Friday, January 7, 2022

JAM Radio - Bulletin 1/7/2022

 Hi!

NEW BANDS FROM THIS WEEKEND ON JAM RADIO: THE CRAWLING EYE, LEADBETTER BAND, SOPHIE LI, HURRICANE HIGHWAY AND OTHERS. EVERY WEEK WE PLAY THE NEWEST!


IF YOU WANT TO KNOW ONLY THE NEWEST IN THOSE MUSIC GENRES, TUNE IN AND ENJOY THE STATION!

FOLLOW OUR NEWS ON TWITTER @jam_onlineradio and on INSTAGRAM @jamonlineradio1

NEW!! THE BLOG OF JAM RADIO with the latest news on the radio and new releases online on https://jam-radio.blogspot.com

NEW INFORMATION, FUN, ENTERTAINMENT, NEWS, ROCK & JAZZ NEWS, CHAT, WEBCAMS, GAMES ON THE RADIO SITE... UPDATED IN REAL TIME!

PUT THE PLAYER OF JAM RADIO INTO YOUR BLOG OR SITE AND ALLOW YOUR VISITORS TO ENJOY THE RADIO. CLICK HERE TO GET THE CODE.

SCAN THE QR CODE, DOWNLOAD THE APPS AND HEAR THE RADIO ON YOUR PHONE HERE

TUNE IN https://jarnanz.wixsite.com/jamradio

READ THE LATEST BLUES-ROCK NEWS UPDATED IN REAL TIME ON THE RADIO SITE.
 
 NEW!!!: LISTEN TO THE STATION WITH THE NEW POP-UP PLAYER. FIND IT ON THE RADIO SITE.
 NEW!!! READ THE JAM ONLINE PAPER WITH LOTS OF INFORMATIONS, ENTERTAINMENT, GAMES AND MORE UPDATED IN REAL-TIME 
HERE

Announce your company or products to 4000 listeners we have daily on the radio or contract a banner ad for our radio site.

Get the products of JAM Radio, find them on the radio site.

HAVE A GREAT WEEKEND, HAPPY 2022 AND CONTINUE ENJOYING GREAT MUSIC on JAM RADIO!!!

Wednesday, January 5, 2022

The Metal Byrds

 


 

The Metal Byrds band are born musicians. London born Suzanne Birdie, has a power-pop rock voice, that compliments Sly Rye's ripping rock riffs and lead guitar solos in every song!
These catchy songs are throwback to a time where female front-women dominated the radio waves with rocking sounds. A time where Hair Bands and Classic Rock & Roll ruled the world.

"Our sound comes from our individual influences over the decades.  Sly Rye's guitar playing style has been influenced anywhere from classic rock all the way from metal to alternative rock. Suzanne's singing style is heavily influenced by all the great women in rock history. From Joan Jett, Pat Benetar, Stevie Nicks and Heart. We are not the typical cookie-cutter sounding rock band, and if you listen closely, you will hear a sound like none-other." says the band of creating songs together.

The Metal Byrds have received rotation on both international and national online and FM radio stations, and have a fan base that keeps on growing.  Currently having three songs from their latest album, that have risen up the radio charts to reach #1, they maintain at least one song on any given time on a top ten chart, every week since the beginning  of 2020, as well as being featured on several explosive and popular Spotify playlists that feature other great up and coming Indie Rock bands and musicians.

Their fourth full length album, 4, available now online, for streaming and purchase on BandCamp, Spotify, iTunes, Apple Music, Amazon Music, iHeartRadio, Deezer, Tidal, Napster, YouTube Music, and YouTube.

Site: https://www.themetalbyrds.com

 

Tuesday, January 4, 2022

Most Famous Unknown Rock Band in History

                                                         The group BIG STAR

The story of rock and roll is full of missed opportunities, poor decisions, and tragic turns of fate that consigned many worthwhile artists to obscurity. While many are little more than footnotes in musical history, some, like the legendary Memphis combo Big Star, pick up a second life as an influential force far beyond their original lifespan. 2022 will mark the 50th anniversary of the release of Big Star’s debut 1 Record. Though their shimmering Beatles-influenced guitar pop sound was acclaimed by critics, very few people heard Big Star, but as Brian Eno famously noted about the Velvet Underground, many of those who did would start their own bands.

Barely out of their teens, the duo of Chris Bell and Alex Chilton composed songs that fused the chiming guitars of the 1960s British Invasion sound with touches of the gritty soul sounds that put Memphis on the musical map. Bell knew his way around the studio as a session musician at Ardent Studios, where many local R&B hits were born, and Chilton was already a cynical veteran of the music industry from his time in the Box Tops. Bassist Andy Hummel and drummer Jody Stephens completed the group.

The songs on #1 Record (1972) expressed a strident self-confidence, “The Ballad of El Goodo”, and a deep spiritual yearning, “Try Again”, but they could also keep pace with the AM radio sound of the time, on rockers like “In The Street”, which would become adapted as the theme from 1990s sitcom That ‘70s Show, and the Rolling Stones-styled boogie of “Feel”. The acoustic ballad “Thirteen” evoked the feeling of early adolescence like few songs in the rock idiom, previously or since. Strong reviews, however, did not translate into sales, and the record sank from view.

Disappointment over the record’s failure led Bell to quit the group before the 1974 followup Radio City was recorded, but Big Star forged on as a trio led by Chilton. Songs like “September Gurls”, later covered by The Bangles, “Back of a Car” and “O My Soul” were evidence that the magic of the debut was no fluke. But as a rare rock group on soul label Stax Records’ roster, and because of a failed distribution deal, few of their records made it to the shelves. The band remained a well-kept secret to anyone other than a few journalists and industry insiders.

With little left to lose or to strive for, Alex Chilton retreated to the studio and recorded what would become the third album with various musicians and noted producer Jim Dickinson. Songs like “Big Black Car”, “Nighttime” and “Kanga Roo” were harrowing but beautiful, and Chilton seemed to reflect on Big Star’s failures with sarcasm (“Thank You Friends”) and anger (“You Can’t Have Me”). The recordings of what would be known as Big Star’s Third were the nihilistic sound of an artist and band falling apart, and true to Big Star’s commercial fate, other than a few bootlegs the record was shelved until the late 1970s when it was released in England.

