Pete Anderson

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Pete Anderson is a multi-platinum, Grammy Award-winning producer and groundbreaking guitarist, who melds blues and country to forge a style all his own.

Long considered one of the world’s best-of-the-best Tele-twangers, musical pioneer Pete Andersonhas never been satisfied with maintaining the status quo.  The last 10 years has found Anderson focusing on his solo career – perfecting his craft & honing his musical vision.  On “BIRDS ABOVE GUITARLAND” the Detroit native Anderson delivers a set of all-original music — a rich roots music gumbo of blues/funk/swing/country twang with a splash of surf music and a dash of jazz.  And TONE — always tone…”

Pete Anderson is most widely known as the musical partner to Dwight Yoakam, (a little ‘side project’ that wound up helping to change the face of contemporary country music!) whose records he produced/arranged/and played on from 1986-2003 resulting in sales of 25 Million+ recordings.  Anderson is well known as a pioneer in the roots-rock genre and was an early champion of the Americana movement, where he had a hand in introducing the world to artists such as Lucinda Williams, Jim Lauderdale, Michelle Shocked and Rosie Flores. He is also a renowned band-leader who has appeared on “SaturdayNight Live”, “David Letterman” , and “The Tonight Show” (19 times since 1986) and has played over 3,000 live shows in upwards of 15 countries around the world.  While Pete Anderson’s work as a producer/arranger/guitarist has resulted in acclaimed records in the Country, Folk, Singer-Songwriter, Rock, Pop, R&B, and Red Dirt genres of music, his focus as a solo artist has always been his first musical love – The Blues.

With years of critical and commercial success to his name, Pete Anderson is focusing on his musical roots. In 2006 he was approached by Guitar Center to help judge and organize their “King of the Blues” guitar competition, the largest in history.  Anderson created all of the backing tracks that the contestants used in competition, acted as a judge and bandleader at the finale which featured B.B. King one year and The Black Crowes the next, and a Pete Anderson produced EP was a prize for the winner.

Reverend Guitars now has 4 Pete Anderson signature guitar models. The latest – Reverend Guitars’ PA1-RT – was just introduced at Summer NAMM July 2013 .  Its predecessor, Reverend’s PA-1 first introduced in 2010 – received the “Editor’s Pick” from Guitar Player Magazine as well as rave reviews from all other guitar magazines.  Also available from Reverend are the Pete Anderson Eastsider S and the Eastsider T.

From the blue collar, mixed race neighborhoods of Detroit to Hollywood’s early roots-rock scene and country music stardom to the new digital music industy and beyond, Pete Anderson’s talent and innovative spirit have not only set him apart from the herd, but ensure his continued presence as a bright spot in the future of the American roots music scene.

Pete is also a renowned bandleader who has played over 3,000 live shows in upwards of 15 countries around the world and has appeared on Saturday Night Live, David Letterman, and The Tonight Show (19 times since 1986). Pete has released 5 critically acclaimed solo records on his own label Little Dog Records with another one in the pipeline.

Peteanderson.com

Muddy Waters

 

In 1943 a man arrived in Chicago with little money in his pocket, unaware that he would change the course of the blues forever. His only conviction was to achieve fame through what he loved the most: music.

At 27, Muddy Waters had already been playing blues at country parties, as well as on the streets of Clarksdale, Mississippi, for nearly thirteen years. Those who listened to him in his musical beginnings, some testimonies assure it, never imagined that in the future those chords would move the entire world.

His name was McKinley Morganfield. He was born on April 4, 1915 in Rolling Forks, a small city in the state of Mississippi. After his mother passed away, his father left him in the care of his grandmother, with whom he lived his entire childhood. He owes her nickname to her, since he loved to play and get dirty in the mud, and her grandmother once decided to scold him by calling him: "muddy waters", which in Spanish means: 'muddy water'.

"At a very young age he dropped out of school and began working on the Clarksdale cotton plantations, very close to where he lived."

