Monday, February 24, 2025

Anouschka



Just in time for summer we present "Over Me" a breezy modern Bossa perfect for beach strolls and stargazing. Written, performed and produced by Anouschka in her home studio. Joining her on bass is Bruno Migliari from Brazil.

Anouschka says her purpose with song is to share “A place of peace and healing in an over-hyped world where we can just hang. Sometimes it’s okay not to resolve or go anywhere”.

Anouschka graduated Cum Laude from Berklee College in guitar and songwriting. At the time she was one of the few female guitar students. Anouschka has since maintained her narrative while writing, creating, arranging, performing and releasing her music with poetic lyrics and effortless blend of jazz, pop, blues and Kenyan influences.

https://www.anouschka.net/

Friday, February 21, 2025

Polina Rostova




Polina Rostova's new album “Birds & Soul". This is the fifth album of Polina's career and the first completely English-language album. "Birds & Soul" contains 9 songs that are united by the concept of lightness of being and pleasure based on the musical fusion style. A synthesis of jazz, blues and pop waves with a rich multi-faceted instrument, rhythm changes and gentle vocals. This music is for true music lovers who will not be intimidated by the complexity of some compositions. However, “Birds & Soul” is music for unobtrusive listening and creating a sunny mood with stripes of blues sadness. Everything you need for the soul, the feeling of air and flight is “Birds & Soul".

https://polinarostova.com/

Tuesday, February 18, 2025

Crashing Wayward




Crashing Wayward came together in the Spring of 2020, just when the world seemed to come to a halt. In that stillness, the band grew restless, feverishly writing emotionally fueled songs of hope, inclusion, and escape. The music on their debut album “LISTEN!” represents a cathartic release raw in approach, yet refined in tone. Lyrically poetic and musically illuminating, Crashing Wayward paints a landscape that stretches beyond alternative hard rock and explores the diverse influences of each of its band members, vocalist Peter Summit, guitarists Stacey David Blades and David Harris, bassist Carl Raether, and drummer Shon McKee. The unrestrained passion which fuels the new single “Closer” provides a perfect introduction to what this band is all about. A hit waiting to happen on an album full of potential singles, “Closer” will be released in all digital/streaming formats on May 19th, accompanied by a powerful new music video directed by Mason Wright. The band’s introductory single “Breathe,” released digitally by RFK Media in December 2022, achieved international recognition via Apple Music’s “Breaking Hard Rock” and “New in Rock” playlists, YouTube’s “Heavy Gauge” playlist, and a barrage of media interviews and radio play resulting in #1 status on radio stations in the U.S. and Canada. Crashing Wayward’s live show is powerfully electric and engaging, inviting every audience to journey within a fully immersive experience reminiscent of their most iconic predecessors (comparisons include Soundgarden, Stone Temple Pilots, U2, and Foo Fighters). 

Performances in demanding markets such as Nashville, Las Vegas, and Hollywood, headlining as well as opening for national acts, have proven this act is well-prepared for the next level. Respected public relations icon Mitch Schneider declares them “arena-ready,” while radio/TV personality Eddie Trunk says, “I’ve seen them live already and they deliver.” “LISTEN!” by Crashing Wayward was produced by heavy hitter Mike Gillies, whose credits include a long tenure with Metallica as well as studio work with Motley Crue and The Cult. The album will be available worldwide June 9th on CD and all digital/streaming platforms, with the vinyl edition to follow later this summer. The CD packaging is a jewel case with a 12-page booklet including lyrics. “Any time a new artist breaks into fresh territory like this, it tends to defy explanation,” adds RFK Media president Ron Keel. “Terms like modern alternative hard rock certainly apply, but we’re seeing – and hearing – a much bigger picture here. This is one of those rare acts with the potential to make musical history.” Crashing Wayward genuinely pour their soul, blood, sweat, tears, and hearts into song and show. Equally primordial and intellectual, their music embodies the fundamental hypnotic quality of rock music and makes them the band to watch in 2023 and beyond.

https://www.crashingwayward.com/

Saturday, February 15, 2025

Spendo


Crowned “Best In Vancouver 2021” by Live Acts Canada, SPENDO is turning heads with their big hooks, catchy melodies and relentless work ethic. Each member brings a unique, feel-good vibe that takes you back to a familiar and timeless era. Their strength is live performances, as this five-piece powerhouse consistently delivers a tight, engaging and hard-hitting performance that leaves their audiences wanting more. After introducing a new lineup in March 2020, they found themselves in a state of involuntary hibernation (along with the rest of the world). Clearing a busy schedule of shows from their calendar, they instead devoted their time and energy into writing new material and recording with Canadian producer Danny Craig (Default, One Bad Son). This culminated in their seven-track EP The Great Unknown, which they released to positive reception in March 2023. Giving SPENDO the opportunity to sell out headline shows and play festival main stages, rubbing elbows with the likes of Finger Eleven, Big Wreck, Collective Soul, Prism, and 54-40, among others. Fueled by the momentum of the last 5 years, SPENDO has only just begun their journey into The Great Unknown.

https://www.spendomusic.com/

Thursday, February 13, 2025

The Heavy Strides



Composed of Drew Fulton on lead vocals and guitar, Josh Estes on bass & Cedric Feazell on drums, The Heavy Strides carry a legacy of musical talent formerly known from Magnolia Bayou. The Heavy Strides promise an electric fusion of classic influences including the likes of Led Zeppelin to Soundgarden all wrapped up with a contemporary edge, offering their fans an exhilarating sonic ride.

"The Heavy Strides have a dynamic that's impossible to ignore," They have honed a unique signature sound, marrying deep rhythmic grooves with searing guitars under the leadership of soulful lead vocals. They are fierce, they are innovative, and they are already creating paced strides in the music scene.