Alex Chilton continued on as a solo act, making many eclectic, often difficult records that would also achieve their own cult-like appreciation. His later music could be heard as a rejection of the “power pop” sound he helped to pioneer and the Big Star myth, as he would become a prickly godfather of the spirit of punk and independent music. Chilton resurrected Big Star in the 90s and kept it going—on his own terms, of course—off and on until his death from a heart attack in 2010, including a new collection of songs released under the Big Star name in 2005. After leaving the band he started, Chris Bell would eventually give up on music and died in a motorcycle crash in 1978, but not before recording an album’s worth of songs with Beatles engineer Geoff Emerick while in France. These recordings were issued posthumously as the collection I Am The Cosmos and stand alongside the very best music that Big Star released. Bell’s pre-Big Star work was included in the Big Star box set Keep An Eye on the Sky, along with other Big Star rarities.

Big Star would find their listeners; in fact, all three records have been included in Rolling Stone’s ever-evolving 500 Greatest Albums of All Time list. Artists like Beck, Wilco, R.E.M., the Replacements, and Teenage Fanclub would claim them as an influence. Since Chilton’s death, a collective of musicians from across the musical spectrum including surviving member Jody Stephens and latter-day Big Star members from the band The Posies have gathered to perform Big Star’s music in epic concerts on stages around the world. A 2016 show at Glendale’s Alex Theatre was captured on the live recording and DVD Thank You Friends: Big Star’s Third Live and More. More archival live sets and radio sessions would emerge, enhancing the Big Star archival legacy, including a comprehensive collection of the Big Star Third sessions. Most illuminating of all was the 2013 documentary Big Star: Nothing Can Hurt Me, which finally told the story of rock’s most celebrated cult band.

15 New Blues & Rock Songs You Must Hear

 

Robin Trower, Maxi Priest, Livingstone Brown
When three legendary artists come together to create a sound all their own, it doesn’t always work out the way it does on United State Of Mind by Robin Trower, Maxi Priest and Livingstone Brown released October 9, 2020 on Manhaton Records. A trio of musicians you might not necessarily put together, they blend their unique sounds to create an album of singular beauty.


Song “United State of Mind” 

The Black Moods
The Black Moods play raw, amplified rock and roll with a modern update of a timeless sound. They breathe a blast of fresh air into electric guitars, anthemic hooks and percussive stomp. A power trio made up of frontman/guitarist Josh Kennedy, drummer Chico Diaz and bassist Jordan Hoffman that makes great, crunching rock music with excellent lyrics. Their new album Sunshine is respectful of the past and plugged into the present. The Black Moods built their audience the old fashioned way—by hitting the road, touring heavily and promoting their albums.

Song “Sunshine”

 
Artur Menezes
Brazilian blues/rock guitarist, vocalist, and songwriter Artur Menezes impresses on every level on his new record Fading Away, a super-hot eight-song set that blends blues with psychedelic rock, funk and Brazilian rhythms. Produced by Josh Smith, the album features guest appearances by Smith as well as Joe Bonamassa. A superb guitar player and strong singer/songwriter, Menezes combines vintage influences with his own contemporary style. Winner of the Gibson/Albert King Award for Best Guitarist, even if this song doesn’t resonate, check out his other musical offerings.

Song “Northeast” 

 
Jeremiah Johnson
Talented blues guitarist, singer and songwriter Jeremiah Johnson released two albums this year, and this one is in response to the pandemic. One of the hottest prospects on the blues scene over the last decade, Mississippi native Johnson knows a thing or two about hard work. By all  accounts, Johnson has come up the hard way, day-jobbing as a billboard laborer while recording and self-releasing some mighty fine blues records. With rocking swagger, Johnson turns up the heat on the record with his power trio.

Song “Unemployed Highly Annoyed” 

 
The Immediate Family
The Immediate Family put their superb rock and roll spin on their new EP, Slippin’ and Slidin’ out October 16, 2020. The Immediate Family is made up of legendary musicians Danny Kortchmar (guitar, vocals), Waddy Wachtel (guitar, vocals), Leland Sklar (bass), Russ Kunkel (drums) and Steve Postell (guitar, vocals.) The Immediate Family is the epitome of cool. They’ve played together for decades, their chemistry undeniable, their talents limitless. The term “supergroup” has been loosely bandied about for years, but it definitely applies here. There is true excellence not just in the musicianship on Slippin’ and Slidin’ but in the poetic songwriting as well.

Song “Cruel Twist” 

 
Sam Morrow
Gettin’ By On Gettin’ Down by Sam Morrow is a blast of fresh air, fuel for your pandemic-weary soul. Produced by award-winning producer and president/label owner Eric Corne, the record is funky country rock with a modern feel. Outstanding vocalist, songwriter and guitarist Sam Morrow has a serious feel for groove that’s inherent in each of the nine songs. With slinky slide guitars and super-tight drumming and bass, this album is a musical feast. Morrow is a compelling artist with a unique sound, backed by top-tier musicians who have a tight grip on rhythm.

Song “Golden Venus” 

 
Cary Morin
Cary Morin’s “Prisoner” opens with some of the finger-style guitar-work for which Morin has become famous. Morin makes his instrument sing, moan and talk, like the great Robert Johnson with a personality all its own. Soulful, rich vocals abound on his new album, Dockside Saints. Behind Morin’s magic, the band kicks up a slow and colorful blues jam.

Song “Prisoner” 

 

Kevin Burt
Guitarist, harp player, songwriter, and vocalist Kevin Burt comes straight out of Iowa with a load of blues power on his new release Stone Crazy. Produced by Mike Zito, the set features ten soul-infused blues songs that showcase all of Burt’s considerable talents, especially his powerfully expressive voice, which easily goes from a smooth-and-sweet seduction mode to a commanding growl in a hot second. Burt’s vibe is influenced by Aaron Neville, Bill Withers, and B.B. King. What a voice.

Song “Ain’t Got No Problem With It” 

 
Hurricane Ruth
The great Willie Dixon once told Ruth “You’re the only hurricane I can appreciate.” Ruth LaMaster has performed with John Lee Hooker, B.B. King, Willie Dixon, Taj Mahal, Ramsey Lewis Trio, Kenny Wayne Shepherd, Royal Southern Brotherhood, and more. Her vocals are deeply rooted in the blues but she also rocks the house. Hurricane Ruth gives it everything she’s got on her new album Good Life, a smoking-hot set that adds up to another huge blast of the deeply soulful two-fisted blues. Backed up by an ultra-powerful band made up of Scott Holt (guitar), Bruce Katz (Hammond B-3, keyboards), Calvin Johnson (bass), and Tony Braunagel (drums), Ruth comes on strong and delivers a performance that would blow the roof off of any roadhouse in the world.