 He learned to play the harmonica at the age of nine, soon after he was instructed on the guitar with the help of his neighbor -Eddie "Son" House-, and it did not take long for him to exploit his talent showing it to his companions in the plantations, to receive his recognition and boost his career from there.
Muddy Waters' Band

The fame he gained in Mississippi unfortunately didn't reach Chicago, so when he decided to move there, Muddy had to work in a paper mill and play at small workers' parties; which helped him because that way he was able to buy his first electric guitar.

After auditioning for Chess Records, he finally got the chance to go into a studio. In 1948 he recorded "I Can't Be Satisfied" and "Feel Like Going Home". The album sold out within hours, and his career as a blues musician took off.

By 1951, Muddy Waters formed a band with Jimmy Rogers on guitar, Fred Below on drums, Willie Dixon on bass, Little Walter on harmonica, and Otis Spann on piano. Throughout the rest of the 1940s, the band recorded blues classics such as "Long Distance Call", "I'm Your Hootchie Cootchie Man", "Rollin' Stone", "Got My Mojo Working", "Mannish Boy », among others.

"Ten years after arriving in the city, Muddy Waters became 'the king of Chicago.' The Best of Muddy Waters, a collection that made him known throughout the world.

Two concerts meant the next step in the career of Muddy Waters. The first was in England, when the band rocked audiences with their energetic, city music. The second was at the Newport Folk Festival, in Rhode Island, USA, the day Muddy Waters proved to be the doyen of electric blues.

His fame was never satisfied because along with Johnny Winter, Muddy Waters won the Grammy Award for the album Hard Again in 1977. In the middle of the decade he played for President Jimmy Carter, in 1980 he entered the Hall of Fame and seven years later the Hall of Fame. Rock'n Roll Hall of Fame, recognition that he could not see in life because on April 30, 1983 he died in the state of Illinois.

The great influence that Muddy Waters had on music was soon reflected in bands like The Rolling Stones —whose name was inspired by two of their songs "Mannish Boy" and "Rollin' Stone"— or The Animals, and musicians like Eric Clapton , Jimi Hendrix, Stevie Ray Vaughan and many more.

In addition to influencing music, an American magazine also bears the name of one of his songs, and Martin Scorsese dedicated a chapter to it in his 2003 television series The Blues, in which he recounts the history of this musical genre.

Muddy Waters' legacy in music is undeniable. It was the most important bridge between the native Mississippi country blues and the sophisticated urban sound of the city of Chicago. His dream came true, he managed to bring his music to the whole world, without thinking that it would change him completely.

Changing Tymz

Changing Tymz are making their mark as a powerful energetic band with inspiring songs and they are proud to release a Universal Music approved cover of the #1 hit song "I Hope You Dance".

Adding their sound to this classic gives the song an energetic positive feel that breathes new life in a song already known by countless millions and the drive and energy from Changing Tymz is certain to push this timeless classic to new heights.

https://www.changingtymz.com/

Angelique Francis

Angelique Francis is a versatile and exceptionally gifted musician and her Roots Music Report’s Canadian Chart #1 album Long River has spent over 30 weeks on the tally…and counting! This multi-talented, multi-instrumentalist, multi-genre singer-songwriter, and composer has wowed audiences across the globe with her electrifying performances, instrumental abilities, and powerful textured vocals. She is known for her eclectic mix of various musical genres including Blues, Soul, Folk, Jazz, Gospel, and Rock. Angelique has shared the stage/opened for a large roster of well-known musicians such as Gary Clark Jr, Joe Bonamassa, Eric Gales, Keb’ Mo’, Jimmy Vivino, Beth Hart, Tom Cochran, Burton Cummings, Sugar Ray, and the list goes on. Her diversity, passion and love of music can be heard in all of her original compositions.

