Jaime Barnatán Pereda (born 2 July 1981), known as Jimmy Barnatán, is a Spanish singer, actor and writer. His origins lie in the district of Chamartín in Madrid (Madrid), although he spent part of his childhood in New York due to family reasons. There, he usually went to the church with his grandmother of him, and he soon became impressed by the Gospel choirs. He also surrounded himself with black musicians and was captivated with the blues they played. In fact, his style of him is unmistakably American, and arguably his voice of him, powerful and torn, is one of the most singular in the Spanish national scene.
His relationship with the theater and the big screen also starts very soon. Jimmy is certainly a multifaceted artist. He was born of the marriage between the writer Marcos Ricardo Barnatán and the journalist Rosa Pereda.
Jimmy Barnatán was born in Madrid, but his heart of it is divided between the capital of Spain, Madrid and New York. Since its early years, he showed great admiration for the performing arts, and soon experienced the desire to get on the stage of a theater. His claim was answered in 1992, when he was just 11 years: then, the young Jimmy managed to join the cast of Les Misérables, a musical produced by José Tamayo and Plácido Domingo, in association with Cameron Mackintosh, which was presented on 16 September in the New Apolo Theater in Madrid, as an adaptation of the classic that inspired the novel by Victor Hugo. The success was overwhelming.
After that experience, Barnatán landed on television and performed sketches on entertainment programs as The Worst Week Program (1994) or Innocent, Innocent (1995). That year took place his leap to the big screen thanks to director Alex de la Iglesia, who entrusted him the role of possessed child in the iconic film The Day of the Beast. In 1996 he started in television fiction with Milk Brothers (Hermanos de leche), sharing cast with actors like Jose Coronado or Juan Echanove, and, a year later, he returned to the theater, to represent Between two shores (Entre dos orillas) ( 1997) at the Teatro de la Maestranza in Seville. Since then, Jimmy has been part of a lot of projects in all formats, highlighting Torrente, the dumb arm of the law, Heart of the Warrior, The Biggest Robbery Never Told (The Greatest Robbery Ever Told) and Los Serrano, a TV series that gave him an enormous popularity thanks to the role of Chucky.
He has participated in several short films, being director of three of them from 1998 to 2005. He did the same in a documentary (Racing Blues. History of a feeling) (Racing Blues. History of a feeling) (2007) in which, alongside Fernando Guisado, he narrated the adventures of an historic Spanish football team, the Racing de Santander.
In music, the journey of Barnatán also began in New York, where he used to go due to family reasons. One day, he had the opportunity to get on a stage surrounded by black Blues singers, and his intervention by him was warmly applauded by them. Jimmy said in an interview with daily El País:
Since I was a child, I used to go, first with my grandmother and, later, alone, to a Harlem church to hear gospel. I started to be interested in black music and, one day, at 16 or so, I slipped with a friend at Arthur's Tavern, mythical place, to see a concert. When it finished, it started a jam session and I started to sing ... the musicians liked the way I did and they summoned me to return whenever I wanted. From there, everything ran.
In Spain, he began his career as a vocalist with Caronte's Ferry, and later went on to lead the San Telmo Blues Band, covering in both formations the great American classics. In 2010 he released his first studio album with the title Black Note, showing the influences received from those vinyl of Lionel Hampton, Ella Fitzgerald and Louis Armstrong that he listened to at home. It was a subtle tribute to all those legends of Jazz, Blues and Soul that saw him grow. The album was presented at the legendary Sala Clamores of Madrid, causing a pleasant surprise to those who, until then, had enjoyed her performance on the big screen and in television. Soon after, he began recording with Back Door Band what turned out to be his second album, After the blue Times (2011), this time with the seal of Warner Music Spain. While preparing the above releases, the multifaceted artist had time to write two novels: Atlas (2005) and New York Blues (2012). After that, he continued his career in the music scene constituting the group Jimmy Barnatán & The Cocooners, with whom he has released Room 13: A Blues Tale (2013) and Motorclub (2015).
Meanwhile, Jimmy has continued exercising his profession as an actor in projects like The Hurd, land with a soul (2015), documentary still unreleased for which he has also composed the soundtrack. Musically, he toured Spain accompanying the Texan guitarist Carvin Jones, and drew up part of the soundtrack of My big night (Mi gran noche) (2015), the new film by Alex de la Iglesia. Moreover, he has already prepared what will be his third novel by him, The Topper of Memphis (La Chistera de Memphis), whose publication is expected for the coming months.
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