Song “Dirty Blues” 

 
Oz Noy
Contemporary funk/fusion/jazz guitar master Oz Noy presents another batch of his iconoclastic musical style on his new album Snapdragon. Born in Israel, Noy began playing professionally at just 13 years old doing jazz, blues, rock, and pop. Since moving to New York City in 1996, Oz has made a huge impact on the local and international music scene. He’s broken all the rules of instrumental guitar music by focusing on the groove. Oz has toured with just about everyone so no list of names is needed.

Song “Just Groove Me” 

 
Bette Smith
Fierce rock and soul vocalist Bette Smith puts down a big sound on her new record The Good, The Bad & The Bette. Produced by Drive-By Trucker Matt Patton and engineer/drummer Bronson Tew, the album features Smith infusing gospel and soul into rock and roll, with guests including Luther Dickinson and fellow DBT member Patterson Hood. The set is proof positive that an old school mix of soul and rock music never goes out of style and that Smith has every bit of the power displayed by past masters up to and including Aretha Franklin. Smith is a wildly emotive singer with a fearless swagger that permeates everything she does.

Song “Fistful of Dollars”

 
The Michael Mills Band
The Michael Mills Band stirs up blues/rock fire on their new album, Stand Up. With tasty guitar riffs along with strong, expressive vocals and a tight band, these blues rockers hail from Huntington Beach, CA, and have been lighting up the club scene up and down the California Coast, plus a standing gig at The House of Blues. From blues-funky to straight up blues/rock, this is the band to watch.

Song “I Know”

 

Gráinne Duffy
You might not have heard of her, but Ireland’s own Gráinne Duffy is an emerging blues star on her new album Voodoo Blues. One of the most notable blues guitarists, vocalists, and songwriters rising to prominence in the European scene, Duffy’s sound is a mix of blues, rock, roots music, and soul blended with Duffy’s own Irish/Celtic style. It’s a swampy, sensual, heartfelt, and spellbinding experience focused on Duffy’s powerful, heart-shredding voice and highly melodic guitar work.

Song “Voodoo Blues”

 
Eric Johanson
A growing force in the blues and roots/rock scene, Johanson’s music is distinct—it’s moody, sometimes haunting and dark, blessed with groove. Visual storytelling, mind- blowing guitar, and soulful, strong vocals abound on Below Sea Level. Whatever transpired in that studio with this artist’s songs and musical talents, Cody Dickinson on drums, Terrence Grayson on bass (Victor Wainwright) and Luther Dickinson’s production, summoned some kind of magic. For Below Sea Level, Eric teamed up with Luther and Cody Dickinson and recorded the album. A better match could not have been made.

Song “Dose of Forget” 

 
Magnolia Bayou
Mississippi blues swamp rockers Magnolia Bayou’s sound is reminiscent of the golden age of rock n’ roll, flavored with heavy southern swagger that’s distinctly theirs. A soulful, distinctive vocalist and tight band, Magnolia Bayou’s new album, Strange Place is steeped in the group’s origins, tapping into elements of southern, psychedelic, funk, and blues-based rock and roll that the group has reinvented and bent to their will.

Song “Tupelo” 

Monday, January 3, 2022

Keith Shaw

 

 

KeithShaw is a singer / songwriter, multi-instrumentalist, and producer. He is a 2021 International Singer-Songwriter Award FINALIST for Album of the Year for "Haunted" and Single of the Year for "Little Pretty Thing". He also is a 2020 International Singer-Songwriter Association (ISSA) Award finalist for Male Rising Star, Single of the Year for "Until The Rain Comes", Songwriter of the Year, and Emerging Artist of the Year. Keith also is a 2-time finalist for "Best Rock Song" and in 2021 for Best Pop Song in the World Songwriting Awards (WSA). Keith writes all music and lyrics for his songs, and plays guitars, bass, keyboards, percussion on all tracks, as well as producing, mixing and mastering. He also does his own art production.

His brand new album "Haunted" featuring the title track is available now on CD Baby, Spotify, Amazon Music and more.

Single releases include: "Until The Rain Comes" , "There's A Tie That Binds Us", "I'm Going Home", “Cherry Red”, "(It’s A) Race To The Bottom”, "L.M.A.O.", and "17" which are getting solid airplay around the world. In fact, all 7 have hit both Top 10 and Top 20 charts.

Sites: https://linktr.ee/KeithShawMusic

Sunday, January 2, 2022

Jimmy Barnatán

 

 


