Funeral if Old Snake don’t make it out
 
Snake’s truck isn’t the only thing that’s breaking down here: It’s his life itself, as Foster’s plaintive yet sardonic vocal makes painfully apparent. All the while, the singer-songwriter-instrumentalist’s Dobro curlicues circle like hungry buzzards over the tasteful burial plot of a backing track laid down by his bandmates in the Glen Foster Group: Marg Foster (harmony vocals, percussion) Marty Steele (keyboards, harmony vocals), Colin Stevenson (bass guitar, harmony vocals) and James McRae (drums).
 
Playful elegia is just one of the many moods to be discovered on Unnatural Tendencies, a nonconformist manifesto of a record that plays like a defiant response to the winnowed attention spans and fixation on salability that are setting the direction of today’s musical culture. Few marketing consultants, after all, would encourage an artist to begin his album with a title track that’s nearly 17 minutes long and moves fluidly through three different songs, each in a different key but with the same chord progression and tempo. Nor would an A&R executive be turning cartwheels if said artist chose to include another number that incorporated a rapped intro, heavy guitar riffs, a satirical sitar hook, an accordion solo set to a polka beat, a bluegrass banjo break, and a highland bagpipe solo—oh, and a disco finale, complete with walking bass and falsetto vocals. Throw in some lyrical references to the plight of First Nations peoples and the pitfalls of religious obsession, and whammo! Instant anathema to the TikTok generation.
 
And Foster couldn’t be happier about it. This far into his career, he’s still willing to risk it all to remain genuine.
 
“Natural tendencies are what we tend to gravitate towards in life,” he says. “My concept of Unnatural Tendencies includes thinking outside the box and attempting things that we would normally shy away from. It involves taking risks and trying different things that could be glorious or disastrous.”
 
But then, it’s been that way for the Nanaimo-based rock/folk maverick since he burst onto the scene in the ’70s with his original band, Falcon, whose 1980 single “Los Angeles” won a talent contest on CKOC Radio Hamilton. Since then, Foster has worked with the likes of Daniel Lanois and Ray Materick (“Linda Put The Coffee On”) and has taught more than 20 years’ worth of students in his side gig as a professional music teacher, receiving two silver medals from the Royal Conservatory of Music in the process. But the biggest feather in his cap has been his stellar run as a solo artist, which encompasses 10 albums of music in a breathtaking diversity of styles—from the “Rockabilly Fever” of 2020’s Not Far Away to the seasonal side he explored on The Spirit of Christmas the very next year.
 
Now he takes another bold step into the great unknown with Unnatural Tendencies, which he co-produced with Rick Salt (The Irish Rovers, Kerplunks, Jack Connolly, Gerry Barnum, Phil Dwyer) at Nanaimo’s Mountainview Studio. It’s seeing release on Foster’s own Rescue Records label, which is part of the reason he felt the freedom to stretch out in multiple directions at once.
 
“This is my tenth album (which prompted the word ‘Tendencies’ in the title), and I’m making it fit for me,” he says. “It’s the way I like to hear music, in album form the way I believe my fans do. These are some of my best songs ever; I’m singing and playing guitar better than I ever have, and I brought in the best musicians I could find, rather than use synthesizers and samples.”
 
So even though the devil-may-care approach he took to composition this time might not have been devised expressly with the stage in mind, he and his band still have all the ammo they need to further their reputation for killer live work when they do take the new material on the road. Venues across Canada have witnessed the little miracle Glen is live, both on his own and sharing the bill with the likes of Lighthouse, Sammy Hagar, Dr. Hook, Jose Feliciano, Valdy, Jesse Winchester and Stan Rogers. With the new album done, look for them at a showroom, festival, park concert or pub near you. Anything else would be … well, unnatural.

https://glenfoster.ca/
 

Mick Clarke

 

British blues guitarist Mick Clarke began his career with KILLING FLOOR, part of the British blues boom of the late 1960s and contemporaries of Free, Black Sabbath and Led Zeppelin. The band backed Texas blues guitar star Freddie King and toured with legends Howlin' Wolf and Otis Spann. The album "Killing Floor" was later listed as one of Classic Rock Magazine's twenty top British blues albums of the time. In the 70s Mick's band SALT built a strong following in the UK, playing at the Reading Festival 1977 and opening for Muddy Waters in London.

THE MICK CLARKE BAND was formed in the early 80s and has toured in the UK, Europe, USA and India, where Mick was the winner of the "best international act" from artistaloud.com. Mick has appeared on numerous festivals with artists including Joe Bonamassa, Johnny Winter and Rory Gallagher, and the Southern California Blues Society called him "One of the finest blues players to come out of England".

In recent years Mick has released regular new recordings from his own studio, Rockfold, in Surrey.  Many tracks have had critical acclaim and The album 'Telegram' was No. 1 on the Roots Music Report UK album chart for 6 weeks.

Website: www.mickclarke.com

Wikipedia: https://en.wikipedia.org/wiki/Mick_Clarke_(musician)

Feenstra And Simpson

Feenstra And Simpson is a British pop roots-rock duo comprising award-winning songwriter/lyricist/promoter and author Pete Feenstra and former Wilko Johnson championed Feelgood Band main man, multi instrumentalist and former indie recording artist John Simpson.So far the duo have recorded 7 singles, 4 of which have entered Mike Read’s Heritage Chart and the Netherlands Hit Tracks Top 100John and Pete met in their respective roles as a musician and promoter/nascent songwriter.As Pete explains: “John quit the Wilko Johnson championed Feelgood Band after a 10 year stint. He told me he was going back to recording at his home studio. Many years before he achieved power plays on Capital radio etc.

He also mentioned he could do with some lyrics, so the die was cast.”John adds: “We started off as a pop rock roots project inspired by The Beatles with what later turned out to be Eagles, Squeeze, Tom Petty & Travelin' Wilburys influences, but we also got sidetracked by the well received homage to Wilko Johnson called "I Don't Get It".“A little Wilburys …..nice song.” Will Birch (Producer)“If some famous boy-band or successful The Voice contender was looking for material far above and beyond the usual drivel, they might find it here."Alan Clayson Reviewer (author / musician) “Reminds me of Squeeze in their melodic heyday.”Dave Lewis – (Musicologist /author)“The tunefulness of acts like Tom Petty & The Travelin Wilburys. Velvety guitar layers, & the nuances of love” (Neil Mach Ed Raw Ramp mag).

The duo’s last single ‘Blue Plaque’ attracted media attention because of its original subject matter about the historical marker of the achievements of people in the past with buildings of the present.

Vid: https://youtu.be/k2CISYSjVhM 

“Lovely song and a great subject as well. I love the lyrics and I like everything about it” Peter Antony /Heritage Radio & Radio CarolineThe duo’s new single is called ‘No Pace To Hide’ a love song set in a classic American diner, which sparked the ideas for another Stuart Ridgard video.

Vid: https://www.youtube.com/watch?v=l1sZXWQC_9Q 

Pete Feenstra: petefeenstrablues@gmail.com 

John Simpson: Johnsimpsonmusic@btinternet.com   

Twitter:  @JohnSimpsonMus / @feenstrablues

Facebook: Feenstra & Simpson / @johnsimpsonmusic 

Instagram: @johnsimpsonmusic / @feenstrablues

www.petefeenstramusic.com