Cancel The Apocalypse

 

Cancel The Apocalypse is a bridge between cultures and ages. It started simply: Audrey and Arnaud, graduates of Bordeaux conservatoire and baroque specialists, imagine a new hybrid style, blending today’ styles.

They are under the charm of the singer of My OWN PRIVATE ALASKA who is performing in Nimes arenas before Metallica. Matthieu will be the singer of the band. And Karol of GOROD, another well known artist of the French metal scene, will join him at the drums. The press, specialized and main stream, takes immediate notice of this new vibe, with Telerama awarding them. Reviews acclaiming the first opus keep coming, with the tour starting in Frame, then Germany and ending in a blaze of glory with the Fusion Festival. The warm welcome they received allows the quartet to let its ambition and emotions roam free.

Amidst the standardized engineered harmonies of the self congratulating music industry, Cancel the Apocalypse emerges as a sparkling celesMal oasis, soothing yet disturbing. The result is both avant-garde and unifying. Even more melodious and deep, "terminus stairway" continues the quest initiated by its predecessor "our own democracy". 

https://cancel-the-apocalypse.bandcamp.com/

https://www.facebook.com/canceltheapocalypseofficial

Jeff Wisnom

 

Jeff Wisnom is a Brussels-based American musician, performing USA classic rock songs on his acoustic guitar and bringing an older American perspective to the European live music scene where he performs. His repertoire is based on traditional folk, country and southern rock music, and inspired by popular American performers from the 70s to the 90s. His style is built upon vintage rock sound and enriched by a very personal touch and interpretation, as well as his deep singing voice. 

https://jefferywisnom.com

Sami Chohfi

 

The Extraordinary World singer/songwriter Sami Chohfi from Seattle mashes up rock and blues on his latest offering; an exciting sonic journey through love and love lost…

 

Expertly spinning the yarn on a familiar fable of falling for and failing to reckon when it falls apart, Chohfi’s exquisite lyrics, delivered in his signature rasp and undeniable singing prowess, bring a modern flair and uniqueness to the track’s unrequited love story. 

  

“‘Little One’ was written while watching an episode of one of my favorite TV shows, AMC's The Walking Dead,” Chohfi reveals. “I was watching a woman devour her lover and it got me thinking, ‘wow, this is a lot like a real relationship…’”

  

Marrying fact with fiction, Chohfi spins the tale on the ups and downs, craziness, and realities of relationships. The track features a variety of flair including ukulele, a 1960’s vintage piano solo, and a cameo by Kellii Scott (Failure) on percussion. “I wanted to write a catchy blues rock song with a unique vibe inspired by the one thing that inspires us to be at our most crazy, love,” Chohfi says. 

  

Paired off with a visual component, the music video for “Little One” brings Chohfi’s story to life… Or, rather, ahem, to death. 

  

Featuring an undead cast of characters for a Zombie-apocalypse-esque mini-drama, Chohfi’s unique double entendre is spelled out in his creativity to tell a tale. (‘Where are you going with my heart, Little One?’ he croons both figuratively, and in this video, literally.) Our protagonists make a quick stop at a gas station where the lead actress becomes infected. From there, her unassuming partner is seemingly ignorant of her venture into the land of the dead and, as she slowly descends into making him her next meal, the world around them is falling further into the hell flames of a full Zombie take-over. 

  

“The intro features the voice of legendary radio personality, Marco Collins, over the car radio,” Chohfi explains. “We hired makeup artist Christina Kortum, who worked on the American TV show Grimm and is currently working on the new season of American Horror Story, to ensure the special FX makeup was top notch. 

“The song and video tell the story of a romantic relationship that is not only infectious but consumingly toxic in all the right ways,” he continues. “Sometimes we find ourselves in love with the wrong person but, for some reason, we love the way it hurts and we keep coming back for more.”

“Little One” and “The Awakening” both serve as Sami Chohfi’s latest singles and, with the world slowly regaining its footing after a multi-year pandemic, the songwriter is venturing out on tour overseas this winter. 

No zombies allowed. 

https://samichohfimusic.com/

The Strongman Blues Remedy

 

Readying itself as an antidote for the weariness worn on the sleeves of blues music lovers everywhere, a new collective project makes its way to the scene with the Strongman Blues Remedy, Volume 1 —available June 17 via Stony Plain Records.

Conceived by producer, songwriter and artist Steve Strongman, the “collective”  features a veritable who’s who of the blues, including Dawn Tyler Watson, Crystal Shawanda, Steve Marriner, Jesse O’Brien, Alec Fraser, and Harrison Kennedy — who can be heard on the album’s newly released single, “I Like To Ride.”

With seven albums as a solo artist — plus Canada’s JUNO Award, the Mel Brown Blues Award, International Blues Challenge’s Best Guitarist winner, four Maple Blues Awards, and more — deep into his career Strongman is an acclaimed bluesman known for liberally applying swampy swagger and sweetness to shuffles, blues ballads, and four-on-the-floor chuggers alike.  The Strongman Blues Remedy, Volume 1 is the Hamilton, Ontario-based musician’s first time producing, a process he calls “a huge learning curve, but incredibly rewarding.” 