 Jaime Barnatán Pereda (born 2 July 1981), known as Jimmy Barnatán, is a Spanish singer, actor and writer. His origins lie in the district of Chamartín in Madrid (Madrid), although he spent part of his childhood in New York due to family reasons. There, he usually went to the church with his grandmother of him, and he soon became impressed by the Gospel choirs. He also surrounded himself with black musicians and was captivated with the blues they played. In fact, his style of him is unmistakably American, and arguably his voice of him, powerful and torn, is one of the most singular in the Spanish national scene. His relationship with the theater and the big screen also starts very soon. Jimmy is certainly a multifaceted artist. He was born of the marriage between the writer Marcos Ricardo Barnatán and the journalist Rosa Pereda. Jimmy Barnatán was born in Madrid, but his heart of it is divided between the capital of Spain, Madrid and New York. Since its early years, he showed great admiration for the performing arts, and soon experienced the desire to get on the stage of a theater. His claim was answered in 1992, when he was just 11 years: then, the young Jimmy managed to join the cast of Les Misérables, a musical produced by José Tamayo and Plácido Domingo, in association with Cameron Mackintosh, which was presented on 16 September in the New Apolo Theater in Madrid, as an adaptation of the classic that inspired the novel by Victor Hugo. The success was overwhelming. After that experience, Barnatán landed on television and performed sketches on entertainment programs as The Worst Week Program (1994) or Innocent, Innocent (1995). That year took place his leap to the big screen thanks to director Alex de la Iglesia, who entrusted him the role of possessed child in the iconic film The Day of the Beast. In 1996 he started in television fiction with Milk Brothers (Hermanos de leche), sharing cast with actors like Jose Coronado or Juan Echanove, and, a year later, he returned to the theater, to represent Between two shores (Entre dos orillas) ( 1997) at the Teatro de la Maestranza in Seville. Since then, Jimmy has been part of a lot of projects in all formats, highlighting Torrente, the dumb arm of the law, Heart of the Warrior, The Biggest Robbery Never Told (The Greatest Robbery Ever Told) and Los Serrano, a TV series that gave him an enormous popularity thanks to the role of Chucky. He has participated in several short films, being director of three of them from 1998 to 2005. He did the same in a documentary (Racing Blues. History of a feeling) (Racing Blues. History of a feeling) (2007) in which, alongside Fernando Guisado, he narrated the adventures of an historic Spanish football team, the Racing de Santander. In music, the journey of Barnatán also began in New York, where he used to go due to family reasons. One day, he had the opportunity to get on a stage surrounded by black Blues singers, and his intervention by him was warmly applauded by them. Jimmy said in an interview with daily El País: Since I was a child, I used to go, first with my grandmother and, later, alone, to a Harlem church to hear gospel. I started to be interested in black music and, one day, at 16 or so, I slipped with a friend at Arthur's Tavern, mythical place, to see a concert. When it finished, it started a jam session and I started to sing ... the musicians liked the way I did and they summoned me to return whenever I wanted. From there, everything ran. In Spain, he began his career as a vocalist with Caronte's Ferry, and later went on to lead the San Telmo Blues Band, covering in both formations the great American classics. In 2010 he released his first studio album with the title Black Note, showing the influences received from those vinyl of Lionel Hampton, Ella Fitzgerald and Louis Armstrong that he listened to at home. It was a subtle tribute to all those legends of Jazz, Blues and Soul that saw him grow. The album was presented at the legendary Sala Clamores of Madrid, causing a pleasant surprise to those who, until then, had enjoyed her performance on the big screen and in television. Soon after, he began recording with Back Door Band what turned out to be his second album, After the blue Times (2011), this time with the seal of Warner Music Spain. While preparing the above releases, the multifaceted artist had time to write two novels: Atlas (2005) and New York Blues (2012). After that, he continued his career in the music scene constituting the group Jimmy Barnatán & The Cocooners, with whom he has released Room 13: A Blues Tale (2013) and Motorclub (2015).

Meanwhile, Jimmy has continued exercising his profession as an actor in projects like The Hurd, land with a soul (2015), documentary still unreleased for which he has also composed the soundtrack. Musically, he toured Spain accompanying the Texan guitarist Carvin Jones, and drew up part of the soundtrack of My big night (Mi gran noche) (2015), the new film by Alex de la Iglesia. Moreover, he has already prepared what will be his third novel by him, The Topper of Memphis (La Chistera de Memphis), whose publication is expected for the coming months.

Saturday, January 1, 2022

A little of History: Internet Radio

 

Internet radio was pioneered by Carl Malamud. In 1993, Malamud launched "Internet Talk Radio", which was the "first computer-radio talk show, each week interviewing a computer expert". The first Internet concert was broadcast on June 24, 1993, by the band Severe Tire Damage. In March 1994, an unofficial automated rebroadcast of Irish radio news was setup as the RTE To Everywhere Project, allowing Irish people across the World daily access to radio news from home until it was rendered obsolete in 1998. In November 1994, a Rolling Stones concert was the "first major cyberspace multicast concert." Mick Jagger opened the concert by saying, "I want to say a special welcome to everyone that's, uh, climbed into the Internet tonight and, uh, has got into the M-bone. And I hope it doesn't all collapse." [twenty] On November 7, 1994, WXYC (89.3 FM Chapel Hill, North Carolina, USA) became the first traditional radio station to announce broadcasting on the Internet. WXYC used an FM radio connected to a system at SunSite, later known as Ibiblio, running Cornell's CU-SeeMe software. WXYC had begun test broadcasts and bandwidth testing as early as August 1994. WREK (91.1 FM, Atlanta, GA USA) started streaming on the same day using their own custom software called CyberRadio1. However, unlike WXYC, this was WREK's beta launch and the stream was not advertised until a later date. On December 3, 1994, KJHK 90.7 FM, a campus radio station located in Lawrence, Kansas, at the University of Kansas, became one of the first radio stations in the world to broadcast a live and continuous stream over Internet radio. Time magazine said that RealAudio took "advantage of the latest advances in digital compression" and delivered "AM radio-quality sound in so-called real time." Eventually, companies such as Nullsoft and Microsoft released streaming audio players as free downloads . As the software audio players became available, "many Web-based radio stations began springing up." In 1995, Scott Bourne founded NetRadio.com as the world's first Internet-only radio network. NetRadio.com was a pioneer in Internet radio. It was the first Internet-only network to be licensed by ASCAP. NetRadio eventually went on to an IPO in October 1999. Most of the current Internet radio providers followed the path that NetRadio.com carved out in digital media. In March 1996, Virgin Radio - London became the first European radio station to broadcast its full program live on the Internet. It broadcast its FM signal, live from the source, simultaneously on the Internet 24 hours a day. On May 1, 1997, Radio306.com (now Pure Rock Radio) launched in Saskatoon, Canada. The internet-only station purerockradio.net celebrated 20 years on air in 2017 as the longest-running Canadian internet station. Internet radio also provided new opportunities to mix music with advocacy. In February 1999, Zero24-7 Web Radio was launched. t was the first internet radio station to be crowdsourced and programmed by professional broadcasters and crowdfunded by a unique partnership of people, charities and businesses. Out of Washington DC, the station mixed progressive music and green messages. It was created by BBC and WHFS veteran Mark Daley. Internet radio attracted significant media and investor attention in the late 1990s. In 1998, the initial public stock offering for Broadcast.com set a record at the time for the largest jump in price in stock offerings in the United States. The offering price was US $18 and the company's shares opened at US $68 on the first day of trading. The company was losing money at the time and indicated in a prospectus filed with the Securities Exchange Commission that they expected the losses to continue indefinitely. Yahoo! purchased Broadcast.com on July 20, 1999, for US $5.7 billion. With the advent of streaming RealAudio over HTTP, streaming became more accessible to a number of radio shows. One such show, TechEdge Radio in 1997, was broadcast in three formats - live on the radio, live from a RealAudio server and streamed from the web over HTTP. In 1998, the longest running internet radio show, The Vinyl Lounge, began netcasting from Sydney, Australia, from Australia's first Internet radio station, NetFM (www.netfm.net). In 1999, Australian telco "Telstra" launched The Basement Internet Radio Station but it was later shut down in 2003 as it was not a viable business for the company. From 2000 onwards, most Internet radio stations increased their stream quality as bandwidth became more economical. Today, Most stations stream between 64 kbit /s and 128 kbit /s providing near CD quality audio.  As of 2017 the mobile app Radio Garden, a research project of the Netherlands Institute for Sound and Vision, was streaming approximately 8,000 radio stations to a global audience.