This highly sought-after musician hosted the 2022 Maple Blues awards (Canadian blues music awards), won two Maple Blues Awards for new artist of the year and bassist of the year last month, and was a feature act at the Keeping the Blues Alive at Sea festival (Miami to Jamaica), Grolsch Blues Festival (Germany), Sighisoara Blues Festival (Romania), Massey Hall, Montreal Jazz Festival, Mariposa Folk Fest, Calgary Folk fest, Canmore Folk Fest, Ottawa Jazz Festival, Ottawa Blues Festival, London Home County Festival, Mont-Tremblant Blues Festival, Trios-Rivieres Blues festival, Ottawa Folk Fest, Val-d’Or Blues Fest, Calabogie Blues Festival and many more.

www.angeliquefrancis.net

Ghalia Volt

Never underestimate the power of a woman with her back to the wall. In March 2020, as Covid blew across the planet, the shutters came down on live venues and recording studios, and the music scene fell suddenly silent, Ghalia Volt faced the same dilemma as every other artist. What now?

The answer was One Woman Band.

Having joined with the cream of the US roots scene for two acclaimed albums, 2017’s Let The Demons Out and 2019’s Mississppi Blend, Volt’s rebirth as a solo performer wasn’t a decision made lightly. But if an apprenticeship busking in her native Brussels taught Volt anything, it’s that she already had everything she needed to make magic. “In March, I started playing on a real drum set,” she recalls. “Playing a kick, snare and hi-hat plus a tambourine with my two feet, while playing slide/guitar and singing at the same time.”

After road-testing the new format at shows across Mississippi, Volt realised that one was the magic number. In August, she committed to the project, embarking on a month-long Amtrak train trip that became an intensive writing session, the shifting landscapes beyond the window inspiring her pen to scratch as never before.

www.ghaliavolt.com

Kitchener's Fog Blues & Brass Band Banish The Sadness On "Why Get Up" Single

 

Recording artists Fog Blues & Brass Band capture the wild energy of a Saturday night at a packed blues bar into their latest single, “Why Get Up.” And it’s no accident, because the blues banger came to life in front of an audience before it ever saw the inside of a recording studio.

Hailing from Kitchener, Ontario, Canada, the seven-piece Fog Blues & Brass Band is fresh off the heels of their successful debut album, Into the Fog.  The album gained them nods for their unique spin on the traditional rock and blues sound, encompassing commanding vocals, harmonies, guitars, keys and horns. Each single off the 2018 album has garnered radio play in Canada and abroad, and the band is also known for their powerhouse live performances at venues and festivals.

Contrary to its title, the new single, “Why Get Up,” is a testament to the band’s ability to get their audiences up on their feet. The traditional blues lyrics bemoan tough times – “Why get up? Rent’s due but I can’t pay/ Life keeps kickin’ me down/ Like I’m one foot in the grave.” But the driving music tells a different story – dance now, worry tomorrow.

"Why Get Up” is a true ensemble effort that seamlessly showcases each of the seasoned band members’ musical chops. Vocalist Hilliard “Hills” Walter leads Al Hosack on bass, Domenic DiNino on drums, Bobby Becker on keys, Dan Jancar on saxophones, Joe Dublanski on alto saxophone, and Tim Palsar on guitar. Each is just as strong performing solo as they are as part of a jam, amplifying the group’s satisfying, cohesive sound.

Not only is performing “Why Get Up” a team endeavor, but so too was the songwriting process. When one band member came to rehearsal with a rough demo of the song, the other six were quick to add their own stamp on the tune. When the band performed it live, the reaction was so huge that they decided to head to the recording studio. They enlisted Emmy winner Don Breithaupt to arrange the four-piece horn parts, and producer engineer John “Beetle” Bailey, a Juno and Grammy winner, perfected the sound. (Bailey also worked with the band on “Into the Fog” and their 2022 holiday single, “Here Comes Santa Claus,” a swingy take on the Christmas classic.)

What emerged from the studio was a traditional blues song that banishes the blues. Even as the metaphoric storm clouds gather, “Why Get Up” tells them to take a hike: “You wanna leave me baby/Take them clouds and walk away.” What’s left to do but dance? Wherever the listener might be, “Why Get Up” brings the party to them.

www.fogblues.com

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