A percussive burst of acoustic resonator guitar pushes the narrator
on a journey “between the life I left and the edge of next” in the title
cut of guitarist, songwriter and bandleader Sonny Landreth’s 14th
album. As the singer feels the wind at his back, a rising bass line
intersects Landreth’s vocalizing to stretch the fingerpicked tune into
Far Eastern melodicism.
The south Louisiana artist’s groundbreaking work has long mixed
familiarity with experimentation, and his latest 10-song collection
stretches from hard-edged electric instrumentals to wistful acoustic
ballads. The project’s range is the fruit of a renewed collaboration.
Producer RS Field – who helmed Landreth’s trio of breakout albums
– joined the six-stringer and co-producer Tony Daigle to finish the
record.
“His brilliance and creative energy recharged us,” Landreth said
of reuniting with Field. Most of the tracks were recorded live at famed
Dockside Studios on the Vermilion River south of Lafayette, La. “We came
up with new and better ideas, and that’s what you want,” he added. “It
couldn’t have gone better.”
A quartet of instrumentals highlights the expressive power of
bassist David Ranson, drummer Brian Brignac and multi-talented
keyboardist/songwriter Steve Conn. The sultry, slow zydeco pulse of
“Lover Dance With Me” features Landreth trading in his signature glass
slide for his guitar’s tremolo arm and a rotating Leslie speaker
cabinet. “Mule” follows, with its tailgate rhythm bouncing through a
his-and-her tale of unrequited love.
“Groovy Goddess” takes the listener into harder-edged jazz-rock
territory, showcasing the slide guitar prowess that has twice landed
Landreth on the cover of Guitar Player magazine. “Honestly, I think the
purest form of music is improvised,” the bandleader says. “When it
flows, it’s exhilarating. It just seems to come out of nowhere and
connect your heart and soul to your fingertips.” Blacktop Run comes on
the heels of Landreth’s Grammy-nominated double album Recorded Live In
Lafayette, which features an acoustic disc and an electric disc. The new
record brings both sides together without concern for how the layered
tracks might be arranged for the bandstand. “Different approaches can
influence one another – and for me, that just makes it more musical,
more interesting,” Landreth explains.
The first of two Conn compositions follows with a new arrangement
built around a guitar tuning Landreth developed but had not yet used in
the studio. “Somebody Gotta Make A Move” also features its composer on
Wurlitzer electric piano and Hammond B-3 organ. “I could see this one
becoming a blues standard,” Landreth says. “That’s the mark of a great
song.”
“Beyond Borders” picks up the pace and features Conn in a role
originally envisioned for Carlos Santana. Landreth composed the
instrumental for From The Reach, his 2008 release featuring guest
artists Eric Clapton, Eric Johnson, Vince Gill and others. “It’s
complex,” Landreth says, “and now seems tailor-made for Steve.” “Don’t
Ask Me,” the second Conn cut, delves into existential mysteries with
humor via an acoustic, back porch Delta feel. Brignac played cajón,
Ranson played ukulele bass, and Conn stretches out on accordion.
“The Wilds of Wonder” is a cinematic tribute to the brave folks
working on the front lines of our planet’s environmental crises. And the
shape-shifting instrumental “Many Worlds” builds on the previous
number’s rich textures to bring the record to its final cut, “Something
Grand,” the first Landreth recording in years without a guitar solo.
That last tune, he says, “is a song of redemption. And though it’s
between two people in a relationship, it also speaks to life’s larger
challenges.”
After two Grammy nominations, multiple appearances at Clapton’s
Crossroads Guitar Festival and wide-ranging acclaim from fellow players
and fans worldwide, Landreth is looking forward to playing the new
material live. He’ll continue mixing electric and acoustic settings
onstage, with Daigle bringing the sounds and concepts of the recording
studio to venue mixing consoles.
“It’s all about telling the story,” Landreth says, “and as long
as I can find my way up that path, I’m all in.” As the songwriter’s
narrator sings in the title number of Blacktop Run, “A new day is
dawning and I have never felt so alive.”
https://sonnylandreth.com