Friday, December 31, 2021

New blues band on the radio from this weekend: The Tamarros


 

 "In December 2019 I met with my old friends with whom I played in our group called "The Tamarros" in Trentino Alto Adige in the distant 1985 and surroundings .... it was a good experience ..... we decided to resonate our material by rearranging it with new instruments ..... and why not continue the adventure with new pieces ..... original components: - Angelo Alabiso (me) - drums, Sepp Thaler - electric guitar, Fabio Rossi - electric bass ....... other friends are added occasionally."

New band from this weekend on JAM Radio: The One Wish Carnival

 


 

The One Wish Carnival is a coterie of troubadours anointed in the ashrams of guru maharaji.
Being blessed with the powers to see through the deceptions of Babylon, the OWC was summoned by the most high to set into motion a street wise ministry of song and dance to bring a message of joy and light into the darkness.

Site:  https://www.onewishcarnival.com/

New blues band from this weekend on JAM Radio: BJ Wilbanks

 


 

Georgia-based BJ Wilbanks's authentic exploration of love and the pursuit of enlightenment has been referred to as “Back Porch Soul,” fusing the musical roots of Americana, Motown and Delta Blues into an intoxicating blend of Southern Rock. BJ's solo work explores the intimate, raw, emotional feeling of the gospel, blues, and 70s rock he was raised on as a child. The BJ Wilbanks Band has played shows with famous acts Drivin N Cryin, Mother's Finest, and the legendary Gladys Knight. BJ’s gregarious personality is palpable on record, often channeling other charismatic musical personalities like Otis Redding, Sturgill Simpson and current retro revivalists like Leon Bridges. His self-titled album, BJ Wilbanks (released April 28th) captures the refined analogue production qualities of yesteryear, complete with swampy southern bass and Stax-inspired horn sections. It is of a reminiscent of bygone era when music was so good, it transcended genre. “The best music brings the most unlikely people together,” BJ asserts. “It's music from the soul.”

The Just Imagines

 


Tyler Cressman and Cirovelle are members of The Just Imagines with Ciroyelle. They are a real life power couple who met through music and are now engaged and have formed a band. From the USA and the instrumentalist and producer in the band and Ciroyelle is from Germany and they both compose the lyrics and do vocals. Ciroyelle in charge of all visual art and promotion of the band. They are in the process of releasing their debut album, which tells their true love story as they wait for Ciroyelle to be able to move to the USA. This album includes songs from across the musical spectrum, including blues, folk, jazz, reggae, rock, funk, classical and more! The intention is that the album sounds as diverse as our love for one another. 

The first single, Not a Chance Encounter, is out now and is a sultry and psychedelic blues epic proclaiming their meeting could not have been by accident.  They both do vocals in this song and it features long and powerful guitar solos conveying the vibes of the song.  It has already been featured on multiple FM stations, podcasts, youtube shows, and internet radios. There is a pop art style music video for this song on our youtube channel as well.

Facebook page: https://www.facebook.com/TheJustImagines.music/?hc_ref=ARTxKaIg1dG91gjAVRvQQfHAPJU8Y-8vWFiniPmAd_gfbv9ZCAhK8E-lG0JeRh0MFTQ&ref=nf_target


JAM Radio - Bulletin 12/31/2021

 

Hi!

NEW BANDS FROM THIS WEEKEND ON JAM RADIO: THE JUST IMAGINES, KRISTIAN VULJAR, THE TAMARROS, ONE WISH CARNIVAL, BJ WILBANKS AND OTHERS. EVERY WEEK WE PLAY THE NEWEST!


IF YOU WANT TO KNOW ONLY THE NEWEST IN THOSE MUSIC GENRES, TUNE IN AND ENJOY THE STATION!

FOLLOW OUR NEWS ON TWITTER @jam_onlineradio and on INSTAGRAM @jamonlineradio1

NEW!! THE BLOG OF JAM RADIO with the latest news on the radio and new releases online on https://jam-radio.blogspot.com

NEW INFORMATION, FUN, ENTERTAINMENT, NEWS, ROCK & JAZZ NEWS, CHAT, WEBCAMS, GAMES ON THE RADIO SITE... UPDATED IN REAL TIME!

PUT THE PLAYER OF JAM RADIO INTO YOUR BLOG OR SITE AND ALLOW YOUR VISITORS TO ENJOY THE RADIO. CLICK HERE TO GET THE CODE.

SCAN THE QR CODE, DOWNLOAD THE APPS AND HEAR THE RADIO ON YOUR PHONE HERE

TUNE IN https://jarnanz.wixsite.com/jamradio

READ THE LATEST BLUES-ROCK NEWS UPDATED IN REAL TIME ON THE RADIO SITE.
 
 NEW!!!: LISTEN TO THE STATION WITH THE NEW POP-UP PLAYER. FIND IT ON THE RADIO SITE.
 NEW!!! READ THE JAM ONLINE PAPER WITH LOTS OF INFORMATIONS, ENTERTAINMENT, GAMES AND MORE UPDATED IN REAL-TIME 
HERE

Announce your company or products to 4000 listeners we have daily on the radio or contract a banner ad for our radio site.

Get the products of JAM Radio, find them on the radio site.

HAVE A GREAT WEEKEND, HAPPY 2022 AND CONTINUE ENJOYING GREAT MUSIC on JAM RADIO!!!