Monday, February 10, 2025

Diamonds and Guns



Making Cash For Heartless Crooks is the debut EP from the Swedish punkrockers Diamonds and Guns. I’m always happy to hear new punkrock in English coming out from Swedish bands, it seems like it’s not as common nowadays as it was during the late 90’s-early 00’s. The single So Long, Chicago is also the opening track (not counting the intro) on the EP. It sounds a bit like Hot Water Music mixed with a little Irish-inspired punkrock. I really like the mix of the laid back verse going into the HWM-esque chorus. Nevertheless continues in the same style, and it’s nice to hear that the band doesn’t feel the need to put the pedal to the metal, but instead letting the songs breath in more mid-tempo. I get a little Rancid mixed with Madcap (if anyone remembers them) feeling. September also has that So-Cal laid back punk vibe in the sound. Lyrically it’s really solid as well, not political but rather more towards rock-themes. A story of a Chicago girl having to leave her hometown because of an alcoholic father, reminiscing about meeting that girl during ones teenage years and drunk nights in California. Although the band themselves says that this is a bit happier in the tone than previous releases, it feels like there’s a melancholic theme in those first three songs, and I really like it. The songs definitively got a bit of an nostalgic shimmer as well. It’s all really pleasant to listen to, much thanks to the frontmans voice that has the perfect amount of growl without any sharp edges, also adding to the melancholy and almost a bit of longing. On top of that the rest of the band does a good job of adding the background vocals to fill up the choruses nicely. In the closer the band leans even more toward rock rather than punk, adding a discreet piano to the sound. It also goes away from the overall theme bit, adding a bit more optimistic vibe, and perhaps that’s why it feels a bit off for me. It’s not my favourite track on the EP and it goes a bit long in my opinion. I was about to write that Diamonds and Guns is a breath of fresh air on the scene with Making Cash For Heartless Crooks, bit that isn’t completely true as they’re not inventing the wheel here. But I haven’t heard this sound from a Swedish band in a long time, and it’s a welcome contribution. It’s a nice listen most of the way through and it got that perfect end of summer/beginning of autumn-soundtrack feeling. If they were to make an full-length album I would like to see some variations in tempo and style, but for an EP that’s not much of an issue. I’m gonna be looking out for future stuff from these guys.

Friday, February 7, 2025

Johnny Burgin


Johnny had a bang-up year in ’23, earning a BMA Nomination for Best Traditional Blues Artist and playing 200 dates across the US, Mexico, Japan and Europe.  But if you’d told him this would be his career when he was in High School,  he wouldn’t have belived you.  Johnny grew up in Misssissippi and South Carolina and went to University of Chicago with the intention of becoming a writer.  When a friend took him out to a West Side ghetto club to hear the blues singer Tail Dragger, it was a conversion moment.  The blues came to life for Johnny and he fell headfirst into the vibrant Chicago blues scene.  Choosing the blues clubs over the library, Johnny eagerly absorbed the lessons from the blues masters who practiced their craft nightly.  By persistence and practice, Johnny gained a spot in Tail Dragger, and started gigging and recording with  traditional blues veterans like Sam Lay, Billy Boy Arnold, and Pinetop Perkins.   By the late 90s, Johnny was working regularly in Chicagoland blues clubs under his own name.  Johnny started a Monday night residency at The Smoke Daddy in Wicker Park, featuring vocalist Jimmy Burns.  The band featured other future blues notables who were also at beginning of their careers, such as Kenny Smith on drums and Martin Lang on harp, and they created quite a buzz.  They packed the club every Monday with a younger, hip crowd, as well as blues veterans stopping by to sit in such as Dave Meyers, Jesse Fortune, Barkin’ Bill, etc.  Their success led to a record deal with Delmark and the first of several European tours. The shangri-la of being “King of Division Street” eventually ran its course.  In the early aughts, Johnny dropped off the scene entirely to raise a daughter.   When the music eventually called Johnny back, his comeback was noted by The Chicago Tribune, Chicago Blues Guide, and the Dutch blues magazine BLOCK.  As noted blues producer Dick Shurman wrote, “Johnny’s skills, passion and committment were undiminished.”   


His move to the Bay Area in 2016 led to a creative burst and his most notable recordings.  In a few short years, Johnny cranked out the Cali/Chicago blues mashups Greetings from Greaseland,  Neoprene Fedora, the Howlin’ Wolf tribute Howlin’ at Greaseland (nominated for a BMA for Best Traditional Blues Recording) and Johnny Burgin Live, which featured blues legend Charlie Musselwhite and was nominated for a Blues Blast Best Live Recording Award for 2019.   Johnny had always done road work, but during this time, he grew into the role of the constantly touring road warrior he’s known as today. Johnny’s produced eleven CDs as a leader to his credit (including “Ramblin’ from Coast to Coast, street date 03.10.24 on the Danish Straight Shooter label), and dozens more as a sideman.  He’s recorded with veterans like Johnny Sansone,  Paul DeLay, Bob Corritore, and Jimmy Burns as well as up and comers like Aki Kumar, Joel Astley, and Ben Levin.  

Johnny’s developed from a young guitar slinger and local blues hero to a matured bluesman, fully fledged singer and the confident and engaging bandleader.  In recent years, he has been a resident instructor at the Pinetop Perkins Foundation and the Chicago Blues Guitar Workshop and has developed a loyal following on YouTube channel for his weekly looks at the blues guitar greats.   Johnny’s recordings have evolved from being very Chicago-centric, to a fusion of West Coast and Chicago styles, and finally,to a more inclusive, international approach.  His latest CD, No Border Blues Japan, is the first American compilation of the underground Japanese blues scene.

http://www.johnnyburgin.com/
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