By doing songwriting sessions with a stellar cast of multi-award-winning and -nominated Canadian blues artists, he developed an album that touches on a wide cross-section of experiences and viewpoints. The result is an expansive 10-track album with one overarching message within: the best remedy for the world we’re living in right now is to fill it with music that celebrates life and focuses on the joys of being on the other side.

The Strongman Blues Remedy, Volume 1 is available June 17 via Stony Plain Records. “I Like To Ride (feat. Harrison Kennedy)” is available now.

https://strongmanbluesremedy.com/  

  www.stonyplainrecords.com

 

Kirk Fletcher releases new song

Today acclaimed blues guitarist/singer-songwriter Kirk Fletcher releases the title track from his long awaited seventh studio album, “Heartache By The Pound,” out Friday, July 29. 

The title track conjures a warm spirit with nostalgic lyrics and simmering playing. Produced by Fletcher at the legendary FAME Studios in Muscle Shoals, Alabama, “Heartache By The Pound” is available now at all DSPs and streaming services. A lyric video accompanies the single’s release.

Listen to “Heartache By The Pound” and watch the lyric video below.

“My family is from Pine Bluff, Arkansas, and I remember visiting them as a kid,” he goes on. “My uncle would play Little Milton and Bobby ‘Blue’ Bland. Everyone felt good. The song has the feeling of a summer barbeque in the South. Blues music comforts you. We all go through heartache, but we have people like myself who make music to help us through.”

“Heartache By The Pound” marks Fletcher’s most personal and potent work to date, highlighted by robust vocals, spirited songcraft, and of course, the fiery guitar work that has earned him international acclaim as one of the preeminent bluesmen of the current era. A five-time Blues Music Award-nominee, Fletcher spent much of the pandemic living in Switzerland, writing new songs remotely in partnership with his long-time friend, legendary bassist Richard Cousins (The Robert Cray Band, Van Morrison). 

When the lockdown ended, he headed to the hallowed ground of FAME Studios for three days of sessions, joined by a truly all-star backing band comprised of keyboardist Reese Wynans (Stevie Ray Vaughan & Double Trouble, Buddy Guy, John Mayall), drummer Terrence F. Clark (Robert Cray, Joss Stone), bass players Travis Carlton (Sara Barellies, Larry Carlton) and Randy Bermudes (The Fabulous Thunderbirds, Charlie Musselwhite), backing vocalist Jade MacRae (Joe Bonamassa, Jimmy Barnes), trumpet player Mark Pender (Bruce Springsteen, Southside Johnny and the Asbury Jukes, Little Steven and the Disciples of Soul), and saxophonist Joe Sublett (Taj Mahal and the Phantom Blues Band, Bonnie Raitt, Little Feat).

“FAME is the mother church for soul music,” Fletcher says. “It’s the same building where all these fantastic people like Otis Rush and Aretha Franklin have recorded. I wanted the vibe. I needed to bring these songs there.” 

Caroline Parker

 

 

 "I wrote my first song in 2008, and have been jotting down lines in spurts and starts ever since. Most of the time I use real life experiences, using songwriting to revive all sorts of emotions. There are also songs where I completely make up the entire story line, allowing myself to just let go and dream for an afternoon! (Its a Great Escape!)  

I am quite isolated on a farm in the middle of cattle country in western Canada. My daily interactions are with my husband and four young children, and my husband`s parents. Thank goodness for the internet, to allow for more visiting! I am always busy with cooking and cleaning and laundry and have a big garden each summer, preserving much of our food, and cooking (almost) every meal from scratch (if you need a recipe, just ask!).

It`s difficult to find any stretch of time to concentrate, but as my friend Tammy says, you can`t get diamonds without pressure. While I am sometimes overwhelmed with simple daily tasks, I find that my mind can often find a glimmer of a small crack, and squeezes out something refreshing, creative, and beautiful, through words and melody.

It`s a beautiful thing, this world."

CAROLINE PARKER.

https://www.carolineparkemusic.com

David A. Tobin

 

When covering a classic hit song, the tricky part is, how do you keep the integrity of the song but make it your own?

International Soul Artist, David A. Tobin and Rob Hardt of SedSoul Records have found that perfect balance on their cover version & new single of Spandau Ballet's 1983, 'TRUE'.

The genius of a great producer is to keep what you love about the song and add just enough to make the artist shine by what they bring to the table. Mr. Hardt did exactly that by keeping the sexy pop that the original has but adding a soulful edge...

Enter David A. Tobin's soulful vocals with just enough tenderness and respect. They have added some new backing vocals that you would swear are on the original, but it's their 'original' take that makes this sumptuous, glorious celebration of the song yet a new perspective that is a Soulful lament for all the right reasons.

This is SedSoul, Rob Hardt and David A. Tobin taking the soulfulness we have expected from them and working outside the box to craft a luminous recrafting of pop royalty into Soulful Nobility!!! This is sure to take David A. Tobin to a new audience around the world and extend Rob Hardt's indelible mark on the reshaping of Soul Music.

Something old, Something borrowed Something new and something so...............'TRUE'

  https://www.facebook.com/david.a.tobin