Thursday, December 30, 2021

Winamp, the famous media library

 

 

The popularization of the internet, the lowering of its rates and the digitization of music made the computer take on the role of source and player of our songs. Regarding this, it is impossible to ignore a chapter in this story in which piracy was the order of the day, with protagonists such as KaZaA or eMule (perhaps more common and longer in time depending on the country). Either way, getting a significant number of songs in mp3 format made the players much more required and someone thought that what was offered so far (Windows Media Player, Real Player, etc.) did not satisfy the needs or did not give the option to do so, specifically Justin Frankel and Dmitry Boldyrev (former students at the University of Utah). They created the germ of the player, which came to be a very simple graphical interface to make the use of AMP (Advanced Multimedia Products, which is considered the first * .mp3 player) more comfortable on Windows systems (a title bar and a menu bar with a few playback commands). In 1997, Frankel created Nullsoft, his company, and Winamp 1 was released. It was not the only alternative player created to listen to this music format, but it was the one that combined features such as creating playlists or random playback, all in an interface that used to be quite intuitive. It soon became popular, becoming one of the most downloaded software in the last 10 years. What started out as free software ended with version 1.5, at which point the freeware license became shareware, giving users a free 14-day trial after which they would be required to pay $10. The show became popular to the point where Frankel earned $ 100,000 a month. And the success did not go unnoticed for what was a great company of the time, AOL, which bought the software from Nullsoft for 80 million dollars, in fact it also kept the streaming service and the SHOUTcast protocol. The intention was to create an online radio platform such as Pandora or Last.FM unifying the Winamp and Warner Music catalogs, but they did not succeed (the existence of one and the absence of the other is the proof). This also coincided chronologically with the launch of the iPod and its song sales platform, iTunes, which, although it was somewhat behind the mp3 revolution, had its role in normalizing the purchase of mp3s to the detriment of piracy in the United States. AOL would end up dismantling Nullsoft in December 2003 and Frankel left the new parent company in January 2004. Rocknerd cites Nullsoft's Rob Lord in relation to the acquisition of AOL and what Winamp could have been had it not been managed by AOL the way it was. Depending on how familiar Winamp is to you (if you were a user from the beginning, last minute or if you have never used it), one interface or another will have stuck in your retina, but the most popular ones may be from the 1.9, when quite a few new features and items were added. In the Old Version blog (now defunct) they made their particular tribute to the app by showing some of the interfaces of these versions that allowed us to recover some images. As we mentioned before, the first version was 0.2 (April 1997), which already went beyond plain text to present an interface with the basic elements of a player (title, playback buttons, bitrate, audio output mode, etc.). The dark gray background that would become a hallmark would come with 0.92, in addition to the upper bar with yellow lines, and in 1.0 a graphic equalizer, the list editor, a frequency analyzer and the bar would be added. search. Version 1.6 started another of the characteristics that had the best reception: personalization. In addition, they were expanding the support of different formats, such as MIDI, * .wave and CDs, which came with version 1.91. This interface with the equalizer occupying a large part of it and the screen for the playlists may be quite familiar to you. With version 2.0 came the Advanced Visualization Studio (AVS) by default (until then it was a separate plug-in), which allowed to create rhythm-dependent animations on demand. But it was ** in 2002 when Winamp 3 ** arrived, after the purchase of AOL and completely rewritten at the code level, incorporating a multimedia library, a renewed interface and the only one adapted to Linux of all the existing ones (and video support from the 2.9), although there was some rejection by consuming too many system resources and being somewhat unstable.  

With version 5 in December 2003, the code bases of Winamp 2 and 3 would end up converging, trying to include the best of each one, with a renewed interface based on that of version 3 that supported the skins of version 2, as well as its plug-ins. Later, version 5.5 would coincide with the 10th anniversary in 2007 of the app (called 'The 10th anniversary edition'), which unified the modules in a single window and added support for languages ​​other than English. Did Winamp die? If it had at least one sentence notice, the end of its availability was announced for December 20, 2013, after 15 years of existence. An announcement that came after a series of layoffs in April of that year in AOL Music (division to which Winamp belonged) and the rise of streaming. Not that day came, it did not disappear, and what there was was a certain abundance of rumors of its purchase for which names like Microsoft itself sounded. But in the end, it was not those of Redmond who put in the capital to keep this part of the history of the mp3 alive, but it was the Belgian company Radionomy, an aggregator of online radio channels that already had more than 6,000 radio stations. However, this purchase did not bring too many movements for the famous player and at the end of 2015 it was Vivendi Group who took over a large part of Radionomy's shares. In early 2016 it was making headlines that there would be a new version of Winamp, aimed at polishing it out of the libraries for which Radionomy had no use rights. Now, a few years later, we are still waiting for that hypothetical version that would also include mobile devices, but although its version 5.8 was released if you go to its official website you will see that it does not load. In the end those "novelties on the way" that were promised in it did not arrive. Of this popular player there was even a version for Android in 2010 (with the last update in 2013), although today the battle of listening to music in digital format is broadly a matter of streaming, either on a computer or on devices. mobiles. Be that as it may, the fact is that Winamp is still alive in the hearts of many users who prioritized customization as a hallmark and the possibilities it gave with respect to other software. Although while there is someone who conserves and uses it, we have no choice but to end this review post with the phrase that every fan maintains: long live Winamp.

Wednesday, December 29, 2021

History of blues music

 Blues is the name given to the musical form and the music genre that emerged from the African-American communities and the black cultural melting pot of the American South of the 1890’s, drawing on a fascinating mixture of African-American spirituals, traditional songs, work songs of the slaves, field hollers, shouts and chants, folk ballads, European hymns, contemporary dance music and rhymed simple narrative ballads. During their back-breaking toil in the fields of the Southern plantations, black slaves developed a “call and response” way of singing to give rhythm to the drudgery of their work.

The term blues may mean melancholy or sadness, but not as much in recent years as at the outset. The origin of the term was most likely derived from mysticism involving blue indigo, which was used by many West African cultures in death and mourning ceremonies where the mourner’s clothes were dyed blue to indicate misfortune and suffering.

Today, when one thinks of the blues, you think about misfortune, betrayal and regret. When you lose your job you get the blues. When your mate falls out of love with you, you get the blues. When your dog dies, you get the blues.

While blues lyrics often deals with personal adversity, the music itself goes far beyond self pity. The blues is also about overcoming bad luck, saying what you feel, getting rid of frustrations, letting your hair dow, and just plain having fun. The best blues is visceral, cathartic, and starkly emotional on a very personal level. Blues goes from unbridled joy to deep sadness. No other form of music communicates more genuine personal emotion.

The blues grew up in the Mississippi Delta just upriver from New Orleans, the birthplace of jazz. Blues and jazz have always influenced each other, and they still interact in countless ways today. Following the end of the Civil War, black men had few options other than doing backbreaking manual work or something like becoming a traveling minstrel. Many chose to rely on their physical stamina and the soulful and melancholy lyrics of many blues songs to create a powerful, emotive and rhythmic music celebrating the life of black Americans. The lyrics they sang reflected their daily lives including sex, drinking, jail, murder, poverty, hard labor and lost love.

In the early 20th century, the blues was considered disreputable as white audiences began listening to blues. Blues came into its own as an important part of the country’s relatively new popular culture in the 1920s with the recording, first, of great female classic blues singers and, then, of the country folk blues singers of the Mississippi Delta, the Piedmont of the Carolinas, and Texas. The first copyrighted song was in l912, the “Dallas Blues.” As huge numbers of African-Americans left the South at this time due to failed Reconstruction, dismal economic conditions, oppression in the South and the hope of better treatment in the North between l915 and l940, the blues went with them, and settled in the urban centers of the North, especially Chicago. A more urban, electric blues developed as a result, which eclipsed the rural blues of the South and eventually became both rock and roll and what would become known as rhythm and blues.

Blues fell somewhat out of popular favor until the later l950’s. In l958, the Kingston Trio recorded “Tom Dooley” and gave birth to a folk revival. Folk and blues were reintroduced to white Americans. Blues had a huge influence on American popular music. Popular musicians Bo Diddley and Chuck Berry with their enthusiastic playing styles departed from the melancholy aspects of blues. After this time, the blues became increasingly merged with rock music to form the rock blues bands of the l960s and 70s.

When the country blues moved to the cities and other locales, it took on various regional characteristics. These were called the St. Louis Blues, the Memphis Blues, the Louisiana Blues, etc. Today there are many different shades of blues. Forms include:

Traditional country Blues —A general term that describes the rural blues of the Mississippi Delta, the Piedmont and other rural locales.

Jump Blues —A danceable amalgam of swing and blues and a precursor to thythm and blues.

Boogie-woogie —A piano based blues derived from barrelhouse and ragtime.

Chicago Blues —Delta blues electrified.

Cool Blues —A sophisticated piano based form that owes much to jazz.

West Coast Blues—Popularized mainly by Texas musicians who moved to California, heavily influenced by the swing beat.

There are Blues Societies all over the world, including New Mexico. In recent years, perhaps as a result of the recessionary economic times there has been a revival of interest in the Blues.

 Source: https://santafe.com

Tuesday, December 28, 2021

Radio History: Alexandre Saboundjian

  

 


At 20, he created a free radio. Today, in Paris, he introduces AudioValley, his company specializing in digital audio, on the Brussels Stock Exchange. Special day for Alexandre Saboundjian. This morning, at the stroke of 9 a.m., the Brussels entrepreneur will ring the bell to kick off the listing of his company, AudioValley, on Euronext Brussels, almost seven months after the same transaction on Euronext Growth Paris. Objective: to strengthen the visibility and facilitate operations for private and institutional investors in Belgium, the historical cradle and headquarters of the company of which it is the majority shareholder. More broadly, the operation is part of the company's desire to strengthen the attractiveness and liquidity of the stock. And then, it is also a matter of completing the repayment of the buyback in 2017 of the shares of Vivendi, which for two years was the majority shareholder of the company. Radio boss at 20,

 For Alexandre Saboundjian, 54, this is a new step in his long professional and entrepreneurial journey focused on the development of audio technologies of which he has tasted all the components. While he intends to become a chartered accountant - he did an internship in a fiduciary - this grandson of an Armenian immigrant who had fled the genocide is very quickly caught by the microphone. We are at the beginning of the 80s. "Free" radios abound. Like many others, the young Alexandre created his own radio station in Nivelles, called… W & C: "A joke of crazy young people, he remembers. And then, at the time, all the US radio stations, including free radios were inspired, had a name beginning with W. " 

The profile 54 years old, married, one child Creates a private radio station at 20 Variety manager at Bel RTL and RTL France Created in 1993 Punch, production studio for advertising spots Launches Magic Phone in 1995 (interactive telephone services) Creation in 2004 of MusicMatic which broadcasts musical programs in chain stores MusicMatic becomes AudioValley and enters Euronext Paris in 2018 and then Euronext Brussels on February 20, 2019. RFM, the Rossel group's radio network, will then acquire 50% of the shares to make it its branch in Nivelles, before it is fully integrated into the Bel RTL network launched in 1991. Enough to open the doors of the station with the logo to Alexandre Saboundjian Red and white. He became head of variety at both Bel RTL and the big sister RTL, taking care of programming, musical compilations, etc. But the entrepreneurship bug is taking him back. With a flair for catching up with the times, as he had done with his radio before. He created Punch, a production studio for radio commercials. Well seen. At the time, Bel RTL emerged, private radio networks became more professional, advertising came to RTBF radio. Ditto then with Magic Phone, created in 1995 when telephony was liberalized, becoming interactive and marketing tool. Magic Phone offers automatic applications by telephone: games, phone banking, catalog orders, etc. It resells it in 2000 to Tell Me, a voice recognition specialist which will be taken over by Microsoft. Alexandre Saboundjian then allows himself a sabbatical year to breathe, travel, and think about new entrepreneurial adventures: "I wanted to dive back into radio, it seemed to me that there was a niche to exploit in musical animation outlets, which was quite poor until then. " In 2004, he created MusicMatic, which he defines as "a platform for the automation of music flows in points of sale". In short: turnkey radio programs adapted to the profile of each commercial network. This activity will be the basis of the current AudioValley, now active in three activities: • Storever (the original MusicMatic business) • Jamendo (rights management) • Radionomy, renamed Targetspot (monetization of web radios), all in 9 countries, including the United States and China. 

 Yves Baudechon, boss of the SocialLab agency dedicated to social media marketing and with whom Alexandre Saboundjian launched Radionomy, says he is impressed by this journey. "He has never deviated from his line of conduct, he believes. He has always believed in the development of digital radio, the facts prove him right, we can therefore qualify him as a visionary. He must serve as an example to entrepreneurs. "

Sunday, December 26, 2021

Instagram

 Follow our latest news on Instagram: @jamonlineradio1

 


 

New Bulletin. Christmas 2021.

Hi!

NEW BANDS FROM THIS WEEKEND ON JAM RADIO: EMILY CALLACHER, THE SCARAMANGA SIX,  THE SHRUBS, TALLY KOREN AND OTHERS. EVERY WEEK WE PLAY THE NEWEST!


IF YOU WANT TO KNOW ONLY THE NEWEST IN THOSE MUSIC GENRES, TUNE IN AND ENJOY THE STATION!

FOLLOW OUR NEWS ON TWITTER @jam_onlineradio and on INSTAGRAM @jamonlineradio1


NEW!! THE BLOG OF JAM RADIO with the latest news on the radio and new releases online on https://jam-radio.blogspot.com


NEW INFORMATION, FUN, ENTERTAINMENT, NEWS, ROCK & JAZZ NEWS, CHAT, WEBCAMS, GAMES ON THE RADIO SITE... UPDATED IN REAL TIME!

PUT THE PLAYER OF JAM RADIO INTO YOUR BLOG OR SITE AND ALLOW YOUR VISITORS TO ENJOY THE RADIO. CLICK HERE TO GET THE CODE.

SCAN THE QR CODE, DOWNLOAD THE APPS AND HEAR THE RADIO ON YOUR PHONE HERE

TUNE IN https://jarnanz.wixsite.com/jamradio

READ THE LATEST BLUES-ROCK NEWS UPDATED IN REAL TIME ON THE RADIO SITE.
 
 NEW!!!: LISTEN TO THE STATION WITH THE NEW POP-UP PLAYER. FIND IT ON THE RADIO SITE.
 NEW!!! READ THE JAM ONLINE PAPER WITH LOTS OF INFORMATIONS, ENTERTAINMENT, GAMES AND MORE UPDATED IN REAL-TIME 
HERE

Announce your company or products to 4000 listeners we have daily on the radio or contract a banner ad for our radio site.

Get the products of JAM Radio, find them on the radio site.

HAVE A GREAT WEEKEND AND CONTINUE ENJOYING GREAT MUSIC on JAM RADIO!!!

Friday, December 17, 2021

New Bulletin JAM Radio - 12/17/2021

 

Hi!

NEW BANDS FROM THIS WEEKEND ON JAM RADIO: HILDE VOS, PHIL MATTHEWS, FREYA WOLF, PATRICK AMES AND OTHERS. EVERY WEEK WE PLAY THE NEWEST!


IF YOU WANT TO KNOW ONLY THE NEWEST IN THOSE MUSIC GENRES, TUNE IN AND ENJOY THE STATION!


FOLLOW OUR NEWS ON TWITTER @jam_onlineradio.

NEW!! THE BLOG OF JAM RADIO with the latest news on the radio and new releases online on https://jam-radio.blogspot.com


NEW INFORMATION, FUN, ENTERTAINMENT, NEWS, ROCK & JAZZ NEWS, CHAT, WEBCAMS, GAMES ON THE RADIO SITE... UPDATED IN REAL TIME!

PUT THE PLAYER OF JAM RADIO INTO YOUR BLOG OR SITE AND ALLOW YOUR VISITORS TO ENJOY THE RADIO. CLICK HERE TO GET THE CODE.

SCAN THE QR CODE, DOWNLOAD THE APPS AND HEAR THE RADIO ON YOUR PHONE
HERE

TUNE IN https://jarnanz.wixsite.com/jamradio

READ THE LATEST BLUES-ROCK NEWS UPDATED IN REAL TIME ON THE RADIO SITE.

NEW!!!: LISTEN TO THE STATION WITH THE NEW POP-UP PLAYER. FIND IT ON THE RADIO SITE.
NEW!!! READ THE JAM ONLINE PAPER WITH LOTS OF INFORMATIONS, ENTERTAINMENT, GAMES AND MORE UPDATED IN REAL-TIME
HERE

Announce your company or products to 4000 listeners we have daily on the radio or contract a banner ad for our radio site.

Get the products of JAM Radio, find them on the radio site.

HAVE A GREAT WEEKEND AND CONTINUE ENJOYING GREAT MUSIC on JAM RADIO!!!

12/17/2021 New releases on JAM Radio.

HILDE VOS, PHIL MATTHEWS, FREYA WOLF, PATRICK AMES, the new releases for this next week! 




Thursday, December 16, 2021


 MERRY CHRISTMAS TO ALL THE LISTENERS OF JAM RADIO!

 

 



From tomorrow Friday, new bands and songs on the radio! Keep listening and read the latest news on this blog! 



Wednesday, December 15, 2021

New bands on the radio this Friday!

From this Friday, December 17, more new bands on the radio! Keep listening and reading our latest news here!



Tuesday, December 14, 2021

Monday, December 13, 2021

 

Tune in now on the radio site https://jarnanz.wixsite.com/jamradio




Latest news from JAM Radio. New releases and more.

 Hi!

NEW BANDS FROM THIS WEEKEND ON JAM RADIO: THE METAL BYRDS, BOO BOO DAVIS, THE DARREN HOLLAND PROJECT AND OTHERS. EVERY WEEK WE PLAY THE NEWEST!


IF YOU WANT TO KNOW ONLY THE NEWEST IN THOSE MUSIC GENRES, TUNE IN AND ENJOY THE STATION!


FOLLOW OUR NEWS ON TWITTER @jam_onlineradio.

NEW INFORMATION, FUN, ENTERTAINMENT, NEWS, ROCK & JAZZ NEWS, CHAT, WEBCAMS, GAMES ON THE RADIO SITE... UPDATED IN REAL TIME!

PUT THE PLAYER OF JAM RADIO INTO YOUR BLOG OR SITE AND ALLOW YOUR VISITORS TO ENJOY THE RADIO. CLICK HERE TO GET THE CODE.

SCAN THE QR CODE, DOWNLOAD THE APPS AND HEAR THE RADIO ON YOUR PHONE
HERE

TUNE IN https://jarnanz.wixsite.com/jamradio

READ THE LATEST BLUES-ROCK NEWS UPDATED IN REAL TIME ON THE RADIO SITE.

NEW!!!: LISTEN TO THE STATION WITH THE NEW POP-UP PLAYER. FIND IT ON THE RADIO SITE.
NEW!!! READ THE JAM ONLINE PAPER WITH LOTS OF INFORMATIONS, ENTERTAINMENT, GAMES AND MORE UPDATED IN REAL-TIME
HERE

Announce your company or products to 4000 listeners we have daily on the radio or contract a banner ad for our radio site.

Get the products of JAM Radio, find them on the radio site.

13-12-2021. New releases!

 NEW BANDS FROM THIS WEEKEND ON JAM RADIO: THE METAL BYRDS, BOO BOO DAVIS, THE DARREN HOLLAND PROJECT AND OTHERS. EVERY WEEK WE PLAY THE NEWEST!

 TUNE IN https://jarnanz.wixsite.com/jamradio

 



 

Welcome!!!

 Welcome to the blog of JAM Radio! Here you will find all type of news and new releases!

Tune in now on the radio site https://jarnanz.wixsite.com/jamradio